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  • 1
    UID:
    almafu_BV041068155
    Format: IX, 194 S., [8] Bl. : , Ill.
    Edition: 1. publ.
    ISBN: 978-1-84150-715-6 , 1-84150-715-6
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Künstlervereinigung ; Avantgarde
    Author information: Gladston, Paul
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  • 2
    Book
    Book
    Berlin ; Heidelberg ; New York ; Dordrecht ; London : Springer
    UID:
    b3kat_BV043214597
    Format: XX, 195 Seiten , Illustrationen , 235 mm x 155 mm
    ISBN: 9783662464885
    Series Statement: Chinese contemporary art series
    Note: Literaturverzeichnis Seite 185-188
    Additional Edition: Erscheint auch als Online-Ausgabe Deconstructing contemporary Chinese art ISBN 978-3-662-46487-8
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Gladston, Paul ; China ; Kunst ; Moderne ; Geschichte 2007-2014 ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
    Author information: Gladston, Paul
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  • 3
    UID:
    almahu_9949203660502882
    Format: 1 online resource (viii, 240 pages) : , illustrations.
    Edition: First edition.
    Edition: Electronic reproduction. London : Bloomsbury Publishing, 2019. Available via World Wide Web.
    Edition: Access limited by licensing agreement.
    ISBN: 9781350042001
    Series Statement: Aesthetics and contemporary art
    Content: "In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today."--Bloomsbury Publishing.
    Note: Acknowledgements -- Introduction -- Prolegomenon -- 1. Critical Art and Aesthetics within China and EuroAmerica before Modernism -- 2. Modernisms within and outside China -- 3. Postmodernisms and Contemporaneity within and outside China -- 4. Case Study: The Work of Zhang Peili and the Pond Association (Chi she) -- Conclusion: Towards a Critical Contemporaneity -- Notes -- Bibliography -- Index. , Also issued in print.
    Language: English
    Keywords: Electronic books. ; Electronic books
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  • 4
    UID:
    gbv_683516213
    Format: 176 S. , zahlr. Ill.
    Edition: 1st ed
    Original writing title: Zhang Peili : certain pleasures = 張培力 : 確切的快感
    ISBN: 9789881506436 , 9881506433
    Series Statement: Min sheng mei shu guan shu xi = Minsheng Art Museum series
    Note: The art of not looking different , An antithesis to the conceptual : on Zhang Peili , The distance formula : viewer interaction in the art of Zhang Peili , Low resoultion : towards an incertain readin ot the art of Zhang Pelil , Text engl. und chines.
    Language: English
    Keywords: Zhang, Peili 1957- ; Ausstellungskatalog
    Author information: Gladston, Paul
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  • 5
    UID:
    almahu_9949598788002882
    Format: 1 online resource (xii, 245 pages) : , illustrations
    ISBN: 9781003435327 , 1003435327 , 9781000964714 , 100096471X , 9781000964738 , 1000964736
    Content: "Focusing on transculturality, this edited volume explores how the role of translation and the idea of (un)translatability in the transformative complementation of different civilizations facilitates the transcultural connection between Chinese and other cultures in the modern era. Bringing together established international scholars and emerging new voices, this collection explores the linguistic, social, and cultural implications of translation and transculturality. The 13 chapters not only discuss the translation of literature, but also break new ground by addressing the translation of cinema, performance, and the visual arts, which are active bearers of modern and contemporary culture that are often neglected by academics. Through an engagement with these diverse fields, the title aims not only to reflect on how translation has reproduced values, concepts, and cultural forms, but also to stimulate the emergence of new possibilities in the dynamic transcultural interplay between China and the diverse national, cultural-linguistic, and contexts of Europe, the Americas, and Asia. It shows how cultures have been appropriated, misunderstood, transformed, and reconstructed through processes of linguistic mediation, as well as how knowledge, understanding, and connections have been generated through transculturality. The book will be a must read for scholars and students of translation studies, transcultural studies, and Chinese studies"--
    Additional Edition: Print version: Translation studies and China Abingdon, Oxon ; New York, NY : Routledge, 2023 ISBN 9781032563978
    Language: English
    Keywords: Essays. ; Essays.
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  • 6
    Image
    Image
    London : Reaktion Books
    UID:
    gbv_1610710487
    Format: 318 Seiten , Illustrationen , 25 cm
    ISBN: 1780232691 , 9781780232690
    Note: Enth.: "Glossary of Chinese names" (mit Lebensdaten) , 1. Chinese art in context : Cultural interaction and exchange from antiquity to the mid-twentieth century ; Realist and modernist art in China, 1911-1948 ; Socialist-realist and revolutionary art in the People's Republic of China, 1949-1977 -- 2. Modern (contemporary) Chinese art, 1976-1989 : The early development of modern (contemporary) Chinese art ; Avant-garde art in the People's Republic of China ; The dissolution of the '85 movement -- 3. Contemporary Chinese art, 1990-2001 : Contemporary Chinese art after Tiananmen ; The internationalization of contemporary Chinese art ; Experimental art and social transformation in the People's Republic of China -- 4. Contemporary Chinese art, 2002-2013 : Contemporary Chinese art on the global stage ; Contemporary Chinese art and contemporaneity ; The political recuperation of contemporary Chinese art.
    Language: English
    Keywords: China ; Kunst ; Moderne ; Bildband
    Author information: Gladston, Paul
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  • 7
    UID:
    gbv_835218481
    Format: 74 Seiten , 26 cm, 421 g
    ISBN: 9783863358280 , 3863358287
    Language: Chinese
    Keywords: Jia 1979- ; Malerei ; Bildband
    Author information: Jia 1979-
    Author information: Gladston, Paul
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  • 8
    UID:
    gbv_717766888
    Format: 96 S. , Ill
    ISBN: 9789881506375
    Language: English
    Keywords: Schanghai ; Künstler ; Interview
    Author information: Yu, Youhan 1943-
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  • 9
    Online Resource
    Online Resource
    Berlin, Heidelberg :Springer Berlin Heidelberg :
    UID:
    edoccha_9958127172602883
    Format: 1 online resource : , color illustrations
    Edition: 1st ed. 2016.
    ISBN: 3-662-46488-8
    Series Statement: Chinese Contemporary Art Series,
    Content: The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.
    Note: Description based upon print version of record. , Preface -- Part 1 - Critical Essays -- Somewhere (and Nowhere) between Modernity and Tradition: Towards a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art -- International Curatorial Practice and The Problematic (De-)Territorialization of the International Survey Show: Critical Reflections on the Third Guangzhou Triennial, Farewell to Post-Colonialism -- Avant-Garde’ Art in Reform-era China: Divergence, Reversal and the Persistence of (Subjective) Realism -- Deconstructing Gao Minglu -- Cultural Translation and Post hoc Intellectual Conceit: Critical Reflections on the Conflating  of Traditional Chinese Cultural Thought and Practice, and the Theory and Practice of Deconstruction in relation to the Theorizing of Contemporary Chinese Art -- Besiege Wei to Rescue Zhao: a Stratagem towards a Post-Crisical Art -- The (Continuing) Story of Ai: From Tragedy to Farce  -- The Cult of Ai: a Critical Response to Ai Weiwei’s Comments on the Exhibition Art of Change: New Directions from China -- The Double Way: Contemporary Chinese Art and the Waning of Criticality -- Silence and Recuperation: the Pitiable sacrifice of the Artist Ai Weiwei  -- Part 2 - Conversations -- Inside the Yellow Box: a Conversation with Johnson Chang -- Track Changes: a Conversation with Jia Jia -- Low Resolution: a Conversation with Zhang Peili -- Answering the Question: What is the Chinese Avant-Garde? – a Conversation with Zhai Zhenming -- Disjuncture – Tradition – Indirectness: a Conversation with Qiu Anxiong -- Collaboration as Struggle and Non-cooperation: A Conversation with Sun Yuan and Peng Yu -- Time, Life and Nature: A Conversation with Liang Shaoji -- A Conversation with He Sai Bang’ in Karen and Leon Wender (eds.) -- Part 3 - Writing for Exhibitions -- Immersion: Song Ling’s Early Development as an Artist in the People’s Republic of China’ in Song Ling: a Retrospective  -- Overlit Realm/Inner World: a Loosely Articulated Series of Notes on the Work of the Artist Lu Xinjian’ in Lu Xinjian City DNA IV -- Objectless Desire: a Loosely Articulated Series of Notes on Works by the Painter Tang Shu’ in Still Waters Run Deep: Tang Shu Works  -- A Concise Series of Statements (that May or May not be) About the Work of the Artist Han Feng’ in Han Feng: Works  -- The 14th Month (After the Great Flood): Towards an Alternative Reading of Yang Jiechang’s Stranger than Paradise’ in Yang Jiechang: Tale of the 11th Day  -- Something (and Nothing) Beyond the Text: An Essay on the Work of Song Kun’ in Robin Peckham (ed.) Fragments: Xijia River Lethe - catalogue for an exhibition of work by the artist Song Kun.
    Language: English
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  • 10
    UID:
    almafu_BV048394961
    Format: 176 Seiten : , Illustrationen.
    Edition: First edition
    ISBN: 978-988-15064-3-6 , 988-15064-3-3
    Series Statement: Minsheng Art Museum series
    Note: Text englisch und chinesisch
    Language: English
    Keywords: 1957- Zhang, Peili ; Ausstellungskatalog ; Ausstellung
    Author information: Gladston, Paul
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