UID:
almafu_9959232251902883
Format:
1 online resource (vii, 556 pages) :
,
illustrations.
ISBN:
90-420-2843-2
Series Statement:
Studies in intermediality (SIM) ; 3
Content:
This interdisciplinary volume explores, analyzes, and celebrates intermedial processes. It investigates the dynamic relations between media in contemporary artistic productions such as digitalized poetry and installations or musical scores by Walter Steffens and Hugh Davies; in texts like Dieter Roth’s diaries, Ror Wolf’s guidebooks, Charles Baudelaire’s art criticism, or Lewis Carroll’s Alice books; and in inherently intermedial pieces like Stéphane Mallarmé’s Un Coup de Dés and Augusto de Campos’s poetry. Through distinct and diverse methodological approaches to intermedial inquiry, the contributors probe multiple forms of interaction between media: adaptation, appropriation, transposition, transfer, recycling, grafting, recontextualization, intertextualization, transmedialization, and transcreation. In so doing, they offer perspectives which refine our understanding of the term ‘medium’ and demonstrate ways in which intermedial creations engage their audiences and stimulate creative responses. Written in honor of Claus Clüver, a groundbreaking leader in intermediality studies, the essays participate in and broaden the scope of current discourses in the international forum. The range of their subjects and methodologies will interest literary scholars, art historians, musicologists, scholars of new media as well as those working in intermediality studies, word and image or word and music studies, and anyone whose interests cross traditional disciplinary boundaries.
Note:
Bibliographic Level Mode of Issuance: Monograph
,
Preliminary Material --
,
To Claus Clüver --
,
Dynamics of Intermedial Inquiry /
,
Resounding Images: Picasso in Musical Transmedializations by Walter Steffens /
,
The Gothic Façade in Word and Image: Romantic and Modern Perspectives on Notre-Dame de Paris /
,
Benjamin’s Elective Affinities: Re-assessing “The Paris of the Second Empire in Baudelaire” /
,
When the Woman Returns: Re-visions of Homecoming in Postwar American Film /
,
Poetry, Truthfulness, and the ‘Pity of War’: The Sacrifice of Isaac, Wilfred Owen, and Benjamin Britten /
,
Memory and Intermediality in Margaret Libby’s “Portraits of Colby Women” /
,
‘Intersemiotic’ Transposed: Dieter Roth’s “1 Bericht mit Kommentar” /
,
Sounds Heard: The Music of Hugh Davies /
,
Intermediality in the Theater of Robert Lepage /
,
Brazilian Arts: The Migration of Poetry to Videos and Installations /
,
Biopoetry /
,
History as Traumatic Memory: Das Áfricas by Maria Velho da Costa and José Afonso Furtado /
,
The Customary Connection /
,
The Enigmas of the Universe in Word and Image: Ror Wolf’s Guidebooks /
,
Karen Blixen’s ‘Stork Story’ and the Notion of Illustration /
,
Crossing the Borders of the Text and the Page: An Analysis of the Work of Angela Lago /
,
The Vision of Poetry: Un Coup de Dés by Stéphane Mallarmé /
,
Cummings’s Silent Numerical Iconic Prosody /
,
Transgressive Visualities: Reading Villari Herrmann’s Oxigênesis /
,
Portuguese Experimental Poetry – Revisited and Recreated /
,
Augusto de Campos and Trompe-l’oeil in Concrete Poetry /
,
Claus Clüver: Memos /
,
In Honorem --
,
Interarts Studies: An Introduction /
,
Publications --
,
Notes on Contributors --
,
Index.
,
English
Additional Edition:
ISBN 90-420-2842-4
Language:
English
Keywords:
Criticism, interpretation, etc.
;
Criticism, interpretation, etc.
;
Criticism, interpretation, etc.
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