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  • 1
    UID:
    kobvindex_INTbi00005118
    Format: 133 pages : , illustrations ; , 36 × 26.01 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This thesis explores the process of remembering and reevaluating the architectural legacy of the German Democratic Republic (GDR) in the context of collective memory. The study aims to understand the influence of spatial design on collective memory and the extent to which GDR architecture and interior design find a place in public discourse. The research investigates the post-reunification development of the collective memory of the GDR, focusing on non-residential buildings that have the potential for collective memory. The historical and stylistic classification of GDR architecture provides a context for analyzing the treatment of GDR architecture after reunification. While interior design has been found to have limited visibility in the discourse, a collection of GDR interior design elements is presented to highlight characteristic features. The current condition of the buildings is assessed, considering the degree of resemblance to the original design. The study acknowledges its limitations in fully exploring the influence of interior design and suggests further avenues of research for a comprehensive understanding of the architectural legacy of the GDR. Keywords: German Democratic Republic, GDR architecture, collective memory, spatial design, interior design, post-reunification, heritage protection.
    Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture/Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction 2. Historical background of Feng Shui 3. Basic principles of Feng Shui and their application 3.1 Geomatic Approach 3.2 Architectural Concept 3.3 Dao 3.4 Qi 3.5 Yin & Yang 3.6 Five Element Theory 4. Environmental psychology and Feng Shui: A Comparative Analysis 4.1 Environmental Psychology 4.2 Feng Shui 4.3 A comparison of environmental psychology and Feng Shui 5. Contemporary case studies on the application of Feng Shui principles in interior design 6. Design project 7. Conclusions 8. List of figures 9. Bibliography
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 2
    UID:
    kobvindex_INTbi00005091
    Format: 113 pages : , illustrations ; , 14.81 × 21.01 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This thesis explores the complex relationship between culture, identity, and design in the context of the modern world. It examines how globalization and societal pressures for homogeneity have impacted personal and cultural identities, leading to a search for authenticity and belonging. The study delves into the role of architects and designers in creating spaces that reflect and support diverse identities, while also grappling with the challenges of modernity and globalization. By analyzing current design approaches and considering the perspectives of cultural critics, the thesis aims to foster a deeper understanding of the complexities surrounding cultural design in contemporary society. The goal is to inform and educate readers, allowing them to form their own opinions and contribute to the ongoing discourse on cultural identity and design. Keywords: Culture, identity, authenticity, globalization, design, architecture, homogeneity, modernity.
    Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents Introduction..........................................................................................................................p. 5-10 Theoretical Approaches on Culture.................................................................................p. 11-19 Current Design Approaches...............................................................................................p. 20-22 Cultural Significant Design...............................................................................................p. 22-27 Preservation, Revitalization, Transformation..................................................................p. 28-33 No Past, Just a Common Future....................................................................................p. 34-40 The Quest For Authenticity..............................................................................................p. 41-43 Cultural Identity Expression in the Private Sphere........................................................p. 44-46 Redefining Cultural Identity.............................................................................................p. 46-50 Home in Home....................................................................................................................p. 51-63 Culture and Tourism Today.............................................................................................p. 64-66 Tourists, Travelers, Explorers........................................................................................p. 67-71 Touristic Accommodation Design.................................................................................p. 72-85 Thesis Design Project....................................................................................................p. 86-95 Conclusion.......................................................................................................................p. 96-
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 3
    UID:
    kobvindex_INTbi00005153
    Format: 27 pages : , illustrations ; , 21.59 × 27.94 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This bachelor thesis focuses on the preservation and repurposing of bunkers built during Enver Hoxha's communist regime in Albania. The bunkers, which symbolize Albania's dark past, are a significant part of the country's history. The aim of this thesis is to investigate the importance of preserving these bunkers and explore potential ways to give them a new purpose that benefits both the country and tourists. The methodology involves examining the origin and impact of the bunkers, exploring their architectural heritage, analyzing their typology, and assessing their current situation and utilization. Real-life case studies are examined to gain a better understanding of these structures. The thesis concludes with a research project proposing new functions for the bunkers in specific locations, supported by illustrations and plans. Keywords: Albania, bunkers, preservation, repurposing, communist regime, heritage.
    Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture/Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. INTRODUCTION 1.1 Research Context and Aim 1.2 Methodology 2. ORIGINS 2.1 Albania During and After the Communist Regime 2.2 How the Bunkers Came 2.3 Similar Bunker Examples: "The Atlantic Wall" 3. HERITAGE HISTORY 3.1 Built Heritage 3.2 Importance of Preserving the Bunkers 4. TYPOLOGY 4.1 Size Typology 4.2 Landscape Typology 5. CURRENT BUNKER SITUATION 5.1 What is Happening to the Bunkers Now 5.2 Creative Usage 6. CASE STUDIES 6.1 "Bunk Art 1", Tirana 6.2 "Bunk Art 2", Tirana 6.3 "Bed and Bunker", Lezha 7. DESIGN PROJECT 8. CONCLUSION
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 4
    UID:
    kobvindex_INTbi00005140
    Format: 107 pages : , illustrations ; , 21 × 29.7 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This research paper explores the relevance of retail interiors in the era of e-commerce and online shopping. It examines the shift from traditional retail spaces to experiences and services offered by physical stores. The paper argues that the design of retail interiors plays a crucial role in creating a connection between the user and the brand, evoking emotions and memories. The concept of place identity is explored to understand the relationship between users and space. Case studies of contemporary retail interiors are analyzed to examine how brands use design to attract customers and create meaningful experiences. The methodology includes a theoretical exploration of identity and place, along with an analysis of case studies to support the thesis design project of an Arts & Crafts Market. Keywords: Retail interiors, e-commerce, place identity, user experience, design.
    Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 01 Introduction 02 Place & Identity 03 Brand Identity through Retail Interiors 04 Storytelling as a Tool to Communicate (Brand) Identity 05 Arts & Crafts Market 06 Conclusion Bibliography List of Figures
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 5
    UID:
    kobvindex_INTbi00005088
    Format: 74 pages : , illustrations ; , 21 × 29.7 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This thesis focuses on the revitalization of a historical monument, specifically the ex-convent of Cuilapan de Guerrero in Oaxaca, Mexico, through the integration of vernacular architecture and adaptive reuse. The research question driving this study is: How can Vernacular Architecture & Adaptive Reuse be applied in an interior space to revitalize a historical monument? The thesis explores the challenges faced by historical buildings in Oaxaca, particularly due to limited funds for maintenance and restoration. By analyzing the concept of adaptive reuse and studying examples of successful architectural interventions, the study aims to propose a functional architectonic program that benefits both the ex-convent and the local community. The methodology involves qualitative research, including literature review, site visits, and analysis of case studies. The findings will inform the design process, considering the local culture, materials, and construction techniques to create a space that activates tourism and the local economy while preserving the historical identity of the site. Keywords: Vernacular architecture, adaptive reuse, historical buildings, interior design, revitalization, Oaxaca, Mexico.
    Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents Introduction......................................................................................................................01 Problem Statement Research Question Object of Study Methodology Chapter 1. Ex-Convents in Oaxaca, United States of Mexico.................................................03 1.1. History of the Ex-Convents (Temples) Typology & Architectonic Style 1.2. Revitalization & Transformation Chapter 2. Adaptive Reuse........................................................................................................08 2.1. Introduction 2.2. Concept 2.3. Strategies 2.4. Genius Loci 2.5. Approach with the Ex-Convents Chapter 3. Vernacular Architecture.............................................................................................14 3.1. Introduction 3.2. Concept 3.3. Tradition Chapter 4. Relationship between Vernacular Architecture & Adaptive Reuse..........................17 4.1. Introduction 4.2. Acropolis 4.3. Application in Informal & Formal Vernacular & Adaptive Reuse Chapter 5. Case Studies................................................................................................................21 5.1. Introduction 5.2. Ex-Convent of San Pablo, Oaxaca, Mexico City 5.3. Ex-Convento Franciscano Santa Ana Michoacán 5.4. SESC Pompeia Bo Bardi Chapter 6. The Revitalization of the Ex-Convent Cuilapam de Guerrero (Thesis Project).......48 6.1. Introduction 6.2. Location 6.3. History 6.4. Concept 6.5. Context 6.6. Adaptive Reuse & Vernacular Architecture 6.7. Atmospheric Plans 6.8. Renders Conclusion..................................................................................................................................68 List of Figures..............................................................................................................................69 Bibliography................................................................................................................................72
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 6
    UID:
    kobvindex_INTbi00005165
    Format: 84 pages : , illustrations ; , 21 × 29.7 cm.
    Content: AUTHOR-SUPPLIED ABSTRACT: Abstract: This thesis explores the fundamental aspects of interior architecture regarding the existing built environment. It focuses on the necessity of restoration, preservation, and adaptive reuse as possible solutions when approaching a new project concerning an existing building. Through the study of books, current journals, and relevant projects, a universal understanding is formed about approaches that can be used to react to the existing built environment. Also discussed are the more challenging situations that can arise, such as how to deal with heritage, contentious places, or the concept of memory of place. Examples and case studies are worldwide to appeal to a greater audience. The thesis outlines and defines possibilities for repairing, restoring, and protecting the existing built environment while keeping them practical in the current time. Before concluding the thesis, a design project, done in conjunction with the thesis, is discussed and explores how the different approaches and interventions discussed can be used to react to a site based on the specific site’s history, value, and intangible qualities. Keywords: interior architecture, built environment, restoration, preservation, adaptive reuse, heritage, contentious places, memory of place, design project, interventions
    Note: DISSERTATION NOTE: Master of Arts thesis in Interior Architecture/Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents Abstract ................................................................................................................................................. i Dedication ............................................................................................................................................. iii Preface.................................................................................................................................................. v Table of Contents................................................................................................................................... vii Introduction ..............................................................................................................................................1 Chapter 1: Reacting to the existing built environment ........................................................................2 Restoration ...........................................................................................................................................7 Preservation .......................................................................................................................................12 Adaptive Reuse..................................................................................................................................14 Chapter Conclusion ..........................................................................................................................16 Chapter 2: Intangible Qualities ..............................................................................................................18 Genius Loci ........................................................................................................................................19 Memory of Place and Sense of Place ............................................................................................20 Authenticity .......................................................................................................................................22 Authenticity and Ruin Photography ..........................................................................................24 Contentious Interiors ......................................................................................................................28 Chapter Conclusion ..........................................................................................................................31 Chapter 3: Case Studies ........................................................................................................................35 Case Study 1: Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) .............................36 Case Study 2: Royal Academy for Nature Conservation .............................................................42 Case Study 3: Bath Abbey ................................................................................................................46 Chapter Conclusion ..........................................................................................................................51 Chapter 4: Thesis Design Project: Pop Inn Disco..............................................................................53 Site History and Analysis .................................................................................................................55 Design Overview and Discussion ...................................................................................................59 Conclusion ............................................................................................................................................70 Bibliography ........................................................................................................................................75 List of Figures .....................................................................................................................................81
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 7
    UID:
    kobvindex_INTbi00005072
    Format: 69 pages : , illustrations ; , 21 × 29.7 cm.
    Content: AI-GENERATED ABSTRACT: Abstract: This research paper explores the concept of value in existing buildings and proposes re-inhabiting the interior space as a means to re-establish their value. The paper argues that beyond aesthetic and historical significance, the use value of a building plays a crucial role in determining its value. The concept of adaptive reuse is introduced as a tool to re-inhabit existing buildings, thereby re-establishing their value. Three case studies of successful adaptive reuse projects are critically analyzed to understand their impact and design decisions. The paper concludes with an interior architecture project that demonstrates how re-inhabiting can enhance the value of an existing building. The methodology involves a qualitative review of literature from various sources, including books, journal articles, and theses. The findings contribute to the understanding of the value of existing buildings and provide insights into the potential of adaptive reuse in architectural practice. Keywords: Value, existing buildings, re-inhabiting, adaptive reuse, interior architecture.
    Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction....................................................................................................................4 1.1. Introduction to Topic & Problem Statement........................................................4 1.2. Methodology........................................................................................................6 2. Value.............................................................................................................................7 2.1. Memorial Value...................................................................................................9 2.2. Identity Value...................................................................................................11 2.3. Use Value..........................................................................................................13 2.3.1. Inhabiting...............................................................................................14 3. Re-inhabiting as a value.........................................................................................16 3.1. Adaptive Reuse..............................................................................................18 3.1.1. The Host Building................................................................................19 3.1.2. Host Structure Types..........................................................................20 3.1.3. Strategies.............................................................................................25 4. Case Studies............................................................................................................29 4.1. Palais de Tokyo..............................................................................................29 4.2. Matadero Contemporary Art Center............................................................35 4.3. SESC Pompeia..............................................................................................41 5. Design Project........................................................................................................47 5.1. Context...........................................................................................................47 5.2. Host Building.................................................................................................48 5.3. Proposal.........................................................................................................49 6. Conclusion..............................................................................................................59 7. Bibliography..........................................................................................................61 8. List of Figures.......................................................................................................66
    Language: Undetermined
    Keywords: Academic theses
    URL: FULL
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  • 8
    UID:
    kobvindex_INT5506
    Format: 73 pages : , illustrations ; , 30 x 21 cm.
    Content: MACHINE-GENERATED SUMMARY NOTE : In the following, an outline of mankind's evolution in the form of lighting consideration is presented. Lighting consideration is recognised as an important element in the design of repurposed spaces today, whether it be historical or new. Thus, leading to the research question: "What aspects of light design need to be considered in repurposed spaces in order to meet the contemporary user needs?" The response to the research question threads, light, time, and man. The paper establishes the importance of light in a space and how humans interact with it to fulfill their needs. Of course, design challenges with adaptive reuse and other solutions are considered. Finally, the paper draws upon the existing and prior knowledge to discuss the future of light in repurposed spaces. Essentially, it is an exploration of the dynamic between nature and humans and their environments. A design proposal that offers a carefully considered lighting solution is proposed. Through an exploration of a wide range of studies and findings, it appears evident that repurposed spaces must consider the human needs for light.
    Note: DISSERTATION NOTE : submitted as m-iaid Berlin International University of Applied Sciences, 2021 , MACHINE-GENERATED CONTENTS NOTE : 1. 2. 3. INTRODUCTION ....................................................................................................... page 5 LIGHT IN SPACES ...................................................................................................... page 7 4. ADAPTING TO THE 21'st CENTURY: Light Consideration and Repurposed Spaces .........page 17 3.1 The Approach of Adaptive Reuse 3.2 Design Considerations 3.3 Light and historical spaces 3.4 Light as an adaptive resource: Adaptive Lighting A Glimpse into the Flickering Future ..........................................................................page 26 4.1 Cultural Influences on Lighting Consideration 4.2 Innovation and lighting technology 5. CASE STUDIES...................................................................................................... page 31 6. 7. 8. CONCLUSION ...........................................................................................................page 38 DESIGN PROPOSAL ...............................................................................................page 42 BIBLIOGRAPHY and REFERENCES......................................................................page 60 5.1 5.2 5.3 Natural Light: Barde + vanVoltt transforms dingy Amsterdam garage into family home Artificial Light: Cinema Center in Matadero de Legazpi, Madrid Harmonisation: Natural and Artificial light: MuseumLab opens in ruins of lightning-struck Pittsburgh library
    Language: English
    Keywords: Academic theses ; Case studies ; Academic theses ; Case studies
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    URL: FULL
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  • 9
    UID:
    kobvindex_INT5517
    Format: 80 pages : , illustrations ; , 30 x 21 cm.
    Content: MACHINE-GENERATED SUMMARY NOTE : In post-Soviet Ukraine the value of Soviet Modernism architecture is underestimated. Despite the victory of the Soviet Union in WWII and its competition with Western powers over decades, independent Ukrainains today associate the Soviet architecture with its dark times of the totalitarian regime. The unawareness of the importance is threatening these buildings with extinction. Political and economical situations in the country have shifted the issue of conservation to a secondary concern. Unfortunately even the most prominent individual buildings suffer from the indifference of the authorities and the public. However, the ruins, monuments and abandoned buildings of the Soviet epoch uncover a vast source of architectural expressions and metaphors of the political movements of that time. Architectural identity unwinds the ambitious avant garde constructivism, representational style of Stalinism and the rebelling calls of Brutalism. As a communicative tool, Soviet architecture metaphors have a vast impact on the social and cultural identity of the present Ukrainians and affect the formation of the future generations. Historically rich structures of Soviet times should be reinvigorated with a contemporary approach. The abandoned, neglected and ruined Soviet buildings, should be protected and reused, by bringing back awareness to the public. Several interrelated components of preserving the authenticity and integrity of the architectural and urban Soviet heritage of Ukraine must be taken into account: the physical recovery of objects, the increasing of the value of architectural heritage in the public consciousness and its introduction to modern culture, and the search for effective, legally sound levers to stimulate user interest towards its preservation and support. This research thesis explores the architecture of the Soviet era, the metaphors entwined into the construction and proposes a strategy of Adaptive Reuse with the purpose of revival of the existing Soviet buildings instead of their demolishment and decay. The Adaptive Reuse strategy is a necessary and effective solution to prolong life of Soviet architecture in Ukraine. The expired program of the initial host structure can be replaced with a new relevant program, which as a result will have a positive economical and social impact. Adaptive Reuse interventions, will save and reinforce the "DNA" of the heritage building of post-Soviet Ukraine. The implementation of the contemporary social needs will integrate new identity and metaphors into the historic Soviet buildings. Joining and entwining the metaphors of the past Soviet ideology and the present modern world, will not only preserve cultural heritage but also create unique projects that can benefit the local population, save financial and ecological resources by eliminating the need of demolition and new construction.
    Note: DISSERTATION NOTE : submitted as m-iaid Berlin International University of Applied Sciences, 2021 , MACHINE-GENERATED CONTENTS NOTE : 1. 2. 3. INTRODUCTION ....................................................................................................page 4 1.1 RELEVANCE OF THE TOPIC THE LOST RELEVANCE..........................................................................................page 9 2.1 DECOMMUNIZATION 2.2 ACTIVISTS VS. CORRUPTION OVERVIEW OF THE HISTORY OF SOVIET ARCHITECTUR........................page 14 3.1 AVANT-GARDE CONSTRUCTIVISM 3.2 STALINISM 3.3 THE THAW PERIOD and BRUTALISM 3.4. SOVIET ARCHITECTURE IN UKRAINE TODAY CULTURAL HERITAGE..............................................................................................page 24 4.1 SOVIET ARCHITECTUAL HERITAGE IN UKRAINE METAPHORS.................................................................................................................page 27 5.1 METAPHORS OF MODERNISM ARCHITECTURE 5.2 METAPHORS OF SOVIET MODERNISM ARCHITECTURE 5.3 METAPHORS OF CONTEMPORARY ARCHITECTURE 6. REINVIGORATING APPROACHES.........................................................................page 34 6.1 6.2 6.3 6.4 A THEORETICAL INSIGHT TOWARDS ADAPTIVE REUSE STRATEGIES THE CROSS BREEDING OF METAPHORS THROUGH ADAPTIVE REUSE A VIVID EXAMPLE: MATADERO MADRID ADAPTIVE REUSE IN UKRAINE 7. 8. CONCLUSION..........................................................................................................page 43 DESIGN PROPOSAL FOR THE "BUS PARK NUMBER 7"........ ..................page 45 8.1 THE CAR WORLD VENUE "STATION No7" 8.2 CONCLUSION OF THE PROJECT BIBLIOGRAPHY and REFERENCES.................................................................page 74
    Language: English
    Keywords: Academic theses ; Academic theses
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    URL: FULL
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  • 10
    UID:
    kobvindex_INT5516
    Format: 77 pages : , illustrations ; , 30 x 21 cm.
    Content: MACHINE-GENERATED SUMMARY NOTE : We experience spaces through our senses. The feelings experienced during our journey in interior spaces make us think, how are these feelings created? What architectural practices helped produce these feelings? The answer to those questions is the atmosphere of the space. The atmosphere in interior design is a discipline that many architecture theorists discussed. This study will look into the concept of atmosphere and the discussion of architectural theory through the works of Peter Zumthor, Juhani Pallasmaa, and Gernot Böhme. Furthermore, the research will discuss the atmospheric qualities of contemporary gallery interiors. Since a gallery atmosphere is a big challenge for designers where galleries have special conditions to work with, the study will look at the history and architectural typology of art galleries. Also, it will explore the concept of adaptive reuse of churches and how to convert them into galleries by looking into examples. The thesis will work and analyze three case studies; each of them has its atmosphere characteristic. It will also show how to find and explore the essential elements in constructing atmospheric design to improve the overall aesthetics experience. Finally, after finding the most used architectural practices in building atmosphere, the research will exemplify a design project that uses these methods to convert a church to a gallery space.
    Note: DISSERTATION NOTE : submitted as m-id Berlin International University of Applied Sciences, 2021 , MACHINE-GENERATED CONTENTS NOTE : Acknowledgements ................................................................................. 2 Abstract ............................................................................................... 3 1. 2. 3. 4. 5. 6. 7. Introduction .................................................................................. 5 1.1. Research topics and Aims ........................................................... 5 1.2. Methodology ........................................................................ 7 Atmosphere ................................................................................... 8 1. Atmosphere in architecture theory ................................................ 8 2. Methods of Atmospheric Design ................................................. 12 2.1. Light .......................................................................... 13 2.2. Materials .................................................................... 18 2.3. Relationship to Human Scale ............................................ 22 Art Galleries .................................................................................. 27 3.1. History of Art Galleries ........................................................... 27 3.2. Architectural Typology of Art Galleries ........................................ 29 The Adaptive Reuse of Churches .......................................................... 32 4.1. History of Adaptive Reuse ......................................................... 32 4.2. The Theory of Adaptive Reuse for Churches .................................. 35 Case Studies .................................................................................. 39 5.1. König Galerie - Berlin, Germany ................................................ 39 5.2. Rothko Chapel - Houston, Texas, USA .......................................... 44 5.3. Claire and Marc Bourgie Pavilion - Canada .................................... 48 5.4. Galleries Comparison ............................................................... 51 Design Project .................................................................................53 Conclusion ..................................................................................... 66 Bibliography ............................................................................................67 List of figures .......................................................................................... 72
    Language: English
    Keywords: Academic theses ; Academic theses
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    URL: FULL
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