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  • 1
    UID:
    gbv_569227208
    ISSN: 0933-0593
    In: Museumsjournal, Berlin : Kulturprojekte Berlin GmbH, 1987, 15(2001), 3, Seite 48-51, 0933-0593
    In: volume:15
    In: year:2001
    In: number:3
    In: pages:48-51
    Language: Undetermined
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  • 2
    UID:
    kobvindex_ZLB34602267
    Format: Illustrationen
    In: Museumsjournal : Berlin & Potsdam, 2001, 15 (2001) Heft 3, Seite 48 - 51
    Language: German
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  • 3
    Book
    Book
    Dunedin : Otago University Press
    UID:
    kobvindex_ZLB34542491
    Format: 245 Seiten , Illustrationen , 23,5 cm
    ISBN: 9781988592374
    Content: Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind´s lightning-bolt design, opened to acclaim. As Blumenthal writes in the foreword: "I can no longer remember what possessed me to seriously consider actually reaching out to this fabled Kiwi as a possible answer to my increasingly serious dilemma (...) but the notion paid off and today the JMB is one of Germany´s premier cultural institutions. Te Papa to Berlin is a great story - a lively insider perspective about cultural identity and nation building, about how museums can act as healing social instruments by reconciling dark and difficult histories, and about major shifts in museum thinking and practice over time. It is also about the difference that can be made by a visionary and highly effective leader and team builder.
    Language: English
    Keywords: Berlin ; Neuseeland ; Museum ; Vergangenheitsbewältigung
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  • 4
    Book
    Book
    Dunedin, New Zealand : Otago University Press
    UID:
    kobvindex_JMB00120096
    Format: 245 Seiten, [16] Blatt , Fotografien
    Content: Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind’s lightning-bolt design, opened to acclaim. As Blumenthal writes in the foreword: ‘I can no longer remember what possessed me to seriously consider actually reaching out to this fabled Kiwi as a possible answer to my increasingly serious dilemma ...’ but the notion paid off and today the JMB is one of Germany’s premier cultural institutions. Te Papa to Berlin is a great story – a lively insider perspective about cultural identity and nation building, about how museums can act as healing social instruments by reconciling dark and difficult histories, and about major shifts in museum thinking and practice over time. It is also about the difference that can be made by a visionary and highly effective leader and team builder. The early Te Papa chapters are gold: revealing accounts of the behind-the-scenes machinations at the national museum that are hitherto undocumented ... The chapters on the JMB and Berlin provide one of the best accounts I have read of creating a museum from the inside. – Conal McCarthy, Director of the Museum & Heritage Studies programme, Victoria University of Wellington Ken Gorbey is an exceptional figure in the museum world and his role in the creation of Te Papa, a ground-breaking world-class institution, cannot be overestimated. – Barbara Kirshenblatt-Gimblett, Professor Emerita of Performance Studies at New York University, creator of POLIN Museum of the History of Polish Jews in Warsaw Te Papa to Berlin is a story of learning, adaptation, great accomplishment and personal growth. It is, too, a story of leadership, relevant and instructive for anyone called on to help manage an important enterprise in unfamiliar surroundings. – W. Michael (Mike) Blumenthal, founding director of the Jewish Museum Berlin, former United States Secretary of the Treasury, retired CEO of Unisys Corp
    Language: English
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  • 5
    UID:
    kobvindex_JMB00076541
    In: JMB Journal, Berlin, (2011), Heft 5 : 10 Jahre, Seite 55 - 58
    Language: German
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  • 6
    UID:
    kobvindex_JMB00030102
    Format: Illustrationen
    In: Das Museum. Spiegel und Motor kulturpolitischer Visionen : 100 Jahre Österreichische Galerie Belvedere ; 1903 - 2003 ; Konferenzband zum gleichnamigen Symposium ; anlässlich des 100-jährigen Bestandes des Museums Wien, 16. bis 19. Oktober 2003, Wien, 2004, (2004), Seite 277 - 290
    Language: English
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  • 7
    UID:
    kobvindex_JMB00042814
    Series Statement: [Presseabteilung des Jüdischen Museums Berlin] Pressearchiv digital 000613
    Note: eigene Aufnahmen der Pressekonferenz vom 13.06.2000. , Nur für den internen Gebrauch.
    Language: German
    Author information: Blumenthal, Werner Michael
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  • 8
    UID:
    kobvindex_JMB00051034
    Format: 20 Minuten
    Series Statement: [Presseabteilung des Jüdischen Museums Berlin] Pressearchiv digital 010909
    Content: Sendung über Eröffnung des JMB, O-Ton Ken Gorbey
    Note: Nur für den internen Gebrauch.
    Language: English
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  • 9
    UID:
    kobvindex_JMB00055379
    Content: E-Mail-Korrespondenz: gesamtes "Heimat"-Material und gesamtes "Travel"-Material
    Note: Nur für den internen Gebrauch , .doc; .xls; .rtf
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  • 10
    UID:
    kobvindex_JMB00048609
    Format: 27 Minuten
    Content: The first of our predecessors was housed in a small wooden building tucked behind the new Parliament Buildings. This was the Colonial Museum, which opened in 1865 under its first director James Hector. In 1903, Augustus Hamilton was appointed as director, and it was during this time that the impetus for developing a public art gallery in Wellington was gathering momentum. In 1913, an act of Parliament was passed (the Science and Art Act) that provided for the establishment of a National Art Gallery within the building, which had by now become known as the Dominion Museum. But it was not until 1930 that the original proposal, with a Board of Trustees, was brought into being under the National Gallery and Dominion Museum Act. A new building to house these institutions opened in Buckle Street, Wellington, in 1936. The New Zealand Academy of Fine Arts also wished to be included and agreed to sell its land and donate the proceeds to the new organisation on the provision that they would be accommodated. In 1972, an act of Parliament updated the Dominion Museum's name to the National Museum. By 1987, the National Art Gallery was growing increasingly restless with the inadequacies of the building protecting its art treasures. The Buckle Street building was never completed and within ten years of opening its functions and requirements had outstripped the site's capacity. Lobbying for a new building was unsuccessful but did bring the situation, and the need for a serious commitment to resolve it, to the government's attention. At the same time, though the National Museum was a much-loved place, with changes in New Zealand society and the evolution of new attitudes towards our history and our identity, it became clear that the Buckle Street site no longer served the wider community. The need for a museum that was more representative of New Zealand's culturally diverse society, and with a broader audience appeal, was keenly felt. The goal was a place that could preserve images of the past as a foundation for the present and the future; a place that could speak with authority about who we were and who we are; and that could at the same time communicate a sense of involvement, pride, and celebration. In 1988, the government established a Project Development Board for the Museum of New Zealand Te Papa Tongarewa to move towards this goal. After extensive consultation with iwi (Ma-ori tribal groups) and canvassing of political support to secure funding, a new act of Parliament was passed in 1992 (the Museum of New Zealand Te Papa Tongarewa Act 1992), which combined the National Museum and the National Art Gallery to form the Museum of New Zealand Te Papa Tongarewa. Usually, national museums have been in place for a long time. They bear the imprint of another era and adapting them to present needs can be difficult. The development of the museum now known as Te Papa was a rare and exciting challenge - the opportunity to design from scratch a place unique to New Zealand. After an intensive five-year development, Te Papa was opened on its Cable Street site on 14 February 1998 - on time and within budget.
    Note: Fernsehmitschnitt. , Nur für den internen Gebrauch.
    Language: English
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