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  • 1
    Book
    Book
    Rochester, NY :Camden House,
    UID:
    almafu_BV035367224
    Format: X, 213 S.
    Edition: 1. publ.
    ISBN: 978-1-57113-413-4 , 1-57113-413-1
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Includes bibliographical references and index. - Schiller's gestures : origins and contexts -- An experiment in theater : Die Rauber -- Playing at politics : Die Verschworung des Fiesko zu Genua -- Violence and silence in domestic tragedy : Kabale und Liebe -- "The court watches and listens" : gesture in Don Karlos -- "Erweitert jetzt ist des Theaters Enge" : action, space, and gesture in the Wallenstein trilogy -- "Meine Maria wird keine weiche Stimmung erregen" : the two faces of classicism in Maria Stuart -- "Nicht meiner Rede, deinen Augen Glaube!" : perspective in Die Jungfrau von Orleans -- Chaos in classicism : Die Braut von Messina oder die feindlichen Bruder -- Wilhelm Tell : the triumph of ambivalence
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    Keywords: 1759-1805 Schiller, Friedrich ; Drama ; Gestik
    Author information: Guthrie, John 1953-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1686949960
    Format: 1 Online-Ressource (xviii, 132 pages) , 2 portraits
    ISBN: 1783740442 , 1783740450 , 1783740469 , 1783740434 , 1783740426 , 2821876246 , 9781783740444 , 9781783740437 , 9781783740468 , 9781783740420 , 9781783740451 , 9782821876248 , 9781783740437 , 9781783740420
    Series Statement: Open Book classics [2]
    Uniform Title: Verschwörung des Fiesco zu Genua 2015
    Content: "Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de' Fieschi (1524-1547), Schiller's Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller's mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller's lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play's meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller' other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight."--Publisher's website
    Content: Introduction / John Guthrie -- The conspiracy of Fiesco at Genoa / translated by Flora Kimmich -- Notes to the text / John Guthrie -- Select bibliography.
    Content: Within two years of the success of his first play Die R©Þuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi dеђ́ة Fieschi (1524-1547), Schillerђ́ةs Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schillerђ́ةs mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin, where during Schillerђ́ةs lifetime, it was performed many times in a version by Carl Pl©ơmicke, which however radically altered the plaуђ́ةs meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schillerђ́ة other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight
    Note: Available through Open Book Publishers , Includes bibliographical references (pages 129-130) , Translated from the German
    Additional Edition: ISBN 9781783740437
    Additional Edition: Erscheint auch als Druck-Ausgabe Schiller, Friedrich Fiesco's conspiracy at Genoa Cambridge, England : Open Book Publishers, ©2015 ISBN 9781783740437
    Language: English
    Keywords: Electronic books ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; Drama. ; Translations.
    URL: JSTOR
    URL: OAPEN
    URL: Image  (Connect to cover image)
    URL: Image  (Thumbnail cover image)
    URL: Image  (Thumbnail cover image)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV045028698
    Format: 1 Online-Ressource (204 Seiten)
    ISBN: 9781783744480 , 9781783744497 , 9781783744503
    Series Statement: Open book classics series vol. 9
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-78374-447-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-1-78374-446-6
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Schiller, Friedrich 1759-1805 Don Carlos
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Guthrie, John 1953-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413818602882
    Format: 1 online resource (x, 213 pages) : , digital, PDF file(s).
    ISBN: 9781571137500 (ebook)
    Content: Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elements of continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed - as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he is fellow and director of studies at Murray Edwards College.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Schiller's gestures : origins and contexts -- An experiment in theater : Die Räuber -- Playing at politics : Die Verschwörung des Fiesko zu Genua -- Violence and silence in domestic tragedy : Kabale und Liebe -- "The court watches and listens" : gesture in Don Karlos -- "Erweitert jetzt ist des Theaters Enge" : action, space, and gesture in the Wallenstein trilogy -- "Meine Maria wird keine weiche Stimmung erregen" : the two faces of classicism in Maria Stuart -- "Nicht meiner Rede, deinen Augen Glaube!" : perspective in Die Jungfrau von Orleans -- Chaos in classicism : Die Braut von Messina oder die feindlichen Brüder; Ein Trauerspiel mit Chören -- Wilhelm Tell : the triumph of ambivalence.
    Additional Edition: Print version: ISBN 9781571134134
    Language: English
    Subjects: German Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_798573864
    Format: 97 S. , Ill., Faks. , 19,5 cm
    ISBN: 9783861105701 , 3861105705
    Series Statement: Kleines Archiv des achtzehnten Jahrhunderts 46
    Uniform Title: Epilogue to the Satires 〈dt.〉
    Note: Text überw. dt., teilw. engl. und dt.
    Language: German
    Subjects: German Studies , English Studies
    RVK:
    RVK:
    Author information: Pope, Alexander 1688-1744
    Author information: Guthrie, John 1953-
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1686946589
    Format: 1 Online-Ressource (214 pages) , 7 illustrations
    ISBN: 1783744480 , 1783744480 , 1783744499 , 1783744502 , 9781783744480 , 9781783744503 , 9781783744497
    Series Statement: Open Book classics series vol. 9
    Uniform Title: Don Carlos 2018
    Content: "Schiller's Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright's growing power. First performed in 1787, it stands at the culmination of Schiller's formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king's son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor. Schiller described Don Carlos as "a family portrait in a princely house." It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi's great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller's Wallenstein and his Fiesco's Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader."--Publisher's website
    Content: Translator's Note -- Additional Resources -- Introduction / by John Guthrie -- Don Carlos Infante of Spain. Characters ; Act One ; Act Two ; Act Three ; Act Four ; Act Five ; Notes.
    Note: Available through Open Book Publishers , Edition statement information from publisher's website , Includes bibliographical footnotes , Originally published in German as: Don Karlos : Infant von Spanien. Leipzig : Georg Joachim Göschen, 1804 , Translated from the German
    Additional Edition: ISBN 9781783744473
    Additional Edition: ISBN 9781783744466
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almahu_9948351826702882
    Format: 1 online resource (xviii, 132 pages) : , 2 portraits.
    ISBN: 9781783740444 , 9781783740451 , 9781783740468
    ISSN: 2054-2178 (Online)
    Series Statement: Open Book classics, vol. [2]
    Uniform Title: Verschwörung des Fiesco zu Genua. 2015
    Content: "Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de' Fieschi (1524-1547), Schiller's Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller's mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller's lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play's meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller' other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight."--Publisher's website.
    Note: Available through Open Book Publishers. , Introduction / John Guthrie -- The conspiracy of Fiesco at Genoa / translated by Flora Kimmich -- Notes to the text / John Guthrie -- Select bibliography. , Mode of access: World Wide Web. , Translated from the German.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    kobvindex_HPB1043376589
    Format: 1 online resource (214 pages) : , 7 illustrations
    ISBN: 9781783744480 , 1783744480 , 1783744472 , 9781783744473 , 1783744464 , 9781783744466
    Series Statement: Open Book classics series, vol. 9
    Uniform Title: Don Carlos. 2018
    Content: "Schiller's Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright's growing power. First performed in 1787, it stands at the culmination of Schiller's formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king's son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor. Schiller described Don Carlos as "a family portrait in a princely house." It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi's great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller's Wallenstein and his Fiesco's Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader."--Publisher's website
    Note: Edition statement information from publisher's Web site. , Available through Open Book Publishers. , Originally published in German as: Don Karlos : Infant von Spanien. Leipzig : Georg Joachim Göschen, 1804. , Translator's Note -- Additional Resources -- Introduction / by John Guthrie -- Don Carlos Infante of Spain. Characters ; Act One ; Act Two ; Act Three ; Act Four ; Act Five ; Notes. , Translated from the German.
    Language: English
    Keywords: Electronic books. ; Drama. ; Translations. ; Electronic books.
    URL: JSTOR
    URL: Image
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    almafu_BV042187532
    Format: 97 S. : , Ill.
    ISBN: 978-3-86110-570-1 , 3-86110-570-5
    Series Statement: Kleines Archiv des achtzehnten Jahrhunderts 46
    Uniform Title: Epilogue to the Satires. Dialogue I
    Language: German
    Subjects: German Studies , English Studies
    RVK:
    RVK:
    Author information: Pope, Alexander 1688-1744
    Author information: Guthrie, John 1953-
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Rochester, N.Y. :Camden House,
    UID:
    almafu_9960119833902883
    Format: 1 online resource (x, 213 pages) : , digital, PDF file(s).
    ISBN: 1-282-79559-7 , 9786612795596 , 1-57113-750-5
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elements of continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed - as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he is fellow and director of studies at Murray Edwards College.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Schiller's gestures : origins and contexts -- An experiment in theater : Die Rauber -- Playing at politics : Die Verschworung des Fiesko zu Genua -- Violence and silence in domestic tragedy : Kabale und Liebe -- "The court watches and listens" : gesture in Don Karlos -- "Erweitert jetzt ist des Theaters Enge" : action, space, and gesture in the Wallenstein trilogy -- "Meine Maria wird keine weiche Stimmung erregen" : the two faces of classicism in Maria Stuart -- "Nicht meiner Rede, deinen Augen Glaube!" : perspective in Die Jungfrau von Orleans -- Chaos in classicism : Die Braut von Messina oder die feindlichen Bruder; Ein Trauerspiel mit Choren -- Wilhelm Tell : the triumph of ambivalence. , English
    Additional Edition: ISBN 1-57113-413-1
    Language: English
    Subjects: German Studies
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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