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  • 1
    UID:
    almahu_BV043501544
    Format: 254 Seiten : , Illustrationen.
    ISBN: 978-1-78533-110-7
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78533-111-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Film ; Revolution
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  • 2
    UID:
    almahu_9949195104402882
    Format: 1 online resource (224 pages).
    Edition: First edition.
    ISBN: 9781350105676
    Content: "Since the turn of the millennium, protest movements and strategies have multiplied and diversified; old models of organization involving spokespeople, grand gestures and lobbying, have given way to new approaches. Protests in the 21st century are arranged around collectives as centreless, leaderless, amorphous assemblages. This tendency towards proliferation has been theorized through the concept of multitude, most famously put forward by Michael Hardt and Antonio Negri, which conceptualized a new proletariat for the age of globalization. The idea of multitude primarily sought to revisit and re-energize micro-models of protest, such as radical feminist movements, wildcat strikes, refugee and sex worker rights, hacktivism and reclaiming the streets, squatting and "dropping out", the "temporary autonomous zone" and occupy. Politics of the Many problematizes the concept of multitude, taking in the substantial criticisms produced in previous decades, and the concept's testing in the many global upheavals of the last decade, in order to interrogate the ways in which politics and ideology persist in the current moment."--
    Note: Part I. Concepts. 1. Multitude in Italian thought: from Machiavelli to the political-philosophical debate of today / Dario Gentili, University of Roma Tre, Italy ; 2. Flipping Mouffe's Schmitt: exodus and human nature in Virno's multitude / Paul Mazzocchi, York University, Canada ; 3. The bond and the dispersion: Prometheus divided / Gerald Raunig, Zürich University of the Arts, Switzerland -- Part II. Politics. 4. Social reproduction and the necropolitical: the extraction of life (and death) in the multitude / Carina Brand, De Montfort University, UK ; 5. Insomnia @ work: between postworkerism and psychoanalysis / Lorenzo Chiesa, Genoa School of Humanities, Italy ; 6. Neoliberal personality / Alexei Penzin, University of Wolverhampton, UK -- Part III. Cultures. 7. The multitude, mass customization, imaginary infrastructure, nomad science / Thomas Mical, Auckland University of Technology, New Zealand ; 8. Artist groups, virtuosity, and the (non)emergence of the multitude / Stevphen Shukaitis, University of Essex, UK ; 9. The avant-garde after networks: strike art against cybercapitalism / Marc James Lǧer, Independent Scholar, Canada -- 10. "We are the poors": multitude, melodrama, media and history / Benjamin Halligan, University of Wolverhampton, UK. , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: Print version: ISBN 9781350105645
    Language: English
    Keywords: Electronic books. ; Electronic books
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  • 3
    UID:
    almahu_BV041200038
    Format: XIV, 375 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2
    Note: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    Keywords: Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    UID:
    gbv_1847164706
    Format: 1 Online-Ressource (pages cm)
    Edition: [1.]
    ISBN: 9781501368264 , 9781501368271
    Content: "The first academic engagement with "divas," including a discussion of their roots, evolutions, functions, and appropriations. Channelling the ideas and strategies of feminism, empowerment, intersectionality, identity politics, and more to create this key popular culture figure"--
    Note: Includes bibliographical references and index , Introduction. 'Y'All! The Diva and Us' / Kirsty Fairclough, Benjamin Halligan, Nicole Hodges Persley and Shara Rambarran -- Section One. The Rise to Power. "Proceed with Caution" : Mariah Carey - the Ultimate Diva in Popular Music and Culture? / Shara Rambarran ; Performing Creative Labour : Whitney Houston Metanarratives on MTV, 1985-1988 / Gwynne George ; A Girl of Many Colours : Dolly Parton's Image Evolution, 1967-2022 / James Reeves ; A Fondness for Shock: The Celebrated Outburst of Grace Jones / Mark Duffett -- Section Two. The Diva and Our Times. Aaliyah's Voice and After / Benjamin Halligan ; "Suck On My Balls, Bitch!" : #MeToo and Beyoncé - A Paradigm Shift / Hannah Strong ; Amuro Namie : Japan's Diva in the Postmodern Era? / Dorothy Finan ; Reconstructing the American Dream : Janelle Monáe's Afrofuturist Performances / Timmia Hearn DeRoy ; "WAP" : Erotic Revolutionary Hip-Hop by Cardi B and Megan Thee Stallion / Shawna Shipley-Gates ; Putting the Divas Back in Their Place : Controversy and Backlash at the 2020 Super Bowl Halftime Show / Gina Sandí Díaz ; Simultaneously Black : Drake and Nicki Minaj and the Performance of Hip-Hip Cosmopolitanisms / Nicole Hodges Persley -- Section Three. Diva Cultures. Curating the Diva / Harriet Reed ; A Diva on the Iranian Stage : Ali Akbar Alizad's Remix of Jean Genet's The Maids / Rana Esfandiary ; Recasting Diva Culture: Performative Strategies of Fourth Wave Black Feminist Stand-Up Comedy / Rachel E. Blackburn ; Independent Women : The Impact of Pop Divas on Stand-Up Comedy / Ellie Tomsett and Nathalie Weidhase. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501368257
    Additional Edition: ISBN 9781501369667
    Additional Edition: Erscheint auch als Druck-Ausgabe Diva New York : Bloomsbury Academic, 2023 ISBN 9781501368257
    Language: English
    Keywords: Sängerin ; Popmusik ; Rap ; Feminismus ; Hip-Hop ; Aufsatzsammlung
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  • 5
    UID:
    gbv_1854622722
    Format: 1 Online-Ressource (264 Seiten)
    Edition: First edition
    ISBN: 9781501375248 , 9781501375286
    Series Statement: Global Exploitation Cinemas
    Content: Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as 'the long 1960s'. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous
    Content: $uAcknowledgements List of illustrations Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X' Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA) 1. Green Penguin Films Kim Newman (Independent Scholar) 2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak Christopher Weedman (Middle Tennessee State University, USA) 3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom Sarah Street (University of Bristol, UK) 4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning Simon Lee (Texas State University, USA) 5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick James Fenwick (Sheffield Hallam University, UK) 6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set Kevin M. Flanagan (George Mason University, USA) 7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film Moya Luckett (Texas State University, USA) 8. What Are the X-Rated Secrets of the Windmill Girls? Adrian Smith (Independent Scholar) 9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby Lucy Bolton (Queen Mary University of London, UK) 10. Censoring Carmilla: Lesbian Vampires in Hammer Horror Claire Henry (Massey University, Aotearoa New Zealand) 11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime TimSnelson (University of East Anglia, UK) 12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light Benjamin Halligan (University of Wolverhampton, UK) Contributors Index
    Additional Edition: ISBN 9781501375279
    Language: English
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  • 6
    Online Resource
    Online Resource
    [New York] :Berghahn Books,
    UID:
    almahu_9949088269802882
    Format: 1 online resource (262 pages) : , illustrations
    ISBN: 9781785331114 (e-book)
    Note: Includes filmography.
    Additional Edition: Print version: Halligan, Benjamin. Desires for reality : radicalism and revolution in Western European film. [New York] : Berghahn Books, 2016
    Language: English
    Keywords: Electronic books.
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  • 7
    UID:
    gbv_1815080981
    Format: 1 Online-Ressource
    Edition: Also published in print
    ISBN: 9781501316326 , 9781628925579 , 9781628925548 , 150131632X , 162892554X , 9781628925555 , 1628925558 , 1628925574
    Content: Acknowledgements -- Contributors -- Introduction: 'A Stately Pleasure-Dome' -- Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan and Nicola Spelman -- Part One: Prehistories -- 1: From Mach Schau to Mock Show: The Beatles, Shea Stadium, and Rock Spectacle -- Jeffrey Roessner -- 2. Beyond Beatlemania: The Shea Stadium Concert as Discursive Construct -- Mark Duffett -- 3: Through a Lens Darkly: The Changing Performer-Audience Dynamic as Documented by Four Progressive Rock Concert Films -- Kevin Holm-Hudson -- 4: Evolutions of The Wall : 1979 ? 2013 -- Kimi Kärki -- Part Two: Arena Concerts Now -- 5: From Shed to Venue: the Arena Concert Event Space -- Robert Kronenburg -- 6: Constructing the Cosmopolitan Arena Concert -- Lukasz Swiatek -- 7: 'Roll Up and Shine': A Case Study of Stereophonics at Glasgow's SECC Arena -- Emma Webster -- 8: Being There: Encounters with Space and the Affective Dimension of Arena Spectacle -- Alice O'Grady -- Part Three: Perspectives - Personal and Professional -- 9: 'Hello Cleveland..!': The View from the Stage -- Jon Stewart -- 10: Illuminating Arenas: Towards the 'Ultimate Multimedia Experience' -- Jon Stewart and Benjamin Halligan -- 11: A Personal History of UK Arena Concerts: Reflections on Gigs over the Past Forty Years -- Peter Smith -- 12: Rocking Around Watford: Trying to Find What I Was Looking For -- Robert Edgar, with Julia and Evan Shelton -- Part Four: Arena Media -- 13: The Aesthetics of the Arena: Live and Recorded -- Robert Edgar -- 14: We Made This Together: How Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience Brought about by Digital Technology and Social Media -- Neil Fox -- 15: Framing Experience: Filming and the Excesses of Aesthetics -- Erich Hertz -- Part Five: The Arena Experience -- 16: 'Sing it with me now': Audience Participation in Arena Concerts -- Nicola Spelman -- 17: Performing Kylie: Looks Divine -- Sunil Manghani -- 18: Intimacy in Public -- Jos Mulder -- 19: Beyoncé's Celebrity Feminism and Performances of Female Empowerment in the Arena Concert.
    Content: Kirsty Fairclough-Isaacs -- 20: Intimate Live Girls -- Benjamin Halligan -- Bibliography -- Index.
    Content: "The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century. This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert. The arena concert becomes the ?real time? centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why."--
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
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  • 8
    Online Resource
    Online Resource
    New York, NY : Berghahn Books, Incorporated
    UID:
    gbv_1800181949
    Format: 1 online resource (336 pages)
    ISBN: 9781800734876
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781800734869
    Additional Edition: Erscheint auch als Druck-Ausgabe Halligan, Benjamin Hotbeds of licentiousness New York : Berghahn, 2022 ISBN 9781800734869
    Language: English
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  • 9
    Online Resource
    Online Resource
    New York :Bloomsbury Academic, | London :Bloomsbury Publishing,
    UID:
    edocfu_9960010640802883
    Format: 1 online resource (390 p.)
    ISBN: 1-5013-8283-7 , 1-4411-4613-X , 1-4411-1837-3
    Content: "Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music."--
    Note: Description based upon print version of record. , Part one Noise, Rock and Psychedelia -- 1. 'Kick Out the Jams': Creative Anarchy and Noise in 1960s Rock / Sheila Whiteley -- 2. Recasting Noise: The Lives and Times of Metal Machine Music / Nicola Spelman --3. Shoegaze as the Third Wave: Affective Psychedelic Noise, 1965-1991 / Benjamin Halligan -- 4. To Be Played at Maximum Volume: Rock Music as a Disabling (Deafening) Culture / George McKay -- Part two Punk Noise: Prehistories and Continuums -- 5. Sounds Incorporated: Dissonant Sorties into Popular Culture / Stephen Mallinder -- 6. Stairwells of Abjection and Screaming Bodies: Einstürzende Neubauten's Artaudian Noise Music / Jennifer Shryane -- 7. Make a Joyous Noise: The Pentecostal Nature of American Noise Music / Seb Roberts -- 8. Roars of Discontent: Noise and Disaffection in Two Cases of Russian Punk / Yngvar B. Steinholt -- 9. Noise from Nowhere: Exploring 'Noisyland's' Dark, Noisy and Experimental Music / Michael Goddard -- Archive: Indestructible Energy: Seeing Noise / Julie R. Kane -- Part three Noise, Composition and Improvisation -- 10. Xenakian Sound Synthesis: Its Aesthetics and Influence on 'Extreme' Computer Music / Christopher Haworth -- 11. Sound Barriers: The Framing Functions of Noise and Silence / Alexis Paterson -- 12. Listening Aside: An Aesthetics of Distraction in Contemporary Music / David Cecchetto and eldritch Priest -- 13. Using Noise Techniques to Destabilize Composition and Improvisation / Eric Lyon -- 14. Noise as Mediation: Adorno and the Turntablism of Philip Jeck / Erich Hertz -- Part four Approaching Noise Musics -- 15. Noise as Music: Is There a Historical Continuum? From Historical Roots to Industrial Music / Joseph Tham -- 16. Noise as Material Impact: New Uses of Sound in Noiserelated Movements / Rafael Sarpa -- 17. Into the Full: Strawson, Wyschnegradsky and Acoustic Space in Noise Musics / J.-P. Caron -- 18. Gossips, Sirens, Hi-Fi Wives: Feminizing the Threat of Noise / Marie Thompson -- 19. Beyond Auditive Unpleasantness: An Exploration of Noise in the Work of Filthy Turd / James Mooney and Daniel Wilson -- Bibliography -- Index. , Also issued in print: Bloomsbury Academic, 2013. Digital resource published 2022. , English
    Additional Edition: ISBN 1-4411-1054-2
    Language: English
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  • 10
    UID:
    gbv_1779341857
    Format: 1 online resource (xvi, 209 pages)
    ISBN: 9781315593951 , 9781317100461 , 9781317100478
    Series Statement: Ashgate popular and folk music series
    Content: pt. 1. The Fall and 'the north' -- pt. 2. The techniques and tactics of the Fall -- pt. 3. The aesthetics of the Fall -- pt. 4. The Fall, the media and cultural politics.
    Note: Includes bibliographical references, discography and index
    Additional Edition: ISBN 9780754668626
    Additional Edition: ISBN 9780754668671
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780754668626
    Language: English
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