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  • 1
    UID:
    gbv_1663980802
    Format: xv, 373 Seiten , Illustrationen
    Edition: First edition
    ISBN: 9781477318966 , 9781477318973
    Series Statement: World comics and graphic nonfiction series
    Content: Introduction : into the "gutters" -- "World's finest?" : the wartime superhero and race, 1941-1945 -- Struggling for social relevance : DC, Marvel, and the Cold War, 1945-1965 -- "We're all brothers!" : the ideal of liberal brotherhood in the 1960s & 1970s -- Guess who's coming to save you? : the rise of the ethnic superhero in the 1960s & 1970s -- "Something for everyone:" the super team in the age of multiculturalism, 1975-1996 -- Replacement heroes and the quest for inclusion, 1985-2011 -- Something old, something new: heroes reborn and reimagined, 1990-2015 -- Coda : born again (and again and again . . . and again and again. . .).
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781477318980
    Additional Edition: ISBN 9781477318997
    Language: English
    Keywords: USA ; Comic ; Superheld ; Rasse
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Austin, Tex. : University of Texas Press
    UID:
    gbv_630282145
    Format: X, 214 S. , 24 cm
    Edition: 1. ed.
    ISBN: 9780292723634 , 0292723636
    Series Statement: Cognitive approaches to literature and culture series
    Content: Mapping resistance in Rudolfo Anya's Bless me, ultima and Rolando Hinojosa's "Sometimes it just happens that way; that's all" -- Mapping persistence in John Rechy's The miraculous day of Amalia Gomez and Helena Maria Viramontes's "The cariboo cafe" -- Cosmopolitan communities in Alfredo Vea's La Maravilla and Ana Castillo's So far from God -- Changing minds in Ana Castillo's Sapogonia and Arturo Islas's La Mollie and the King of tears -- The transformative spaces of Alfredo Vea's The silver cloud cafe and Gods go begging
    Note: Includes bibliographical references (p. [197]-202) and index , Teilw. zugl.: Boulder, Univ. of Colorado, Diss., 2006 u.d.T.: Hamilton, Patrick Lawrence: Reading space , Mapping resistancein Rudolfo Anya's Bless me, ultima and Rolando Hinojosa's "Sometimes it just happens that way; that's all"Mapping persistence in John Rechy's The miraculous day of Amalia Gomez and Helena Maria Viramontes's "The cariboo cafe" -- Cosmopolitan communities in Alfredo Vea's La Maravilla and Ana Castillo's So far from God -- Changing minds in Ana Castillo's Sapogonia and Arturo Islas's La Mollie and the King of tears -- The transformative spaces of Alfredo Vea's The silver cloud cafe and Gods go begging.
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: USA ; Chicanos ; Chicana ; Literatur ; Kulturkontakt ; Dissident ; Integration ; Fiktionale Darstellung ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Austin, Tex. :Univ. of Texas Press,
    UID:
    almafu_BV037435689
    Format: X, 214 S.
    Edition: 1. ed.
    Series Statement: Cognitive approaches to literature and culture series
    Note: Teilw. zugl.: Boulder, Univ. of Colorado, Diss., 2006
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Chicanos ; Chicana ; Literatur ; Kulturkontakt ; Dissident ; Integration ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Austin, Texas :University of Texas Press,
    UID:
    almafu_9961152566202883
    Format: 1 online resource (393 pages)
    Edition: First edition.
    ISBN: 1-4773-1899-2 , 1-4773-1898-4
    Series Statement: World Comics and Graphic Nonfiction Series
    Content: Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone's new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture
    Note: "World's finest?" : the wartime superhero and race, 1941-1945 -- , Struggling for social relevance : DC, Marvel, and the Cold War, 1945-1965 -- , "We're all brothers!" : the ideal of liberal brotherhood in the 1960s & 1970s -- , Guess who's coming to save you? : the rise of the ethnic superhero in the 1960s & 1970s -- , "Something for everyone:" the super team in the age of multiculturalism, 1975-1996 -- , Replacement heroes and the quest for inclusion, 1985-2011 -- , Something old, something new: heroes reborn and reimagined, 1990-2015
    Additional Edition: ISBN 1-4773-1896-8
    Additional Edition: ISBN 1-4773-1897-6
    Language: English
    Keywords: Bandes dessinees. ; Comics (Graphic works) ; Criticism, interpretation, etc. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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