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  • 1
    UID:
    b3kat_BV035414279
    Format: 1 Online-Ressource (xii, 272 Seiten) , Illustrationen , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    ISBN: 0822380358
    Note: Includes bibliographical references (p. [253]-266) and index
    Additional Edition: Reproduktion von Hanafi, Zakiya, 1959- The monster in the machine 2000
    Language: English
    Subjects: History , General works , Philosophy
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    Keywords: Italien ; Ungeheuer ; Körper ; Automation ; Kultur ; Geschichte 1600-1700 ; Maschine
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  • 2
    UID:
    almafu_9958114989002883
    Format: 1 online resource (288 pages) : , illustrations
    ISBN: 1-283-06193-7 , 9786613061935 , 0-8223-8035-8
    Series Statement: e-Duke books scholarly collection
    Content: A study of monstrosity and baroque poetics in the cultural context of 17-century Italy.
    Note: Description based upon print version of record. , The origins of monsters -- Monstrous matter -- Monstrous machines -- Medicine and the mechanized body -- Vico's monstrous body -- Monstrous metaphor. , English
    Language: English
    Keywords: Electronic books.
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 3
    UID:
    almahu_9949416241602882
    Format: 1 online resource (218 pages) : , illustrations (black and white, and colour).
    ISBN: 9780191964893
    Series Statement: Oxford scholarship online
    Content: This volume explores the notion of the bystander in the Nuclear Age by focusing on the Italian situation as a paradigmatic case. It re-frames Italy's mix of implication and powerlessness not only as a geopolitical question, but as a way to re-think the role of the side-lined intellectual in the face of mass extinction.
    Note: Translated from the Italian by Zakiya Hanafi. , Also issued in print: 2022.
    Additional Edition: Print version : ISBN 9780192868855
    Language: English
    Subjects: Romance Studies
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    Cambridge, Massachusetts ; London, England :Harvard University Press,
    UID:
    almafu_BV043882239
    Format: viii, 392 Seiten : , Diagramme.
    Edition: First printing
    ISBN: 978-0-674-33372-7
    Uniform Title: Teoria del romanzo
    Content: The novel is the most important form of Western art. It represents the totality of life; it is the flagship that literature lines up against systematic thought, against science and philosophy. Over the past two hundred years the novel has inspired more essays and reflections than any other aesthetic form, and contributed profoundly in conveying ideas of social life and patterns of behavior. Through the novel, Western literature expanded the range of its themes and possibilities, and has come to tell any story in any way; through the novel, Western literature has been able to delineate the ordinary existence of common people in a serious way, expressing the spirit of an age in which nothing matters except the single individual life. Nearly a century after the György Lukács' essay of the same name, this book offers a comprehensive interpretation of the novel as a cultural phenomenon and as a sign and symptom of the modern condition. This is a work of comparative literature covering four centuries of Western culture, but also a book about our epoch, about its values and its genealogy....
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Romantheorie ; Roman
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  • 5
    UID:
    gbv_1743962436
    Format: ix, 417 Seiten , Illustrationen
    ISBN: 9780299333300
    Series Statement: George L. Mosse series in the history of European culture, sexuality, and ideas
    Uniform Title: Ufficiale e gentiluomo
    Note: Originally published in Italian as "Ufficiale e gentiluomo: Virtù civili e valori militari in Italia, 1896-1918", copyright © 2015 by Giangiacomo Feltrinelli Editore Milano
    Language: English
    Keywords: Italien ; Militär ; Offizier ; Männlichkeit ; Ehre ; Gewalt ; Bürgerliche Gesellschaft ; Geschichte 1861-1918
    Author information: Benadusi, Lorenzo 1973-
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  • 6
    UID:
    b3kat_BV044900713
    Format: vi, 270 Seiten
    Edition: English edition
    ISBN: 9781509521050 , 9781509521067
    Uniform Title: Da fuori
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-5095-2109-8
    Language: English
    Subjects: Political Science , Philosophy
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    Keywords: Europa ; Philosophie
    Author information: Esposito, Roberto 1950-
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  • 7
    UID:
    almafu_BV013417552
    Format: XII, 272 S. : Ill.
    ISBN: 0-8223-2568-3 , 0-8223-2536-5
    Series Statement: Early modern cultural studies
    Language: English
    Subjects: History , General works , Philosophy
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    Keywords: Maschine ; Ungeheuer ; Körper ; Automation ; Kultur ; Ungeheuer ; Maschine
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  • 8
    Online Resource
    Online Resource
    Stanford, CA :Stanford University Press,
    UID:
    almafu_9959238565302883
    Format: 1 online resource (413 p.)
    ISBN: 0-8047-9298-4
    Series Statement: Cultural Memory in the Present
    Content: As long as we care about suffering in the world, says political philosopher Simona Forti, we are compelled to inquire into the question of evil. But is the concept of evil still useful in a postmodern landscape where absolute values have been leveled and relativized by a historicist perspective? Given our current unwillingness to judge others, what signposts remain to guide our ethical behavior? Surveying the nineteenth- and twentieth-century Western philosophical debates on evil, Forti concludes that it is time to leave behind what she calls "the Dostoevsky paradigm": the dualistic vision of an omnipotent monster pitted against absolute, helpless victims. No longer capable of grasping the normalization of evil in today's world—whose structures of power have been transformed—this paradigm has exhausted its explanatory force. In its place, Forti offers a different genealogy of the relationship between evil and power, one that finally calls into question power's recurrent link to transgression. At the center of contemporary evil she posits the passive attitude towards rule-following, the need for normalcy, and the desire for obedience nurtured by our contemporary mass democracies. In our times, she contends, evil must be explored in tandem with our stubborn desire to stay alive at all costs as much as with our deep need for recognition: the new modern absolutes. A courageous book, New Demons extends an original, inspiring call to ethical living in a biopolitical age.
    Note: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. The Dostoevsky Paradigm -- , 2. Instincts, Drives, and Their Vicissitudes: Nietzsche and Freud -- , 3. Ontological Evil and the Transcendence of Evil -- , 4. Thanatopolitics and Absolute Victims -- , 5. The Legend of the Grand Inquisitor Reinterpreted from Below -- , 6. A Different Genealogy: The Evil of Docility -- , 7. Strategies of Obedience and the Ethos of Freedom -- , 8. Parrhesia Put to the Test: Practices of Dissidence Between Eastern and Western Europe -- , 9. Poor Devils Who “Worship” Life: Us -- , Notes -- , Index of Names -- , Cultural Memory in the Present , In English.
    Additional Edition: ISBN 0-8047-8624-0
    Language: English
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  • 9
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    almahu_9949546459402882
    Format: 1 online resource (240 p.)
    ISBN: 9780674276291 , 9783110993899
    Content: An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual. Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense-a genre in which a first-person speaker talks self-referentially-was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature. On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music. The result is a rich history of literary modernity and a bold new account of poetry's transformations across centuries and national traditions.
    Note: Frontmatter -- , Contents -- , Note on Translation -- , Introduction: Sundials: Literary Genres and the Time of History -- , Chapter One: A History of Concepts -- , Chapter Two: A New Paradigm -- , Chapter Three: A History of Forms -- , Chapter Four: The Literary Space of Modern Poetry -- , Conclusion: Modern Poetry as a Symbolic Form -- , Acknowledgments -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: Harvard University Press Complete eBook-Package 2022, De Gruyter, 9783110785791
    Language: English
    URL: Cover
    URL: Cover
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  • 10
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    UID:
    gbv_848693663
    Format: viii, 392 Seiten
    ISBN: 9780674333727
    Uniform Title: Teoria del Romanzo
    Content: The novel is the most important form of Western art. It represents the totality of life; it is the flagship that literature lines up against systematic thought, against science and philosophy. Over the past two hundred years the novel has inspired more essays and reflections than any other aesthetic form, and contributed profoundly in conveying ideas of social life and patterns of behavior. Through the novel, Western literature expanded the range of its themes and possibilities, and has come to tell any story in any way; through the novel, Western literature has been able to delineate the ordinary existence of common people in a serious way, expressing the spirit of an age in which nothing matters except the single individual life. Nearly a century after the György Lukács' essay of the same name, this book offers a comprehensive interpretation of the novel as a cultural phenomenon and as a sign and symptom of the modern condition. This is a work of comparative literature covering four centuries of Western culture, but also a book about our epoch, about its values and its genealogy.--
    Content: Introduction: truth and literature -- Why the novel matters -- Books of life -- Games of truth -- Literature and reality -- What is the novel? -- A theory of fiction -- People and leaves -- Mimesis and concepts -- The layered contents of mimesis -- The confines of mimesis -- Between nothingness and ideas: the mimetic discontinuity -- Stories -- Narrative and existential analytics -- Narrators -- Levels of reality -- Being in the world -- The origin of the novel -- Historical semantics -- The question of origins -- The first corpus -- Symbolic thresholds: 1550 -- Symbolic thresholds: 1670 -- The territory of the romance -- The territory of the novel -- The rise of the novel -- The novel and the literature of the ancien regime -- The dialectic of continuity and change -- A cohesive epoch -- Classicism and the separation of styles -- Aesthetic platonism -- Moralism and allegory -- Moralistic apparatuses, poetic justice, and exemplary heroes -- The legitimization of the romance -- The legitimization of the novel -- The book of ordinary lives -- Romance and private aims -- Suspense, entrelacement, and the romanesque -- The story of private lives -- A gap in discourses -- The pathos of proximity -- The interesting -- The novel's readership -- Particular life -- National differences: France and England -- The birth of the modern novel -- Freedom from rules of style -- Freedom from the allegory and the moral -- Moralism, empathy, and observation -- A new conceptual air -- The weight of novels -- The expansion of the narratable world -- The middle station of life -- The serious mimesis of everyday life -- The world of prose -- Center and periphery -- Narrative democracy -- The nineteenth-century paradigm -- Abstractions -- Realisms -- The frameworks of the nineteenth-century paradigm -- The figurative novel and its theatrical model -- The discovery of the environment -- Dependent individuals -- The melodrama model -- The significance of the melodramatic novel -- The romance in the novel, special characters -- The novel of fate -- A map of the nineteenth-century paradigm -- The transition to modernism -- The second phase of nineteenth-century realism -- Realism without melodrama -- Historical stations -- New narrators -- New plots -- New characters -- Three turning points -- Stories and epiphanies -- Worlds apart -- Modern forms of the romance -- The sense of a transformation -- On contemporary fiction -- After modernism -- The decline of the new -- A multiple archipelago -- Conclusion: a theory of the novel -- The genre of particularity -- Relativism and prospectivism -- An analytics of existence -- Discursive transformations -- The design of this book -- On the present state of things
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe Mazzoni, Guido, 1967 - Theory of the novel Cambridge, Massachusetts : Harvard University Press, 2017
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Romantheorie ; Roman ; Romantheorie
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