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  • 1
    Online Resource
    Online Resource
    [s.l.] : University of Huddersfield Press
    UID:
    b3kat_BV042566589
    Format: 1 Online-Ressource (90 S.)
    ISBN: 9781862181205
    Note: This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen
    Language: English
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Huddersfield : University of Huddersfield Press | Baltimore, Maryland :Project Muse,
    UID:
    edocfu_9958073663002883
    Format: 1 online resource (80 pages) : , illustrations
    Content: This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.
    Note: Sustained tones, sustained durations / Richard Glover -- Performed installations / Richard Glover -- Repetitions in extended time / Bryn Harrison -- Listening through Morton Feldman's Triadic memories / Bryn Harrison. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781862181205
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Huddersfield : University of Huddersfield Press | Baltimore, Maryland :Project Muse,
    UID:
    almahu_9947382352302882
    Format: 1 online resource (80 pages) : , illustrations
    Content: This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.
    Note: Sustained tones, sustained durations / Richard Glover -- Performed installations / Richard Glover -- Repetitions in extended time / Bryn Harrison -- Listening through Morton Feldman's Triadic memories / Bryn Harrison. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781862181205
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Huddersfield : University of Huddersfield Press | Baltimore, Maryland :Project Muse,
    UID:
    edoccha_9958073663002883
    Format: 1 online resource (80 pages) : , illustrations
    Content: This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.
    Note: Sustained tones, sustained durations / Richard Glover -- Performed installations / Richard Glover -- Repetitions in extended time / Bryn Harrison -- Listening through Morton Feldman's Triadic memories / Bryn Harrison. , Also available in print form. , English
    Additional Edition: Print version: ISBN 9781862181205
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almahu_BV045460083
    Format: VI, 189 Seiten.
    Edition: First published
    ISBN: 978-1-6235-6494-0 , 978-1-6235-6895-5
    Content: "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel, and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporarilty. The authors compare their responses to features such as repetition, speed, duration, and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Back cover
    Note: Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue
    Additional Edition: Erscheint auch als Online-Ausgabe, epdf ISBN 978-1-6289-2272-1
    Additional Edition: Erscheint auch als Online-Ausgabe, ebook ISBN 978-1-6289-2701-6
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Musikhören ; Musikwahrnehmung ; Zeit ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    edocfu_BV048211746
    Format: 1 Online-Ressource (VI, 189 Seiten).
    Edition: First published
    ISBN: 978-1-5013-9626-7 , 978-1-6289-2272-1
    Content: "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel, and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporarilty. The authors compare their responses to features such as repetition, speed, duration, and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Back cover
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6235-6895-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-6235-6494-0
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Musikhören ; Musikwahrnehmung ; Zeit ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    New York :Bloomsbury Academic,
    UID:
    edocfu_9960800265202883
    Format: 1 online resource (201 pages)
    ISBN: 1-62892-272-9 , 1-62892-701-1
    Additional Edition: ISBN 1-62356-494-8
    Language: English
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  • 8
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional
    UID:
    gbv_1679248367
    Format: Online-Ressource
    ISBN: 9781501396267
    Content: "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Bloomsbury Publishing
    Content: Acknowledgements -- Introduction /Richard Glover, Jennie Gottschalk, and Bryn Harrison -- Chapter one. Foreshadowing and recollection: listening through Morton Feldman's piano, violin, viola, cello /Bryn Harrison -- Postlude to chapter one /Richard Glover -- Chapter two. Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics /Bryn Harrison -- Postlude to chapter two /Jennie Gottschalk -- Chapter three. Separation and continuity in Chiyoko Szlavnics' Gradients of detail /Richard Glover -- Postlude to chapter three /Jennie Gottschalk -- Chapter four. Filtering temporality in Ryoji Ikeda's +/- /Richard Glover -- Postlude to chapter four /Bryn Harrison -- Chapter five. Granulated time: Toshiya Tsunoda's O kokos tis anixis /Jennie Gottschalk -- Postlude to chapter five /Bryn Harrison -- Chapter six. Monoliths: Laurie Spiegel's The expanding universe and André O. Möller's musik für orgel und eine(n) tonsetzer(in) /Jennie Gottschalk -- Postlude to chapter six /Richard Glover -- Chapter seven. Observations on musical behaviors and temporality /Richard Glover, Jennie Gottschalk, and Bryn Harrison -- Epilogue -- Appendix: suggested further reading and listening.
    Note: Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781623568955
    Additional Edition: ISBN 9781623564940
    Additional Edition: ISBN 9781628927016
    Additional Edition: ISBN 9781628922721
    Language: English
    Keywords: Electronic books
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