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  • 1
    Book
    Book
    Pittsburgh, Pa. :Instrument Society of America,
    UID:
    almafu_BV042117138
    Format: XIX, 361 S. : , graph. Darst.
    Edition: 1. print.
    ISBN: 0-87664-372-1
    Note: Literaturangaben
    Language: English
    Keywords: Fertigungskontrolle ; Minicomputer ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    UID:
    gbv_1331392721
    Uniform Title: Handbook of industrial control computers 〈russ.〉
    Note: In kyrill. Schr., russ
    Language: Russian
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  • 3
    Book
    Book
    New York [u.a.] : Wiley
    UID:
    b3kat_BV001977658
    Format: XX, 1056 S. , Ill., graph. Darst.
    ISBN: 0471355607
    Note: Literaturangaben
    Language: English
    Subjects: Computer Science
    RVK:
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  • 4
    UID:
    gbv_437499774
    Format: XIII, 229 S. : graph. Darst. ; 31 cm
    Edition: 1. ed
    Series Statement: (Distributed computer control systems [1979])
    Note: NT: IFAC Workshop on Distributed Computer Control Systems , Literaturangaben
    Language: Undetermined
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  • 5
    UID:
    almahu_9948320550902882
    Format: xii, 604 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Note: Includes index.
    Language: English
    Keywords: Electronic books.
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  • 6
    Book
    Book
    Chicago : The University of Chicago Press
    UID:
    gbv_1726209326
    Format: 284 Seiten , Illustrationen
    ISBN: 9780226735290
    Content: The Great Bridge-Building of God -- Living on the Bridge -- Musical Bridges -- Bridge Brothers and Foes -- Word Bridges -- The Bridge as Gallows -- Nietzsche's Bridges -- Sea Bridges and Selves -- Bridged Disconnection
    Content: "In this wide-ranging and erudite book, Thomas Harrison gives a panoramic account of the many meanings and valences of bridges in human culture. He considers the impulse to build bridges in early human civilizations and the way bridges linked the transience of human life and the eternal realm of the divine. He visits historical bridges over which people have gone to battle, discusses metaphorical bridges, such as those in musical composition, and probes the many connections between bridges and death, and bridges and love. Throughout, Harrison illustrates his discussions with a wide range of references from art, poetry, and philosophy, mostly though not exclusively from the European tradition, reaching back to antiquity"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780226735320
    Language: English
    Subjects: History
    RVK:
    Keywords: Brücke ; Kultur ; Geschichte
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  • 7
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_9959234885702883
    Format: 1 online resource (xii, 604 pages) : , illustrations, maps
    ISBN: 1-282-13632-1 , 9786612136320 , 0-7486-2714-6
    Content: The Edinburgh Companion is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilization and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more. Key features: written by experts in the field; contains basic and essential information clearly and concisely presented; gives an up-to-date overview of the classical world; guides readers to sources of current reference and further reading material; over 100 illustrations, maps and plans.
    Note: Includes index. , Classics and the classical world -- , Classics in the twenty-first century -- , The history of the discipline / , History -- , Archaeology / , Religion / , Economy / , Gender / , Philology and linguistics / , Literature / , Philosophy / , Art history and aesthetics / , Classical legacies / , The regions of the ancient world -- , The ancient near east / , Iron age Europe / , Regions of antiquity / , Periods -- , The 'dark age' of Greece / , Archaic and classical Greece / , The Hellenistic world / , The Roman republic / , The Roman empire / , Late Antiquity -- , Material culture -- , Landscape / , Marine archaeology / , Sites and features / , Buildings and architecture / , Coinage / , Sculpture / , Painting, stucco, and mosaic / , Pottery and metalwork / , Gems, jewellery, and glass / , Dress and textiles / , Arms and armour / , Papyri / , Manuscripts / , Inscriptions / , Texts and genres -- , Greek epic / , Roman epic / , Greek tragedy / , Roman tragedy / , Greek comedy / , Roman comedy / , Greek lyric verse : Melic, elegiac, and iambic / , Latin poetry other than epic and drama / , The novel / , Letters / , Rhetoric / , Literary criticism / , Grammar and linguistics / , Philosophy / , Greek historiography / , Roman historiography / , Geography and ethnography / , Mythology / , Christian literature / , Science and mathematics / , Music / , Medicine / , Greek legal texts / , Latin legal texts / , Technical writing / , Essential information and systems of reference -- , Politics / , Names and naming systems / , Measures, weights, and money / , Writing systems / , The ancient calendar / , Metre / , Time-charts / , Maps / , Glossary of ancient and modern terms / , Resources / , Abbreviations / , English
    Additional Edition: ISBN 0-7486-1630-6
    Additional Edition: ISBN 0-7486-1629-2
    Language: English
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  • 8
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    edoccha_9958070915002883
    Format: 1 online resource (xii, 264 pages) : , illustrations
    Edition: Reprint 2019
    ISBN: 0-520-34109-0 , 0-585-18431-3
    Content: The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. As the spectacle of Halley's Comet pierces the skies of Europe, traditional harmonies fade away and dissonance dawns. In this brilliantly conceived work, Thomas Harrison defines 1910 through a perceptive interdisciplinary analysis of the creative works produced during or close to that year, most of them as unsettling as the comet itself: the atonal music of Schoenberg, Berg, and Webern; the distraught poetry of Trakl, Campana, and Rilke; the militant philosophy of Lukacs, Simmel, and Buber; the abstract or subjectivist paintings of Kandinsky, Schiele, and Kokoschka. All are matched by historical and existential turbulence: epidemics of suicide and madness and the plight of Italians and Jews in the empire of Austria-Hungary. Unlike previous cultural studies of the pre-World War I era, this book locates the most significant traits of the period in Middle rather than Western Europe and in expressionism rather than in more celebrated developments of the avant-garde. Expressionism's violent extremes, Harrison argues provocatively, were the explosions of a last, desperate attempt by the intelligentsia to defend some of the most venerable presuppositions of Western culture. Among these were the idea of human subjectivity as the measure of all things, the habit of thinking in terms of antitheses, and belief in the universality of the understanding. Ultimately, Harrison claims, this ideological desperation was not only a spiritual prelude to World War I but also a prophetic, unheeded critique.
    Note: Bibliographic Level Mode of Issuance: Monograph , The Emancipation of Dissonance -- , Gorizia, Judaic Indeterminacy and Triestine Art -- , The Chimera -- , Poetic Duplicity -- , Decentralized Music -- , Spirituality and Materialism -- , Destiny at Odds with Itself -- , An Ontology of Opposition -- , Persuasive Life-Experience -- , The Deficiency of Being -- , Three Women -- , A Deadly Vocation -- , In the Beginning Was the End -- , Life as Abstraction -- , Sociology of Death -- , Decrepitude in Body and Soul -- , Cosmic Guilt -- , Impotence -- , Loss of Self -- , The Hole Called the Soul -- , Autoscopy -- , Qualitative Individualism -- , Subjective Transcendence -- , Self-Possession -- , Pictures of Soul -- , An Ethics of Misunderstanding -- , Ethical and Aesthetic Transcendence -- , Spiritual Poverty -- , Tragic Acquiescence -- , Ecstatic Confessions -- , Intransitive Love -- , Ladies of the Unicorn: Structive Art , English
    In: DeGruyterCT
    Additional Edition: ISBN 0-520-20043-8
    Language: English
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  • 9
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    edocfu_9958070915002883
    Format: 1 online resource (xii, 264 pages) : , illustrations
    Edition: Reprint 2019
    ISBN: 0-520-34109-0 , 0-585-18431-3
    Content: The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. As the spectacle of Halley's Comet pierces the skies of Europe, traditional harmonies fade away and dissonance dawns. In this brilliantly conceived work, Thomas Harrison defines 1910 through a perceptive interdisciplinary analysis of the creative works produced during or close to that year, most of them as unsettling as the comet itself: the atonal music of Schoenberg, Berg, and Webern; the distraught poetry of Trakl, Campana, and Rilke; the militant philosophy of Lukacs, Simmel, and Buber; the abstract or subjectivist paintings of Kandinsky, Schiele, and Kokoschka. All are matched by historical and existential turbulence: epidemics of suicide and madness and the plight of Italians and Jews in the empire of Austria-Hungary. Unlike previous cultural studies of the pre-World War I era, this book locates the most significant traits of the period in Middle rather than Western Europe and in expressionism rather than in more celebrated developments of the avant-garde. Expressionism's violent extremes, Harrison argues provocatively, were the explosions of a last, desperate attempt by the intelligentsia to defend some of the most venerable presuppositions of Western culture. Among these were the idea of human subjectivity as the measure of all things, the habit of thinking in terms of antitheses, and belief in the universality of the understanding. Ultimately, Harrison claims, this ideological desperation was not only a spiritual prelude to World War I but also a prophetic, unheeded critique.
    Note: Bibliographic Level Mode of Issuance: Monograph , The Emancipation of Dissonance -- , Gorizia, Judaic Indeterminacy and Triestine Art -- , The Chimera -- , Poetic Duplicity -- , Decentralized Music -- , Spirituality and Materialism -- , Destiny at Odds with Itself -- , An Ontology of Opposition -- , Persuasive Life-Experience -- , The Deficiency of Being -- , Three Women -- , A Deadly Vocation -- , In the Beginning Was the End -- , Life as Abstraction -- , Sociology of Death -- , Decrepitude in Body and Soul -- , Cosmic Guilt -- , Impotence -- , Loss of Self -- , The Hole Called the Soul -- , Autoscopy -- , Qualitative Individualism -- , Subjective Transcendence -- , Self-Possession -- , Pictures of Soul -- , An Ethics of Misunderstanding -- , Ethical and Aesthetic Transcendence -- , Spiritual Poverty -- , Tragic Acquiescence -- , Ecstatic Confessions -- , Intransitive Love -- , Ladies of the Unicorn: Structive Art , English
    In: DeGruyterCT
    Additional Edition: ISBN 0-520-20043-8
    Language: English
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