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  • 1
    UID:
    kobvindex_WAN99168
    ISSN: 0021-6704
    In: Jewish social studies, 18(2011/2012)1, S. 63-87, 0021-6704
    Language: English
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  • 2
    UID:
    gbv_1738800261
    Format: 1 Online-Ressource (280 Seiten)
    ISBN: 9780814346693
    Content: Cover Page -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- Introduction -- A Note on the Text -- Heirs of Yesterday -- Notes -- About the Editors.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780814346686
    Additional Edition: ISBN 9780814346679
    Additional Edition: Erscheint auch als Druck-Ausgabe Wolf, Emma, - 1865-1932 Heirs of yesterday Detroit, Michigan : Wayne State University Press, 2020 ISBN 0814346677
    Additional Edition: ISBN 9780814346679
    Additional Edition: ISBN 9780814346686
    Additional Edition: ISBN 0814346685
    Language: English
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  • 3
    Book
    Book
    New Brunswick, NJ [u.a.] :Rutgers Univ. Press,
    UID:
    almafu_BV037284454
    Format: VIII, 229 S. : , Ill.
    ISBN: 978-0-8135-4782-4 , 978-0-8135-4783-1
    Series Statement: American literatures initiative
    Note: Includes bibliographical references and index
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Literatur ; Autorin ; Jüdin ; Schwarze ; Minstrel show ; Kulturelle Identität ; Ethnische Identität ; Akkulturation
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  • 4
    Online Resource
    Online Resource
    New Brunswick, N.J. :Rutgers University Press,
    UID:
    almahu_9948316620502882
    Format: viii, 229 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: American Literatures Initiative
    Note: From White Negress to Yiddishe mama: Sophie Tucker and the female blackface tradition -- The same Show Boat: Edna Ferber's interracial ideal -- Limitations of white: Fannie Hurst and the consumption of blackness -- Minstrel of the mountain: Zora Neale Hurston and the black-Jewish imaginary.
    Language: English
    Keywords: Electronic books.
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  • 5
    UID:
    almafu_9960141317502883
    Format: 1 online resource (456 p.) : , 9 B/W illustrations
    ISBN: 9780748646166
    Series Statement: Edinburgh Companions to Literature and the Humanities
    Content: WINNER of the Association of Jewish Libraries’ Judaica Reference Award Provides critical overviews of the main writers and key themes of Anglophone Jewish fictionThis collection of essays represents a new departure for, and a potentially (re)defining moment in, literary Jewish Studies. It is the first volume to bring together 28 chapters covering a wide range of American, British, South African, Canadian and Australian Jewish fiction.The volume is divided into 3 parts – American Jewish Fiction; British Jewish Fiction; and International and Transnational Anglophone Jewish Fiction – but many of the essays cross over these boundaries and speak to each other implicitly, as well as, on occasion, explicitly. Extending and redefining the canon of modern Jewish fiction, the volume juxtaposes major authors with more marginal figures, revising and recuperating individual reputations, rediscovering forgotten and discovering new work, and in the process remapping the whole terrain. This volume opens windows onto vistas that previously had been obscured and opens doors for the next generation of studies that could not proceed without a wide-ranging, visionary empiricism grounding their work. Key FeaturesHighlights the rich diversity of the field and identifies its key themes, including immigration, the Diaspora, the Holocaust, Judaism, assimilation, antisemitism and ZionismAnalyses the main trends in Anglophone Jewish fiction and situates them in historical contextDiscusses the place of Anglophone Jewish fiction in relation to critical debates concerning transatlanticism and transnationalism; ethnicity and identity politics; postcolonial studies, feminist studies and Jewish StudiesWith a preface by Mark Shechner, the volume’s contributors include Vicki Aarons (Trinity University, Texas), Debra Shostak (Wooster College, Ohio), Ira Nadel (University of British Columbia), Efraim Sicher (Ben-Gurion University), Phyllis Lassner (Northwestern University), Sue Vice (University of Sheffield), Lori Harrison-Kahan (Boston College), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne) and Sandra Singer (University of Guelph)
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgements -- , Preface: Jews Have Legs -- , Introduction: Modern Jewish Fiction -- , Part I. American Jewish Fiction -- , 1. Pioneering Women Writers and the De-ghettoisation of Early American Jewish Fiction -- , 2. Sensibilities of Estrangement: Delmore Schwartz, Isaac Rosenfeld and Saul Bellow -- , 3. The Making of American Jewish Identities in Postwar American Fiction -- , 4. ‘Are you kidding me?’ Black Humour in the Work of Joseph Heller, Stanley Elkin, Wallace Markfield and Bruce Jay Friedman -- , 5. American Jewish Life Writing, Illness and the Ethics of Innovation -- , 6. From Feminist to Housewife and Back Again: Orthodoxy and Modernity in American Jewish Women’s Writing -- , 7. Soviet Jews, Re-Imagined: Anglophone Émigré Jewish Writers from the USSR -- , 8. History on a Personal Note: Postwar American Jewish Short Stories -- , 9. Disappointed Believers? The Jewish Question Mark in Eisner’s ‘A Contract with God’ -- , 10. The Holocaust in American Jewish Fiction -- , 11 Representing the Holocaust in Third-Generation American Jewish Writers -- , 12. Marginal Writers; or, Jews Who Aren’t -- , Part II: British Jewish Fiction -- , 13. The Postwar ‘New Wave’ of British Jewish Writing -- , 14. Jewish Émigré and Refugee Writers in Britain -- , 15. Jewish Exile in Englishness: Eva Tucker and Natasha Solomons -- , 16. Jewish, Half-Jewish, Jew-ish: Negotiating Identities in Contemporary British Jewish Literature -- , 17. Life Writing and the East End -- , 18. ‘Almost too good to be true’: Israel in British Jewish Fiction, Pre-Lebanon -- , 19. The Writing on the Wall: Israel in British Jewish Fiction, Post-Lebanon -- , 20. British Jewish Holocaust Fiction -- , 21. Reading Matters: ‘Marginal’ British Jewish Writers -- , Part III: International and Transnational Anglophone Jewish Fiction -- , 22. Jewish Writing in Canada -- , 23. South African Jewish Writers -- , 24. Repairing Cracked Heirlooms: South African Jewish Literary Memory of Lithuania and Latvia -- , 25. Australian Jewish Fiction: A Bibliographical Survey -- , 26. ‘Migrant’ Jewish Writers in the Anglophone Diaspora -- , 27. Jewish Novels of the Spanish Civil War -- , 28. Mooristan and Palimpstine: Jews, Moors and Christians in Amitav Ghosh and Salman Rushdie -- , List of Contributors -- , Works Cited -- , Index , In English.
    Language: English
    Subjects: English Studies
    RVK:
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  • 6
    Online Resource
    Online Resource
    New Brunswick, N.J. :Rutgers University Press,
    UID:
    almafu_9959229466102883
    Format: 1 online resource (240 p.)
    Edition: 1st ed.
    ISBN: 1-283-86420-7 , 0-8135-4989-2
    Series Statement: American Literatures Initiative
    Content: During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews' claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness. Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.
    Note: Description based upon print version of record. , From White Negress to Yiddishe mama: Sophie Tucker and the female blackface tradition -- The same Show Boat: Edna Ferber's interracial ideal -- Limitations of white: Fannie Hurst and the consumption of blackness -- Minstrel of the mountain: Zora Neale Hurston and the black-Jewish imaginary. , English
    Additional Edition: ISBN 0-8135-4783-0
    Additional Edition: ISBN 0-8135-4782-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    almafu_9959156145502883
    Format: 1 online resource : , 3 photographs
    ISBN: 9780813549897
    Series Statement: The American Literatures Initiative
    Content: During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews' claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness. Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. From White Negress to Yiddishe Mama: Sophie Tucker and the Female Blackface Tradition -- , 2. The Same Show Boat? Edna Ferber's Interracial Ideal -- , 3. Limitations of White: Fannie Hurst and the Consumption of Blackness -- , 4. Moses and Minstrelsy: Zora Neale Hurston and the Black-Jewish Imaginary -- , Conclusion -- , Notes -- , Index , In English.
    Language: English
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