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  • 1
    Book
    Book
    London :Royal Musical Assoc.,
    UID:
    almahu_BV013931997
    Format: 156 S. : , Notenbeisp.
    ISBN: 978-0-947854-08-9 , 0-947854-08-8
    Series Statement: Royal Musical Association monographs 9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1756-1791 Mozart, Wolfgang Amadeus ; Orientalismus ; Musik ; Rezeption ; 1756-1791 Mozart, Wolfgang Amadeus ; 1756-1791 Mozart, Wolfgang Amadeus ; Türkei
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of California Press,
    UID:
    almahu_BV041067774
    Format: XXI, 326 S. : , Ill., Notenbeisp.
    ISBN: 978-0-520-27384-9
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musikpflege ; Musikerin
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    UID:
    almahu_9949865538902882
    Format: 1 online resource (xxv, 348 pages) : , digital, PDF file(s).
    ISBN: 9781108774079 (ebook)
    Series Statement: Ccambridge companions to music. Composers
    Content: Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.
    Note: Title from publisher's bibliographic system (viewed on 23 May 2024). , Prologue. Studies in Women Composers - the first 50 years / Matthew Head and Susan Wollenberg -- Part I. Themes in Studying Women composers. Historical Women Composers and the Transience of Female Musical Fame / Paula Higgins ; In Search of a Feminist Analysis / Susan Wollenberg ; Composing Women's History : Beyond Suppression and Separate Spheres / Matthew Head ; Progress and Professionalism / Sophie Fuller ; Women Composers and Feminism / Leah Broad -- Part II. Highlighting Women Composers before 1750. Medieval Women in Composition and Musical Production / Margot Fassler ; Sixteenth-Century Women Composers, Beyond Borders / Laurie Stras ; Women and Composition, c. 1600-1750 / Rebecca Cypess -- Part III. Women Composers c. 1750-1880 : Forms of Musical Culture. Did Women have a Classical Style? / Matthew Head and Susan Wollenberg ; Women, Song, and Subjectivity in the Nineteenth Century / Anja Bunzel and Stephen Rodgers ; Women, Pianos, and Virtuosity in the Nineteenth Century / Joe Davies and Alexander Stefaniak -- Part IV. Women Composers c. 1880-2000 : New waves. First-wave Feminism and Professional Status / Sophie Fuller ; Women Composers, Experimentalism and Technology, 1945-1980 / Louise Gray ; Vibrations : Women in Sound Art, 1980-2000 / Gascia Ouzounian -- Epilogue. Composers' Voices / Nicola Lefanu, Roxanna Panufnik, and Shirley Thompson.
    Additional Edition: Print version: ISBN 9781108489157
    Language: English
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1679131591
    Format: 1 online resource (xxix, 266 pages) , digital, PDF file(s).
    ISBN: 9781787445130 , 9781783273218
    Content: Offers an intimate view of a contemporary composer's creative world and how others may interpret it.
    Note: Title from publisher's bibliographic system (viewed on 11 Oct 2019)
    Additional Edition: ISBN 9781783273218
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781783273218
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore :Cambridge University Press,
    UID:
    almahu_BV049733142
    Format: xxv, 348 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-1-108-73351-9 , 978-1-108-48915-7
    Series Statement: Cambridge companions to music
    Content: "Transcending narratives of female suppression, this Companion traces women's innovative and critical contributions to musical culture in diverse times, places, and contexts from medieval to modern times. A thematically organised exploration of a rich, re-emerging repertoire, it will be essential reading for students of music history"--
    Note: Prologue. Studies in Women Composers - the first 50 years / Matthew Head and Susan Wollenberg -- Part I. Themes in Studying Women composers. Historical Women Composers and the Transience of Female Musical Fame / Paula Higgins ; In Search of a Feminist Analysis / Susan Wollenberg ; Composing Women's History : Beyond Suppression and Separate Spheres / Matthew Head ; Progress and Professionalism / Sophie Fuller ; Women Composers and Feminism / Leah Broad -- Part II. Highlighting Women Composers before 1750. Medieval Women in Composition and Musical Production / Margot Fassler ; Sixteenth-Century Women Composers, Beyond Borders / Laurie Stras ; Women and Composition, c. 1600-1750 / Rebecca Cypess -- Part III. Women Composers c. 1750-1880 : Forms of Musical Culture. Did Women have a Classical Style? / Matthew Head and Susan Wollenberg ; Women, Song, and Subjectivity in the Nineteenth Century / Anja Bunzel and Stephen Rodgers ; Women, Pianos, and Virtuosity in the Nineteenth Century / Joe Davies and Alexander Stefaniak -- Part IV. Women Composers c. 1880-2000 : New waves. First-wave Feminism and Professional Status / Sophie Fuller ; Women Composers, Experimentalism and Technology, 1945-1980 / Louise Gray ; Vibrations : Women in Sound Art, 1980-2000 / Gascia Ouzounian -- Epilogue. Composers' Voices / Nicola Lefanu, Roxanna Panufnik, and Shirley Thompson
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Komponistin ; Geschichte
    Author information: Head, Matthew William, 1967-
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    edocfu_9961523812202883
    Format: 1 online resource (xxvi, 348 pages) : , illustrations
    Edition: First edition.
    ISBN: 1-108-80439-X , 1-108-77407-5
    Series Statement: Cambridge Companions to Music
    Content: Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.
    Note: Prologue. Studies in Women Composers -- the first 50 years / Matthew Head and Susan Wollenberg -- Part I. Themes in Studying Women composers. Historical Women Composers and the Transience of Female Musical Fame / Paula Higgins ; In Search of a Feminist Analysis / Susan Wollenberg ; Composing Women's History : Beyond Suppression and Separate Spheres / Matthew Head ; Progress and Professionalism / Sophie Fuller ; Women Composers and Feminism / Leah Broad -- Part II. Highlighting Women Composers before 1750. Medieval Women in Composition and Musical Production / Margot Fassler ; Sixteenth-Century Women Composers, Beyond Borders / Laurie Stras ; Women and Composition, c. 1600-1750 / Rebecca Cypess -- Part III. Women Composers c. 1750-1880 : Forms of Musical Culture. Did Women have a Classical Style? / Matthew Head and Susan Wollenberg ; Women, Song, and Subjectivity in the Nineteenth Century / Anja Bunzel and Stephen Rodgers ; Women, Pianos, and Virtuosity in the Nineteenth Century / Joe Davies and Alexander Stefaniak -- Part IV. Women Composers c. 1880-2000 : New waves. First-wave Feminism and Professional Status / Sophie Fuller ; Women Composers, Experimentalism and Technology, 1945-1980 / Louise Gray ; Vibrations : Women in Sound Art, 1980-2000 / Gascia Ouzounian -- Epilogue. Composers' Voices / Nicola Lefanu, Roxanna Panufnik, and Shirley Thompson.
    Additional Edition: ISBN 1-108-48915-X
    Additional Edition: Print version: Cambridge companion to women composers ISBN 9781108489157
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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