Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

ISBN: 9780874219494

Note: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment.The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). , Authors address questions such as:How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.?What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified?How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies?How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment?How might the multimodal, , networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment?How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing?By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems?The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword , English

Language: Undetermined

URL: Volltext  (kostenfrei)

URL: kostenfrei

UID:

Format: 1 Online-Ressource

ISBN: 9780874217490 , 0874217490

Note: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital.Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. , How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers?The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavors. , This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.Section I: Sustaining instructors, students, and classroom practices. Introduction to section I / Heidi McKee --Political economy and sustaining the unstable : new faculty and research in English studies / Kelli Cargile Cook, Ryan (Rylish) M. Moeller, and Cheryl E. Ball --A portable ecology : supporting new media writing and laptop-ready pedagogy / Kristie S. Fleckenstein, Fred Johnson, and Jackie Grutsch McKinney --Stifling innovation : the impact of resource-poor techno-ecologies on student technology use / Anthony T. Atkins and Colleen A. Reilly --Video for the rest of us? Toward sustainable processes for incorporating video into multimedia composition / Peter J. , Fadde and Patricia Sullivan --Portfolios, circulation, ecology, and the development of literacy / Kathleen Blake Yancey --Section II: Sustaining writing programs. Introduction to section II / Danielle Nicole DeVoss --The administrator as technorhetorician : sustainable technological ecologies in academic programs / Michael Day --Sustainability and digital technology : program analysis via a "three-legged" framework / Patricia Ericsson --The hybrid academy : building and sustaining a technological culture of use / Beth L. Brunk-Chavez and Shawn J. Miller --Using the LEED evaluation tool to assess the sustainability of first-year computers and writing programs / Kip Strasma --Digital studio as method : collaboratively migrating theses and dissertations into the technological ecology of English studies / Jude Edminster, Andrew Mara, and Kristine Blair --Section III: Sustaining writing center, research centers, and community programs. , Introduction to section III / Dickie Selfe --Sustaining a research center : building the research and outreach profile for a writing program / James E. Porter --Sustaining community and technological ecologies : what writing centers can teach us / Jeanne R. Smith and Jay D. Sloan --Sustaining (and growing) a pedagogical writing environment : an activity theory analysis / Mike Palmquist, Kate Kiefer, and Jill Salahub --Genre-informed implementation analysis : an approach for assessing the sustainability of new textual practices / Lisa Dush --Section IV: Sustaining scholarship and the environment. Introduction to section IV / Danielle Nicole DeVoss --Sustainable digital ecologies and considered limits / Lisa Lebduska --Old world successes and new world challenges : reducing the computer waste stream in America / Shawn Apostel and Kristi Apostel --Sustaining scholarly efforts : the challenge of digital media / Cynthia L. Selfe, Gail E. Hawisher, and Patrick W. , Berry --Afterword : sustainable writing programs : a continuing agenda / Charlie Moran --Author biographies and photos

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URL: Volltext  (kostenfrei)

URL: kostenfrei

UID:

Format: XXIV, 188 S. : , Ill.

ISBN: 978-1-4331-0661-3 , 978-1-4331-0660-6

Series Statement: Digital Formations 59

Language: English

Subjects: Computer Science , General works , Philosophy

Keywords: Internet ; Ethik

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018645687&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xii, 221 pages) : , illustrations

ISBN: 9781315197692 , 1315197693 , 9781351770774 , 1351770772 , 9781351770750 , 1351770756 , 1138715212 , 9781138715219

Series Statement: Routledge studies in rhetoric and communication ; 33

Content: "Digital technologies and social media have changed the processes, products, and interactions of professional communication, reshaping how, when, with whom, and where business professionals communicate. This book examines these changes by asking: How does rhetorical theory need to adapt and develop to address the changing practices of professional communication? Drawing from classical and contemporary rhetorical theory and from in-depth interviews with business professionals, the authors present a case-based approach for exploring the changing landscape of professional communication. The book develops a rhetorical theory based on networked interaction and rhetorical ethics: seeing professional communication as involving new kinds of networked interactions that require an integrated view of rhetoric and ethics. The book applies this frame to a variety of communication cases involving, for example, employee missteps on social media, corporate-consumer interactions, and the developing use of artificial intelligence agents (AI bots) to handle online communication."--Provided by publisher.

Note: Chapter 1 Introduction: Professional Communication in the Digital Age -- part PART I: Building a Rhetorical/Ethical Network Theory -- chapter 2 Reconnecting Rhetoric and Ethics -- chapter 3 Ethics, Culture, and Phatic Communication -- chapter 4 Rhetorical Interaction and Networks -- part PART II: Cases of Network Interaction -- chapter 5 Employee Use of Social Media and Corporate Response -- chapter 6 Social Listening: An Ethical and Organizational Shift -- chapter 7 AI Agents as Professional Communicators -- chapter 8 Conclusion: Changing the Frame.

Additional Edition: Print version: ISBN 9781138715219

Language: English

URL: https://www.taylorfrancis.com/books/9781315197692

URL: lizenzpflichtig

URL: https://www.taylorfrancis.com/books/9781351770774

UID:

Format: 1 online resource : , digital, HTML file(s).

Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.

Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English

Additional Edition: ISBN 0-87421-949-3

Language: English

UID:

Format: 1 online resource : , digital, HTML file(s).

Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.

Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English

Additional Edition: ISBN 0-87421-949-3

Language: English

UID:

Format: 1 online resource : , digital, HTML file(s).

Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.

Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English

Additional Edition: ISBN 0-87421-949-3

Language: English

UID:

Format: 1 online resource : , digital, PDF file(s).

ISBN: 9780874217490

Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.

Note: Bibliographic Level Mode of Issuance: Monograph , English

Language: English

UID:

Format: 1 online resource : , digital, PDF file(s).

ISBN: 9780874217490

Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.

Note: Bibliographic Level Mode of Issuance: Monograph , English

Language: English

UID:

Format: 1 online resource : , digital, PDF file(s).

ISBN: 9780874217490

Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.

Note: Bibliographic Level Mode of Issuance: Monograph , English

Language: English