Kooperativer Bibliotheksverbund

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Format: 272 S. : , Ill.

ISBN: 978-2-503-53204-2

Note: Zugl.: Diss., 2006

Language: French

Keywords: Bible moralisée ; Buchmalerei ; Cod. 1179 Bible moralisée ; Cod. 2554 Bible moralisée ; Bible moralisée ; Bild ; Text ; Semiotik ; Hochschulschrift ; Hochschulschrift

URL: Inhaltsverzeichnis

Author information: Hellemans, Babette 1974-

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Format: 1 Online-Ressource (209 Seiten) , Illustrationen

ISBN: 9789004540859

Series Statement: Brill's studies in intellectual history volume 348

Content: The Paraclete was founded in 1129. Out of necessity to find a new place to shelter a group of nuns, this female community was created by Peter Abelard (1079–1142) for Heloise of Argenteuil (1090–1164). Varieties of the Self shows how this community was dependent on a network of monasteries, while also representing a formative driving force in the twelfth-century reform, the period of flourishing to which it clearly belonged. The anthropological approach connects different works written by Peter Abelard (hymns, life-rules, letters, biblical commentaries) to views on the female self. What is the perspective on identity, sacrifice, and intentionality within these sources, and how do views on pollution, purity, and sacredness reflect on ethics of body and soul?

Note: Literaturverzeichnis: Seite 192-206 , English

Additional Edition: ISBN 9789004540835

Additional Edition: Erscheint auch als Druck-Ausgabe Hellemans, Babette S. Varieties of the self Leiden : Brill, 2023 ISBN 9789004540835

Language: English

Keywords: Abaelard, Peter 1079-1142 ; Héloïse 1101-1164 ; Kloster Le Paraclet ; Klosterreform ; Frauenbild

DOI: 10.1163/9789004540859

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

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Author information: Hellemans, Babette 1974-

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Format: 1 online resource (368 pages) : , illustrations, tables.

ISBN: 9789004262713 (e-book)

Series Statement: Brill's Studies in Intellectual History, Volume 229

Additional Edition: Print version: Rethinking abelard : a collection of critical essays. Leiden, Netherlands : Koninklijke Brill, c2014 ISSN 0920-8607 ISBN 9789004262706

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: 1 online resource (251 pages) : , digital, PDF file(s).

ISBN: 9789048529186 (ebook)

Series Statement: Knowledge communities ; 6

Content: The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create.

Note: Title from publisher's bibliographic system (viewed on 14 Dec 2020). , Ouverture : degree zero between past and future / Babette Hellemans -- Images. The two bodies of the Virgin : on the festival of Cirio de Nazaré / Jean-Claude Schmitt -- The three ages of man and the materialization of an allegory : inquiries on an object at the threshold of modernity / Andrea von Hülsen-Esch -- Lapsus figurae : remarks on iconographic error / Pierre-Olivier Dittmar -- Improvisations. Drawing a line and questioning art / Nicola Suthor -- Fall and rise again / Irit Ruth Kleiman -- Improvisations as a chief pillar of the poetic art in Persian literary tradition / Asghar Seyed-Gohrab -- Sound. Intending the listener / Rokus de Groot -- The sovereign ear : Handel's Water music and aural historiography / Sander van Maas -- Where sound and meaning part : language and performance in early Hebrew poetry / Irene Zwiep -- Silence. Writing about silence and the secret in the twelfth century : monastic variations on a Biblical theme / Cédric Giraud -- An arrangement of silence : shaping monastic identity in Anselm of Canterbury's letter collections / Theo B. Lap -- Dimidia hora : liminal silence in Bernard of Clairvaux, Anselm of Canterbury, and Barack Obama / Burcht Pranger.

Additional Edition: Print version: ISBN 9789462980051

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789048529186/type/BOOK

URL: lizenzpflichtig

UID:

Format: XI, 356 S.

ISBN: 9789004262706

Series Statement: Brill's studies in intellectual history Vol. 229

Content: Contents; Preface; Note on Contributors; Introduction; Part One Abelard in Context; Abelard, Heloise, and Discussion of Love in the Twelfth-Century Schools; Abelard and the Jews; Divine Omnipotence and the Liberal Arts in Peter Damian and Peter Abelard; Conflict and Correspondence. Inner and Outer in Abelard and Hugh of Saint Victor; Part Two Controversy and Exchange; Was Abelard Right to Deny that He Had Written a Book of 'Sentences'?; Veiled Platonic Triads in Abelard's Theologia 'Summi Boni'; Part Three Shaping Life; Abelard and Rhetoric: Widows and Virgins at the Paraclete. - Trapping the Future: Abelard's Multi-Layered Image-BuildingIntentions and Conscious Moral Choices in Peter Abelard's Know Yourself; 'He who kills himself liberates a wretch': Abelard on Suicide; Part Four Poetics and Poetry; Peter Abelard's Planctus 'Dolorum solatium': A New Song for David; Abelard on the First Six Days; Abelard and the Poetics of Ingenium; Bibliography; Index. - Drawing on recent scholarship, with essays by a selection of international scholars, this volume throws new light on the literary persona of Peter Abelard (1079-1142), one of the most diversely gifted people of the Middle Ages

Additional Edition: ISBN 9789004262713

Language: English

Subjects: History , Philosophy

Keywords: Abaelard, Peter 1079-1142 ; Konferenzschrift

URL: Inhaltsverzeichnis

URL: Rezension

Author information: Hellemans, Babette 1974-

UID:

Format: 252 Seiten , Illustrationen , 105 x 148 mm

Edition: Mikrofiche-Ausgabe Lille Atelier national de reproduction des thèses$h2014 1 Mikrofiche

Series Statement: Lille-Thèses

Content: Quatre Bibles moralisées datant du XIIIe siècle constituent le fondement de cette étude. Ces livres extrêmement précieux montrent une richesse en enluminures surprenante, avec des paraphrases bibliques très fragmentées et diverses, systématiquement accompagnées de commentaires. L'"ensemble montre une complexité sans équivalence dans la production des livres au Moyen Age. Comme dans un film, la réalité diégétique de l'œuvre se trouve à l'extérieur de l'objet même: l'œuvre est ouverte, un tout dans le Tout. En analysant la caractéristique de la matérialité d'une manière dynamique et plurivoque, la présente étude se penche surtout sur la manière dont le temps se montre dans l'objet-codex. Analogue aux (pré)scolastiques questionnant la présence du Christ pendant la célébration de l'Eucharistie, une nouvelle approche est proposée qui vise à lier l'extérieur de ces Bibles à la notion primaire du christianisme -l'incarnation -en plaçant l'objet dans l'(a-)temporalité et l'espace

Content: The four 13th century Bibles Moralisées are the fundament of this study. These books were on no account 'ordinary picture bibles' -they show us a highly sophisticated program of overall planning that is dynamic and very complex including an overwhelming number of interconnected images and texts, divided in a biblical paraphrase, systematically accompanied with a short commentary. Being a Bible, the diegetic reality of this work of art is to be found outside the object itself, somehow similar to a semiotic analysis of a motion picture: the Bible as an object is an open complex. While analysing the characteristic of its materiality, the present study observes how time (as readings in rhythm), is represented In these codices. In other words, through the particular lay-out of these Bibles, the presence of the Word III time and space is questioned, in a comparable way prescolastic scholars have questioned the presence of Christ during the celebration of the Eucharist

Note: Thèse en co-tutelle , Textes en français et en latin , Bibliogr. p. 217-252. Notes bibliogr , Dissertation Paris, École des hautes études en sciences sociales 2006 , Dissertation Université d' Utrecht 2006

Additional Edition: Erscheint auch als Druck-Ausgabe La forme et l'objet du livre : une lecture dynamique des bibles moralisées du XIIIe siècle / Babette Sophie Hellemans

Language: French

Keywords: Bible moralisée ; Handschrift ; Geschichte 1200-1300 ; Hochschulschrift

Author information: Schmitt, Jean-Claude 1946-

Author information: Hellemans, Babette 1974-

UID:

Format: 254 Seiten : , Illustrationen.

ISBN: 978-90-8704-752-8

Language: Dutch

Subjects: History

Keywords: Kulturgeschichte ; Aufsatzsammlung

URL: Inhaltsverzeichnis

Author information: Aerts, Remieg 1957-

Author information: Hellemans, Babette 1974-

Author information: Berkel, Klaas van 1953-

UID:

Format: 1 Online-Ressource (251 Seiten) : , Illustrationen.

ISBN: 978-90-485-2918-6

Series Statement: Knowledge communities 6

Content: The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create

Note: In English

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6298-005-1

Language: English

Keywords: Schaffensprozess ; Kreativität ; Künste ; Ästhetik ; Aufsatzsammlung

DOI: 10.1515/9789048529186

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Hellemans, Babette, 1974-

UID:

Format: 1 online resource (288 p.) : , 1 Illustration, black and white

ISBN: 9780823292288

Content: This volume takes up the challenge implied in Augustine’s paradox of time: How does one account for the continuity of history and the certitude of memory, if time, in the guise of an indivisible “now,” cuts off any extension of the present? The thinkers and artists the essays address include Augustine, Abelard, Eriugena and Thoreau, Calvin, Shakespeare, De Rance, Stravinsky and Messiaen, Rubens and Woolf.

Note: Frontmatter -- , Contents -- , List of Abbreviations -- , Preface -- , Introduction: On Religion and Pastness -- , Part I Time and Eternity: Between and Betwixt -- , 1. The Vision at Ostia: Augustine’s Desire to Become a Red Indian -- , 2. Memory and the Sublime: Wittgenstein on Augustine’s Trouble with Time -- , Part II Moving Progressively Backward -- , 3. The Man without Memory: Peter Abelard and Trust in History -- , 4. Creation and Epiphanic Incarnation: Reflections on the Future of Natural Theology from an Eriugenian- Emersonian Perspective -- , 5. The Care of the Past: The Place of Pastness in Transgenerational Projects -- , 6. Trembling in Time: Silence and Meaning between Barthes, Chateaubriand, and Rancé -- , Part III -- , 7. The Literary Comfort of Eternity: Calvin and Thoreau -- , 8. The Past and History in Ordinary Language Philosophy -- , Part IV Time and Lateness -- , 9. From Past to Present and from Listening to Hearing: Final Indefinable Moments in Bach’s and Stravinsky’s Music -- , 10. Late Style Messiaen -- , Part V Time and Oblivion -- , 11. Of Shakespeare and Pastness -- , 12. The Anger of Angels: From Rubens to Virginia Woolf -- , Notes -- , List of Contributors , In English.

Language: English

DOI: 10.1515/9780823292288

URL: https://www.degruyter.com/isbn/9780823292288

UID:

Format: 1 online resource (pages)

ISBN: 9789004262713

Series Statement: Brill's studies in intellectual history ; v. 229

Content: Peter Abelard (1079-1142) is one of the most diversely gifted people of the Middle Ages. His letter writing, poetry, theology, logic, and ethics deal with almost every aspect of the trivium. This volume surveys his career to show how his extraordinary versatility enchanted and distressed his public. A selection of international specialists addresses the various aspects of Abelard's literary persona. The topics range from Abelard's personal history to his monastic thinking. There are essays on the letter collection, his views on love, ethical problems such as intention and suicide, his poetry and treatises written for Heloise and her nuns of the Paraclete. With its strong emphasis on interdisciplinary research, Rethinking Abelard opens up new avenues for future scholarship. Contributors are: Michael T. Clanchy, Peter Cramer, Lesley-Anne Dyer, Juanita Feros Ruys, William Flynn, Babette Hellemans, Taina M. Holopainen, Eileen F. Kearney, Constant J. Mews, Eileen C. Sweeney, Ineke Van 't Spijker, Wim Verbaal, and Julian Yolles.

Note: Preliminary Material -- , Introduction / , Abelard, Heloise, and Discussion of Love in the Twelfth-Century Schools / , Abelard and the Jews / , Divine Omnipotence and the Liberal Arts in Peter Damian and Peter Abelard / , Conflict and Correspondence. Inner and Outer in Abelard and Hugh of Saint Victor / , Was Abelard Right to Deny That He Had Written a Book of 'Sentences'? / , Veiled Platonic Triads in Abelard's Theologia 'Summi Boni' / , Abelard and Rhetoric: Widows and Virgins at the Paraclete / , Trapping the Future: Abelard's Multi-Layered Image-Building / , Intentions and Conscious Moral Choices in Peter Abelard's Know Yourself / , 'He who kills himself liberates a wretch': Abelard on Suicide / , Peter Abelard's Planctus 'Dolorum solatium': A New Song for David / , Abelard on the First Six Days / , Abelard and the Poetics of Ingenium / , Bibliography -- , Index.

Additional Edition: Print version: Rethinking Abelard: A Collection of Critical Essays Leiden, Boston : BRILL, 2014, ISBN 9789004262706

Language: English

URL: DOI: