Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

ISBN: 9780814790595 , 9780814744673

Series Statement: Critical Cultural Communication

Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8147-9057-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8147-9058-8

Language: English

Keywords: USA ; Homosexualität ; Soziale Situation ; Soziale Klasse ; Film ; Fernsehserie

DOI: 10.18574/nyu/9780814790571.001.0001

URL: Volltext  (kostenfrei)

URL: De Gruyter

URL: EBSCOhost

URL: JSTOR

URL: NYU Press Open Square

URL: Project MUSE

URL: VLeBooks

URL: De Gruyter, Cover

URL: De Gruyter, Cover

URL: kostenfrei

UID:

Format: XII, 201 S. : , Ill.

ISBN: 978-0-8147-9057-1 , 978-0-8147-9058-8 , 978-0-8147-9059-5 , 978-0-8147-4467-3

Series Statement: Critical cultural communication

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Homosexualität ; Soziale Situation ; Soziale Klasse ; Film ; Fernsehserie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025718585&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (214 p.)

ISBN: 0-8147-9059-3

Series Statement: Critical cultural communication

Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Note: Description based upon print version of record. , The class character of boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition : queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion : a cultural politics of love and solidarity. , English

Additional Edition: ISBN 0-8147-9058-5

Additional Edition: ISBN 0-8147-9057-7

Language: English

DOI: 10.18574/9780814790595

UID:

Format: 1 online resource (214 p.)

ISBN: 0-8147-9059-3

Series Statement: Critical cultural communication

Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Note: Description based upon print version of record. , The class character of boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition : queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion : a cultural politics of love and solidarity. , English

Additional Edition: ISBN 0-8147-9058-5

Additional Edition: ISBN 0-8147-9057-7

Language: English

DOI: 10.18574/9780814790595

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 9780814790595 (ebook) :

Series Statement: Critical cultural communication

Content: This title argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, the book offers supple approaches to capturing class experience and class form in and around queerness.

Additional Edition: Print version : ISBN 9780814790571

Language: English

URL: New York scholarship online

UID:

Format: xii, 201 p.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: Critical cultural communication

Note: The class character of boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition : queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion : a cultural politics of love and solidarity.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (1 video file, 61 min.)

Content: Picking up where the critically acclaimed Off the Straight & Narrow (1998) left off, this film examines the increasing presence of GLBT characters on sitcoms, reality shows, and premium cable programming. It takes account of the emerging variety and complexity of GLBT representations, while exploring how these representations continue to be shaped by the demands of the commercial media system. The film asks whether we are witnessing a dramatic and progressive opening of the culture, or simply a cautious recognition by advertisers of the buying power of GLBT consumers.

Note: Originally produced by Media Education Foundation in 2006. , Mode of access: World Wide Web.

In: Media Education Foundation Collection

Language: English

Keywords: Documentary films.

URL: A Kanopy streaming video

URL: Cover Image

UID:

Format: 1 online resource (370 pages) : , illustrations

ISBN: 9781118760819 (e-book) , 9781118760970 (e-book)

Additional Edition: Print version: Weber, Larry. Digital marketer : ten new skills you must learn to stay relevant and customer-centric. Hoboken, New Jersey : Wiley, c2014 ISBN 9781118760833

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (1 video file, 61 min.)

Content: Picking up where the critically acclaimed Off the Straight & Narrow (1998) left off, this film examines the increasing presence of GLBT characters on sitcoms, reality shows, and premium cable programming. It takes account of the emerging variety and complexity of GLBT representations, while exploring how these representations continue to be shaped by the demands of the commercial media system. The film asks whether we are witnessing a dramatic and progressive opening of the culture, or simply a cautious recognition by advertisers of the buying power of GLBT consumers.

Note: Originally produced by Media Education Foundation in 2006. , Mode of access: World Wide Web.

In: Media Education Foundation Collection

Language: English

Keywords: Documentary films.

URL: A Kanopy streaming video

UID:

Format: 1 online resource

ISBN: 9780814790595

Series Statement: Critical Cultural Communication ; 18

Content: Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. The Class Character of Boys Don’t Cry -- , 2. Queer Visibility and Social Class -- , 3. Every Queer Thing We Know -- , 4. Recognition: Queers, Class, and Dorothy Allison -- , 5. Queer Relay -- , 6. Plausible Optimism -- , Conclusion: A Cultural Politics of Love and Solidarity -- , Notes -- , References -- , Films -- , Television Programs -- , Index -- , About the Author , In English.

Language: English

DOI: 10.18574/9780814790595

URL: https://www.degruyter.com/isbn/9780814790595