Kooperativer Bibliotheksverbund

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Format: 1 online resource.

ISBN: 9781000283679 , 1000283674 , 9781000283570 , 1000283577 , 9781000283624 , 1000283623 , 0429345380 , 9780429345388

Series Statement: Perspectives on music production series

Content: Innovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry.

Note: Part I Music production innovation. Country Eastern: Contextual and cultural mediation in the recording studio -- two producers, two artists, two cultures 2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship 3. Making records within records: Manufacturing phonographic 'otherness' in sample-based Hip Hop production 4. Motormouth: An essay in sonic recontextualization 5. The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album 〈I〉No World Order 〈/I〉6. Ground control and cloud booths: Using Dante to break geographical barriers to music production7. Music production utilising Internet of Things technologies. PART II Music technology innovation 8. development of an Ambisonic Guitar System 9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study 10. Improvising song writing and composition within a hybrid modular synthesis system 11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition 12. Sound objects: Exploring procedural audio for theatre 13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs 14. Concepts for the design of accessible music technology 15. Security engineering in the arts. PART III Performance innovation. 16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques 17. BTS' "Speak Yourself" world tour as an intermedial spectacle of attachment 18. A review of contemporary practices incorporating digital technologies with live classical music 19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany 20. Transforming musical performance: Activating the audience as digital collaborators 21. The online composer-audience collaboration 22. New instruments as creativity triggers in composer-performer collaboration 23. "My avatar and me": Technology-enhanced mirror in monitoring music performance practice 24. Creative considerations for on-screen visuals in electronic pop music performances. PART IV Music business and artist development innovation. 25. Towards a quantum theory of musical creativity 26. Observing mood-based patterns and commonalities in music using machine learning algorithms 27. The role of contests and talent shows as part of the artist development process within the music industry 28. Music: Leeds -- supporting a regionalised music sector and scene.

Additional Edition: Print version: ISBN 9781000283679

Additional Edition: Print version: ISBN 9780367363376

Additional Edition: ISBN 0367363372

Additional Edition: ISBN 9780367363352

Additional Edition: ISBN 0367363356

Language: English

Keywords: Electronic books.

DOI: 10.4324/9780429345388

URL: https://www.taylorfrancis.com/books/9780429345388

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xii, 290 pages) : , illustrations

ISBN: 9780429464515 , 0429464517 , 9780429875854 , 0429875851 , 9780429875861 , 042987586X , 9780429875847 , 0429875843

Series Statement: Perspectives on music production

Content: "The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners and academics to present and analyse the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students and researchers working in the field of music production today"--

Note: "A Focal Press Book" -- taken from front cover. , Galician female bagpipers in the production of local tradition and gender identity Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production Part II: Women in the Studio Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar? Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche Part III: Personal Perspectives Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers. Chapter 13: Louise M.

Additional Edition: Print version: Gender in music production New York : Routledge, 2020. ISBN 9781138613379

Language: English

Keywords: Electronic books. ; Electronic books.

URL: https://www.taylorfrancis.com/books/9780429464515

URL: lizenzpflichtig

UID:

Format: 1 online resource (307 pages)

Edition: 1st ed.

ISBN: 1-317-29550-1 , 1-315-64660-9 , 1-317-29551-X

Series Statement: Perspectives on Music Production

Content: This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process.

Note: "A Focal Press book." , 1. Exploring potential of the mix : historical milestones and expanded perspectives / Martyn Phillips -- 2. How to listen, what to hear / William Moylan -- 3. Proxemic interaction in popular music recordings / Ruth Dockwray -- 4. Top-down mixing : a 12-step mixing program / Phil Harding -- 5. Mixing in the box / Justin Paterson -- 6. Audio editing in/and mixing / Alastair Sims with Jay Hodgson -- 7. Pre-production in mixing : mixing in pre-production / Dylan Lauzon -- 8. Between the speakers : discussions on mixing / Dean Nelson -- 9. Mixing for markets / Alex Krotz with Jay Hodgson -- 10. Mixing in/and modern electronic music production / Andy Devine and Jay Hodgson -- 11. Groove and the grid : mixing contemporary hip hop / Matt Shelvock -- 12. The mix is. The mix is not. / Robert Wilsmore and Christopher Johnson -- 13. Mixing metaphors : aesthetics, mediation and the rhetoric of sound mixing / Mark Marrington -- 14. Mix as auditory response / Jay Hodgson -- 15. An intelligent systems approach to mixing multitrack audio / Joshua D. Reiss -- 16. How can academic practice inform mix-craft? / Gary Bromham -- 17. The dreaded mix sign-off : handing over to mastering / Rob Toulson -- 18. Conclusion : mixing as part-history, part-present and part-future / Russ Hepworth-Sawyer.

Additional Edition: ISBN 1-138-21873-1

Additional Edition: ISBN 1-138-18204-4

Language: English

Keywords: Electronic books.

DOI: 10.4324/9781315646602

URL: Click to View

UID:

Format: 1 online resource

ISBN: 9781351815109 , 1351815105 , 9781351815086 , 1351815083 , 9781351815093 , 1351815091 , 9781315212241 , 1315212242

Series Statement: Perspectives on music production series

Content: During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. Producing Music presents cutting-edge research across topics that both strengthen and broaden the range of the discipline as it currently stands. Bringing together the academic study of music productionand practical techniques, this book illustrates the latest research on producing music. Focusing on areas such as genre, technology, concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and Marrington have compiled key research from practitioners and academics to present a comprehensive view of how music production has established itself and changed over the years.

Note: Includes index. , Music production and genre. Hip hop production technique and the actor-network ontology / Matt Shelvock ; Boom bap ex machina / Mike Exarchos ; Metal in box : the DAW and the domain of metal music production practice since 2000 / Mark Marrington ; Antonio Carlos jobim : the author as producer / Marcio Pinho, Rodrigo Vicente ; Quarantine zone : vaporwave and the dissection of record production / Josh Ottum ; Classical production : situating historically-informed performances in small rooms / Bob Toft -- Music production and technology. Politics of digitizing analog / Pat O'Grady ; Producing music for immersive audio experiences / Rob Lawrence ; Producing 3-D audio / Justin Paterson ; Production moves in a laptop studio : thinking through the creative workflows and possibility spaces of Ableton Live / Thomas Brett ; Real time, remote, collaborative recording sessions : music production without boundaries / Paul Ferguson, Zack Moir -- Concepts of production. Re-thinking the audio-object in the context of DAW-based electronic music production practice / Stace Constantinou ; The use of non-linear sonic signatures in music production / Austin Moore ; Russ HS interview with Brakespear/round-table ; Towards a typology of collaborative practice in music production / Robert Wilsmore ; Narrative and the art of record production / Alex Harden -- The context of production. Music production pedagogy and its relationship with industry / Alex Baxter ; Conversations with women in music production / Kallie Buccola.

Additional Edition: Print version: Producing music. New York, NY : Routledge, 2019 ISBN 9780415789219

Language: English

Keywords: Electronic books. ; Electronic books.

DOI: 10.4324/9781315212241

URL: https://www.taylorfrancis.com/books/9781315212241

URL: lizenzpflichtig

UID:

Format: 1 online resource (ix, 302 pages) : , illustrations

ISBN: 9780429276590 , 0429276591 , 9781000281422 , 1000281426 , 9781000281460 , 1000281469 , 9781000281446 , 1000281442

Series Statement: Perspectives on music production

Content: "Mastering in Music is a cutting-edge edited collection that offers twenty perspectives on the contexts and process of mastering. This book collects the perspectives of both academics and professionals to discuss recent developments in the field, such as mastering for VR and high resolution mastering, alongside crucial perspectives on fundamental skills, such as the business of mastering, equipment design and audio processing. Including a range of detailed case studies and interviews, Mastering in Music offers a comprehensive overview of the foremost hot topics affecting the industry, making it key reading for students and professionals engaged in music production"--

Additional Edition: Print version: Mastering in music. New York : Taylor and Francis, 2021 ISBN 9780367227197

Language: English

Keywords: Electronic books. ; Electronic books. ; Electronic books.

DOI: 10.4324/9780429276590

URL: https://www.taylorfrancis.com/books/9780429276590

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

URL: Click to View

UID:

Format: 1 online resource (294 pages) : , 46 illustrations, text file, PDF

Edition: First edition.

ISBN: 9781315707501 , 1315707500

Series Statement: Perspectives on Music Production

Content: Audio Mastering: The Artists collects more than twenty interviews, drawn from more than 60 hours of discussions, with many of the world's leading mastering engineers. In these exclusive and often intimate interviews, engineers consider the audio mastering process as they, themselves, experience and shape it as the leading artists in their field. Each interview covers how engineers got started in the recording industry, what prompted them to pursue mastering, how they learned about the process, which tools and techniques they routinely use when they work, and a host of other particulars of their crafts. We also spoke with mix engineers, and craftsmen responsible for some of the more iconic mastering tools now on the market, to gain a broader perspective on their work. This book is the first to provide such a comprehensive overview of the audio mastering process told from the point-of-view of the artists who engage in it. In so doing, it pulls the curtain back on a crucial, but seldom heard from, agency in record production at large.

Note: Dedication -- , Acknowledgements -- , Introduction -- , Part One: North America -- , Gateway Mastering: Bob Ludwig & Adam Ayan -- , Ellen Fitton -- , Randy Merrill -- , Bob Katz -- , Kevin Gray -- , Jonathan Wyner -- , Dave Hill -- , Bryan Martin -- , Alex Krotz -- , Alastair Sims -- , Part Two: Europe -- , Ray Staff -- , Denis Blackham -- , John Dent -- , Barry Grint -- , Mandy Parnell -- , Darcy Proper -- , Nick Watson -- , JP Braddock -- , Matt Colton -- , Nick Cooke -- , Paul Baily -- , Dr. Phil Harding -- , Bruno Fazenda -- , Concluding Discussion: Russ Hepworth-Sawyer and Jay Hodgson

Additional Edition: Print version: ISBN 9781138900066

Language: English

Keywords: Electronic books. ; Interviews ; Electronic books

URL: https://www.taylorfrancis.com/books/9781315707501

URL: lizenzpflichtig

UID:

Format: ix, 529 Seiten , Illustrationen, Diagramme, Notenbeispiele

ISBN: 9781138498198 , 9781138498211

Series Statement: Perspectives on music production series

Note: "A Focal Press book"--cover , Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- , Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- , Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- , (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm

Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-351-01671-1

Language: English

Keywords: Musikwirtschaft ; Musikproduktion ; Aufführungspraxis ; Technologie ; Innovation ; Konferenzschrift ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xv, 284 pages)

ISBN: 9780080928401 , 9781136121937 , 9781136121975

Content: section A. What is music production? -- section B. Being it -- section C. Prepping it -- section D. Doing it -- section E. The future -- section F. Appendices.

Additional Edition: ISBN 9781138468979

Additional Edition: ISBN 9780240811260

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138468979

Language: English

DOI: 10.4324/9780080928401

URL: lizenzpflichtig

UID:

Format: 1 online resource (xix, 414 pages)

ISBN: 9780240521947 , 9781136114656 , 9781136114694

Series Statement: Serie media technology

Uniform Title: Logic Pro 9 : audio and music production

Content: capitulo 1. O conceito do Logic -- capitulo 2. Interface do Logic -- capitulo 3. Conectando-se -- capitulo 4. Iniciando um projeto --capitulo 5. Regioes e edicao de audio -- capitulo 6. Sequencias MIDI e plug-ins de instrumentos -- capitulo 7. Projeto criativo de som -- capitulo 8. Mixando no Logic -- capitulo 9. Masterizando no Logic -- capitulo 10. Logic e producao de multimidia -- capitulo 11. Otimizando o Logic.

Additional Edition: ISBN 9780240521930

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780240521930

Language: Portuguese

DOI: 10.4324/9780240521947

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Format: 1 online resource (xvi, 244 pages)

ISBN: 9781136113741 , 9781136113697 , 9781136113734

Content: ch. 1. Introduction -- ch. 2. Mastering tools -- ch. 3. Mastering objectives -- ch. 4. Controlling dynamics -- ch. 5. Refining timbre -- ch. 6. Creating and managing loudness -- ch. 7. Controlling width and depth -- ch. 8. Crafting a product -- ch. 9. Delivering a product -- ch. 10. DAW workflow -- ch. 11. Conclusions.

Additional Edition: ISBN 9781138406483

Additional Edition: ISBN 9780240523705

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138406483

Language: English

DOI: 10.4324/9780240523712

URL: lizenzpflichtig