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  • 1
  • 2
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1700412906
    Format: 1 Online-Ressource (184 pages) , illustrations
    Edition: First edition
    Edition: Also published in print
    ISBN: 150133042X , 1501330438 , 9781501330445 , 9781501330421 , 9781501330438 , 9781501330414 , 9781501330407
    Series Statement: 33 1/3 Brazil
    Content: "Analyzes a momentous album via the perspective of serendipitous global encounters"--
    Content: Acknowledgments -- Notes on Translations -- 1. Directions to a Serendipitous Encounter -- 2. Race and Radical Serendipity -- 3. Cover to Cover (and an Invitation) -- 4. Elastic, Fractured, Connected Worlds -- 5. Gil's Early Work and Influences -- 6. From Bahia to London and Back -- 7. "Returning to the Depths of History" -- 8. Thirsty but Not Quite Alone -- 9. The Avocado Tree -- 10. "This Is to Be Played on the Radio" -- 11. The Tour, the Critics, the Censor -- 12. The End? Song Lyrics -- Notes -- Bibliography -- Index.
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501330414
    Additional Edition: Erscheint auch als Druck-Ausgabe Hertzman, Marc A Refazenda New York : Bloomsbury Academic, 2020
    Language: English
    Keywords: Electronic books
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  • 3
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959674029602883
    Format: 1 online resource (392 p.) : , 1 map, 16 figures
    ISBN: 9780822391906
    Content: In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
    Note: Frontmatter -- , Contents -- , A Note about Brazilian Terminology, Currency, and Orthography -- , Abbreviations -- , Acknowledgments -- , Introduction -- , 1 Between Fascination and Fear -- , 2 Beyond the Punishment Paradigm -- , 3 Musicians Outside the Circle -- , 4 “Our Music” -- , 5 Mediators and Competitors -- , 6 Bodies and Minds -- , 7 Alliances and Limits -- , 8 Everywhere and Nowhere -- , 9 After the Golden Age -- , Conclusion -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Electronic books
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  • 4
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959677677102883
    Format: 1 online resource (389 p.)
    ISBN: 0-8223-5430-6 , 0-8223-9190-2
    Series Statement: e-Duke books scholarly collection.
    Content: By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
    Note: Description based upon print version of record. , Between fascination and fear: musicians' worlds in nineteenth-century Rio de Janeiro -- Beyond the punishment paradigm: popular entertainment and social control after abolition -- Musicians outside the circle: race, wealth, and property in fred figner's music market -- "Our music": "Pelo telefone" and the Oito batutas, and the rise of samba -- Mediators and competitors: musicians, journalists, and the roda do samba -- Bodies and minds: mapping Africa and Brazil during the golden age -- Alliances and limits: the SBAT and the rise of the entertainment class -- Everywhere and nowhere: the UBC and the consolidation of racial and gendered difference -- After the golden age: reinvention and political change. , English
    Additional Edition: ISBN 0-8223-5415-2
    Additional Edition: ISBN 1-299-60502-8
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Durnham ; : Duke University Press,
    UID:
    almafu_9961455196002883
    Format: 1 online resource (481 pages)
    Edition: First edition.
    ISBN: 1-4780-5954-0
    Series Statement: Radical Perspectives Series
    Content: "In After Palmares, Marc A. Hertzman tells the story of one of history's largest and long-lasting maroon societies. Located in the dense forests and rough terrain of northeast Brazil, for most of the seventeenth century Palmares was home to thousands of Africans and their kin, who escaped slavery and forged homes in the wilderness. While most scholarship on Palmares ends in 1695 with the killing of its most famous leader, Zumbi, who was assassinated by Portuguese forces, this book highlights the aftermaths of 1695. By treating 1695 as a starting point, the book challenges our knowledge about Palmares and proposes new directions in the study of fugitive slave communities across the Americas. With meticulous research and innovative analysis, Hertzman calls attention to the ways that destruction and creation go hand-in-hand and grapples with how Palmares has marginalized or erased some diasporic histories even while becoming a powerful global symbol of Black resistance and creation. By paying close attention to language, place, and African and diasporic spiritual beliefs and practices, the book presents new insights about Zumbi and vivid portraits of groups and individuals whose lives and voices scholars have often assumed are inaccessible"--
    Note: Layered diasporas -- March 21, 1645 -- Before he died, I killed Zumbi -- Whose confusion? -- Flying home? -- Pedro, Paula and the refugees -- The powerful and almost powerful -- The Indians of Palmares -- Greater Palmares -- Farther north -- Killing Zumbi (again) -- Connected and beyond -- Tapera dos Palmares.
    Additional Edition: ISBN 1-4780-2631-6
    Additional Edition: ISBN 1-4780-3052-6
    Language: English
    Keywords: Electronic books.
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  • 6
    Online Resource
    Online Resource
    New York, New York :Bloomsbury Academic,
    UID:
    almafu_9961448732702883
    Format: 1 online resource (185 pages).
    ISBN: 9781501330421 , 9781501330438
    Series Statement: 33 1/3 Brazil
    Note: Acknowledgments Notes on Translations 1. Directions to a Serendipitous Encounter 2. Race and Radical Serendipity 3. Cover to Cover (and an Invitation) 4. Elastic, Fractured, Connected Worlds 5. Gil's Early Work and Influences 6. From Bahia to London and Back 7. "Returning to the Depths of History" 8. Thirsty but Not Quite Alone 9. The Avocado Tree 10. "This Is to Be Played on the Radio" 11. The Tour, the Critics, the Censor 12. The End? Song Lyrics -- Notes Bibliography Index.
    Additional Edition: ISBN 1-5013-3040-3
    Language: English
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    UID:
    gbv_1889778745
    Format: 1 Online-Ressource (450 pages)
    ISBN: 9781478059547
    Series Statement: Radical perspectives
    Content: "In After Palmares, Marc A. Hertzman tells the story of one of history's largest and long-lasting maroon societies. Located in the dense forests and rough terrain of northeast Brazil, for most of the seventeenth century Palmares was home to thousands of Africans and their kin, who escaped slavery and forged homes in the wilderness. While most scholarship on Palmares ends in 1695 with the killing of its most famous leader, Zumbi, who was assassinated by Portuguese forces, this book highlights the aftermaths of 1695. By treating 1695 as a starting point, the book challenges our knowledge about Palmares and proposes new directions in the study of fugitive slave communities across the Americas. With meticulous research and innovative analysis, Hertzman calls attention to the ways that destruction and creation go hand-in-hand and grapples with how Palmares has marginalized or erased some diasporic histories even while becoming a powerful global symbol of Black resistance and creation. By paying close attention to language, place, and African and diasporic spiritual beliefs and practices, the book presents new insights about Zumbi and vivid portraits of groups and individuals whose lives and voices scholars have often assumed are inaccessible"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781478030522
    Additional Edition: ISBN 9781478026310
    Additional Edition: Erscheint auch als Druck-Ausgabe Hertzman, Marc A. After Palmares Durham : Duke University Press, 2024 ISBN 9781478030522
    Additional Edition: ISBN 9781478026310
    Language: English
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