Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (xxiii, 244 Seiten).

ISBN: 978-0-8032-9492-9 , 978-0-8032-9490-5 , 978-0-8032-9491-2

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-8032-8569-9

Language: English

Keywords: Horror ; Naturdarstellung ; Electronic books.

URL: Click to View

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Format: 1 online resource (vi, 186 pages) : , illustrations

ISBN: 9781003282136 , 100328213X , 9781000588569 , 1000588564 , 9781000588620 , 1000588629

Series Statement: Routledge advances in film studies

Content: "This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues. This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmental Nostalgia, Fuel, and the Carnivalesque. Examining everything from Hollywood classics, Oscar winners, animation to independent and international films, Murray and Heumann exemplify how the use of comedy can expose and amplify environmental issues to a wider audience than more traditional ecocinema genres and can help provide a path towards positive action and change. Ideal for students and scholars of film studies, ecocriticism, and environmental studies, especially those with a particular interest in ecocinema and/or ecocritical readings of popular films"--

Additional Edition: Print version: Murray, Robin L. Film, environment, comedy. New York : Routledge, 2022 ISBN 9781032250410

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc.

DOI: 10.4324/9781003282136

URL: https://www.taylorfrancis.com/books/9781003282136

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (xxiii, 244 Seiten).

ISBN: 978-0-8032-9492-9 , 978-0-8032-9490-5 , 978-0-8032-9491-2

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-8032-8569-9

Language: English

Keywords: Horror ; Naturdarstellung

UID:

Format: 1 online resource (296 p.)

Edition: 1st ed.

ISBN: 1-280-49783-1 , 9786613593061 , 0-8032-3964-5

Content: "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher.

Note: Description based upon print version of record. , Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?. , English

Additional Edition: ISBN 0-8032-3512-7

Language: English

URL: Volltext

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Format: 1 online resource (300 p.) : , 5 illustrations

ISBN: 9780271090436

Series Statement: AnthropoScene: The SLSA Book Series ; 8

Content: Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.”A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Ecohorror in the Anthropocene -- , Part 1. Expanding Ecohorror -- , 1. Tentacular Ecohorror and the Agency of Trees in Algernon Blackwood’s “The Man Whom the Trees Loved” and Lorcan Finnegan’s Without Name -- , 2. Spiraling Inward and Outward: Junji Ito’s Uzumaki and the Scope of Ecohorror -- , 3. “The Hand of Deadly Decay”: The Rotting Corpse, America’s Religious Tradition, and the Ethics of Green Burial in Poe’s “The Colloquy of Monos and Una” -- , Part 2. Haunted and Unhaunted Landscapes -- , 4 The Death of Birdsong, the Birdsong of Death: Algernon Charles Swinburne and the Horror of Erosion -- , 5. An Unhaunted Landscape: The Anti-Gothic Impulse in Ambrose Bierce’s “A Tough Tussle” -- , 6. The Extinction-Haunted Salton Sea in The Monster That Challenged the World -- , Part 3. The Ecohorror of Intimacy -- , 7. From the Bedroom to the Bathroom: Stephen King’s Scatology and the Emergence of an Urban Environmental Gothic -- , 8. “This Bird Made an Art of Being Vile”: Ontological Difference and Uncomfortable Intimacies in Stephen Gregory’s The Cormorant -- , 9. The Shape of Water and Post-pastoral Ecohorror -- , Part 4. Being Prey, Being Food -- , 10 Superpig Blues: Agribusiness Ecohorror in Bong Joon-ho’s Okja -- , 11 Zoo: Television Ecohorror On and Off the Screen -- , 12 Naturalizing White Supremacy in The Shallows -- , Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9780271090436

URL: https://www.degruyter.com/isbn/9780271090436

URL: https://www.degruyter.com/isbn/9780271090436

URL: https://doi.org/10.1515/9780271090436

URL: https://www.degruyter.com/isbn/9780271090436

URL: Cover

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Format: XXIII, 216 S.

ISBN: 9780803248748

Note: Includes filmography. - Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-8032-5514-2

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-8032-5515-9

Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-0-8032-5516-6

Language: English

Subjects: General works

Keywords: Dokumentarfilm ; Umweltkatastrophe ; Geschichte

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Klappentext

UID:

Format: ix, 283 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Content: "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher.

Note: Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: vi, 214 Seiten , Illustrationen , 24 cm

ISBN: 9781138303843 , 9780367891138

Series Statement: Routledge advances in film studies 57

Additional Edition: ISBN 9781351398251

Language: English

Subjects: General works

Keywords: Film ; Stadt ; Ökologie ; Bibliografie

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Format: Online-Ressource (273 p)

ISBN: 9780806142463

Content: Most film critics point to classic conflicts--good versus evil, right versus wrong, civilization versus savagery--as defining themes of the American Western. In this provocative examination of Westerns, Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. Beginning with an analysis of two iconic Westerns, Shane and The Searchers, Murray and Heumann identify the environmental dichotomies--previously overlooked by critics--that are broached in both films, and they clarify the history that lies behind the environmental debates in these films and many others. The conflicts these movies address grow out of differing views of progress, frequently in relation to technology. The authors show that such binary oppositions tend to blur when examined closely, demonstrating that environmental issues are often more complex than we realize

Content: Cover -- Title Page -- Copyright Information Page -- Table of Contents -- List of Illustrations -- Preface and Acknowledgments -- Introduction -- Chapter 1. Don't Fence Me In: Ecology and Free-Range and Fenced Ranching in Shane and Sea of Grass -- Chapter 2. Mining Westerns: Seeking Sustainable Developmentin McCabe and Mrs. Miller -- Chapter 3. Is Water a Right?: The Ballad of Cable Hogue and Environmental Law -- Chapter 4. The Rush for Land, the Rush for Oil, the Rush for Progress: Spectacle in Cimarron, Tulsa, Comes a Horseman, and There Will Be Blood -- Chapter 5. Transcontinental Technologies: Telegraphs, Trains,and the Environment in Union Pacific, Jesse James, and The Last Hunt -- Chapter 6. Smoke Signals and American Indian Westerns: Narratives of Environmental Adaptation -- Chapter 7. A West and a Western that Works?: Contemporary Traditional Westerns, Riders of the Whistling Pines, and Silver City -- Notes -- Filmography -- Works Cited -- Index

Additional Edition: Print version Gunfight at the Eco-Corral : Western Cinema and the Environment

Language: English

UID:

Format: 1 online resource (208 pages)

Edition: First edition.

ISBN: 9781351398251 , 9781351398237

Series Statement: Routledge Advances in Film Studies

Content: Introduction : urban nature on film -- Part 1. Evolutionary myths under the city. The city, the sewers, the undergound : reconstructing urban space in film noir -- Documenting environmental adaptation under the city : Children Underground (2001) -- Part 2. Eco-trauma. Girls in the hood : an eco-trauma of girlhood -- Dogs and eco-trauma : the making of a monster in White God -- Part 3. Urban nature and interdependence. Hatari means danger : filmic representations of animal welfare and environmentalism at the zoo -- Eco-therapy in Central Park : documenting urban birdwatching -- Green lungs : partnering with nature in urban garden film -- Part 4. The sustainable city. Urban farming on film: moving toward environmental justice in the city -- Lives Worth Living and the sustainable (and accessible) city -- Conclusion: the absent city of the future.

Additional Edition: ISBN 9781138303843

Additional Edition: Druck-Ausgabe Erscheint auch als ISBN 9781138303843

Language: English

Keywords: Electronic books

DOI: 10.4324/9780203730706

URL: Volltext

URL: lizenzpflichtig