Kooperativer Bibliotheksverbund

UID:

Format: 350 S , Ill , 29 cm

ISBN: 1592131832 , 1592131824

Series Statement: Wide angle books

Note: Includes bibliographical references and indexes , Introduction to the video data bank collections / Kate HorsfieldBusting the tube: a brief history of video art / Kate Horsfield -- Grow gills and swim: the evolution of activist video / Gregg Bordowitz -- Vertical hold: a history of women's video art / Vanalyne Green -- Performance art and experimental video: highlights from the video data bank collection / Peggy Phelan -- Video art collection -- Video art anthologies -- On art and artists: an introduction / Kate Horsfield -- On art and artists collection. , Introduction to the video data bank collections / Kate Horsfield -- Busting the tube: a brief history of video art / Kate Horsfield -- Grow gills and swim: the evolution of activist video / Gregg Bordowitz -- Vertical hold: a history of women's video art / Vanalyne Green -- Performance art and experimental video: highlights from the video data bank collection / Peggy Phelan -- Video art collection -- Video art anthologies -- On art and artists: an introduction / Kate Horsfield -- On art and artists collection

Language: English

Keywords: Art Institute Video Data Bank ; Art Institute Video Data Bank ; Videokunst ; Videokunst ; Künstler ; Interview ; Katalog ; Aufsatzsammlung ; Bibliografie

URL: Inhaltsverzeichnis

UID:

Format: XXIII, 320 S , Ill

ISBN: 9780822343769 , 9780822343530

Content: Introduction : the aesthetics of access -- Video clip: diasporic Asian video markets in Orange county -- Be kind, rewind : the histories and erotics of home video -- Video clip: chiller theatre toy, model, and film expo -- The fairest of them all? home video, copyright, and fair use -- The revolution was recorded : Vanderbilt television news archive, copyright in conflict, and the making of TV history -- Video clip : experimental film on video : a frameworks debate -- Grainy days and Mondays : superstar and bootleg aesthetics -- Video clip : tape art -- Joanie and Jackie and everyone they know : video chainletters as feminist -- Community network -- Epilogue : Youtube : where cultural memory and copyright converge

Note: Includes bibliographical references and index , Be kind, rewind : the histories and erotics of home video -- The fairest of them all? Home video, copyright, and fair use -- The revolution was recorded : Vanderbilt television news archive, copyright in conflict, and the making of TV history -- Grainy days and Mondays: Superstar and bootleg aesthetics -- Joanie and Jackie and everyone they know: video chainletters as feminist community network -- YouTube: Where Cultural Memory and Copyright Converge. , Introduction : the aesthetics of access -- Video clip: diasporic Asian video markets in Orange county -- Be kind, rewind : the histories and erotics of home video -- Video clip: chiller theatre toy, model, and film expo -- The fairest of them all? home video, copyright, and fair use -- The revolution was recorded : Vanderbilt television news archive, copyright in conflict, and the making of TV history -- Video clip : experimental film on video : a frameworks debate -- Grainy days and Mondays : superstar and bootleg aesthetics -- Video clip : tape art -- Joanie and Jackie and everyone they know : video chainletters as feminist -- Community network -- Epilogue : Youtube : where cultural memory and copyright converge.

Language: English

Subjects: General works

Keywords: USA ; Video ; Urheberrecht ; Produktpiraterie

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource.

ISBN: 978-1-4780-2728-7

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-2495-8

Language: English

DOI: 10.1515/9781478027287

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (162 Seiten) , Illustrationen

ISBN: 9781551525204

Series Statement: Queer film classics

Note: Includes bibliographical references (pages 147-154), filmography (pages 155-157), and index

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-55152-519-8

Language: English

Subjects: General works

Keywords: New York, NY ; Homosexuellenbewegung ; Drag Queen ; Person of Color ; Geschichte 1985-1990

UID:

Format: 1 online resource (i, 288 pages).

ISBN: 9783839452462 , 3839452465

Series Statement: Media studies ; v.76

Content: In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media.

Note: Frontmatter -- , Contents -- , 1. Introduction: Trajectories of Images -- , Networked Images and Image Networks -- , 2. Greetings from Chicago: Image Networks and Infrastructures of Postcard Production and Circulation -- , 3. Techniques of Transmission: Wire Service Photography and the Digital Image -- , 4. Calm Images: The Invisible Visual Culture of Digital Image Distribution -- , 5. Unmoving Bodies: In-Flight Entertainment, Infrastructural Images and Cultural Techniques of Sitting -- , Formats and Mobility of Images -- , 6. Cartes-de-Visite, Miniaturization and the Materiality of Circulation -- , 7. Grainy Days and Mondays: Superstar and Bootleg Aesthetics -- , 8. What Makes a Download a Stream? -- , Trajectories and Traces -- , 9. What Moves? The Itineraries of Pre-Digital Photography -- , 10. Moved by Rubens: The Double Logic of Image Perception in the Age of Mechanical Reproduction (1877-1977) -- , 11. Follow the Films. Reuses of a Research Film: Biography, Recycling, Whitewashing, Appropriation and Palimpsesting -- , 12. Extraterrestrial Images -- , List of Illustrations -- , Contributors , In English.

Additional Edition: Print version: Moskatova, Olga Images on the Move Bielefeld : transcript,c2021 ISBN 9783837652468

Language: English

DOI: 10.1515/9783839452462

URL: https://doi.org/10.1515/9783839452462

URL: https://www.degruyter.com/isbn/9783839452462

URL: Cover

UID:

Format: 1 online resource (288 p.)

ISBN: 9783839452462

Series Statement: Edition Medienwissenschaft ; 76

Content: In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media.

Note: Frontmatter -- , Contents -- , 1. Introduction: Trajectories of Images -- , Networked Images and Image Networks -- , 2. Greetings from Chicago: Image Networks and Infrastructures of Postcard Production and Circulation -- , 3. Techniques of Transmission: Wire Service Photography and the Digital Image -- , 4. Calm Images: The Invisible Visual Culture of Digital Image Distribution -- , 5. Unmoving Bodies: In-Flight Entertainment, Infrastructural Images and Cultural Techniques of Sitting -- , Formats and Mobility of Images -- , 6. Cartes-de-Visite, Miniaturization and the Materiality of Circulation -- , 7. Grainy Days and Mondays: Superstar and Bootleg Aesthetics -- , 8. What Makes a Download a Stream? -- , Trajectories and Traces -- , 9. What Moves? The Itineraries of Pre-Digital Photography -- , 10. Moved by Rubens: The Double Logic of Image Perception in the Age of Mechanical Reproduction (1877–1977) -- , 11. Follow the Films. Reuses of a Research Film: Biography, Recycling, Whitewashing, Appropriation and Palimpsesting -- , 12. Extraterrestrial Images -- , List of Illustrations -- , Contributors , In English.

Language: English

DOI: 10.1515/9783839452462

URL: https://doi.org/10.1515/9783839452462

URL: https://www.degruyter.com/isbn/9783839452462

UID:

Format: 1 online resource (288 pages)

ISBN: 9783839452462

Series Statement: Edition Medienwissenschaft 76

Content: In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) , In English

Language: English

DOI: 10.1515/9783839452462

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Moskatova, Olga ca. 20. Jh.

UID:

Format: 1 Online-Ressource (1v.)

Language: Undetermined

URL: Volltext

UID:

Format: 1 online resource (348 p.)

ISBN: 1-283-03646-0 , 0-8223-4376-2 , 9786613036469

Series Statement: e-Duke books scholarly collection

Content: This eye-opening exploration of the aesthetic and legal innovations of home video revisits four decades of frequently overlooked histories of video recording.

Note: Description based upon print version of record. , Introduction : the aesthetics of access -- Video clip: diasporic Asian video markets in Orange county -- Be kind, rewind : the histories and erotics of home video -- Video clip: chiller theatre toy, model, and film expo -- The fairest of them all? home video, copyright, and fair use -- The revolution was recorded : Vanderbilt television news archive, copyright in conflict, and the making of TV history -- Video clip : experimental film on video : a frameworks debate -- Grainy days and Mondays : superstar and bootleg aesthetics -- Video clip : tape art -- Joanie and Jackie and everyone they know : video chainletters as feminist -- Community network -- Epilogue : Youtube : where cultural memory and copyright converge. , English

Additional Edition: ISBN 0-8223-9219-4

Additional Edition: ISBN 0-8223-4353-3

Language: English

DOI: 10.1515/9780822392194

URL: https://doi.org/10.1515/9780822392194

URL: https://www.degruyter.com/isbn/9780822392194

UID:

Format: 1 online resource (346 p.) : , 54 illustrations

ISBN: 9780822392194

Series Statement: e-Duke books scholarly collection

Content: In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , Preface -- , Acknowledgments -- , Part I Videotape and Copyright -- , Introduction: The Aesthetics of Access -- , Video Clip 1: Diasporic Asian Video Markets in Orange County 27 -- , 1. Be Kind, Rewind: The Histories and Erotics of Home Video -- , Video Clip 2: Chiller Theatre Toy, Model, and Film Expo -- , 2. The Fairest of Them All? Home Video, Copyright, and Fair Use -- , Part II Case Studies -- , 3. The Revolution Was Recorded: Vanderbilt Television News Archive, Copyright in Conflict, and the Making of TV History -- , Video Clip 3: Experimental Film on Video: A Frameworks Debate -- , 4. Grainy Days and Mondays: Superstar and Bootleg Aesthetics -- , Video Clip 4: Tape Art -- , 5. Joanie and Jackie and Everyone They Know: Video Chainletters as Feminist Community Network -- , Epilogue: YouTube: Where Cultural Memory and Copyright Converge -- , Timeline -- , Notes -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.1515/9780822392194

URL: https://doi.org/10.1515/9780822392194

URL: https://www.degruyter.com/isbn/9780822392194