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  • 1
    UID:
    almahu_BV047623968
    Format: xiv, 300 Seiten : , Illustrationen ; , 25 cm.
    ISBN: 978-1-4744-5690-6 , 1-4744-5690-1
    Note: Animated bodies. -- , Transformation: metamorphosis, animation and fairy tale in the work of Tim Burton , Agreeing to be a 'Burton Body': developing the Corpse bride story , Tim Burton's unruly animation , Corpse bride: animation, animated corpses and the gothic , Creaturely bodies. -- , Burton, apes and race: the creaturely politics of Tim Burton's Planet of the apes , Dead Pets' Society: gothic animal bodies in the films of Tim Burton , Too dark for Disney: Tim Burton, children's horror and pet death , Monstrous masculinity: 'becoming Centaur' in Tim Burton's Sleepy Hollow , Anomalous bodies in Tim Burton's bestiary: reimagining Dumbo , Corporeal bodies. -- , All of us cannibals: eating bodies in Charlie and the chocolate factory and Sweeney Todd: the demon barber of Fleet Street , 'I might just split a seam': fabric and somatic integrity in the work of Tim Burton , The semiotics of a broken body: Tim Burton's use of synecdoche , Art and the organ without a body: 'The jar' as Burton's artistic manifesto , 'Hell here!': Tim Burton's destruction of Michelle Pfeiffer in Batman returns , Gothic, monstrous and peculiar bodies. -- , The grotesque social outcast in the films of Tim Burton , 'A giant man can't have an ordinary-sized life': on Tim Burton's Big fish , Tim Burton's curious bodies in Miss Peregrine's Home for Peculiar Children: a contemporary tale of the grotesque , Asexuality and social anxiety: the perils of a peculiar body , Burton's benevolently monstrous Frankensteins
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4744-5693-7
    Additional Edition: Erscheint auch als Online-Ausgabe, webready PDF ISBN 978-1-4744-5692-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: 1958- Burton, Tim ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Book
    Book
    London :Palgrave Macmillan,
    UID:
    almahu_BV044209103
    Format: xi, 264 Seiten : , Illustrationen.
    ISBN: 978-1-1374-8991-3
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-1374-8992-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Regisseurin ; Filmregisseurin
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  • 3
    UID:
    edocfu_9960169991802883
    Format: 1 online resource (320 p.) : , 36 B/W illustrations
    ISBN: 9781474456920
    Content: Offers a novel, body-centric approach to Burton’s films that provides a distinctive way to consider his filmmakingExplores unique technical personnel perspectives into creative processes of Corpse Bride that enhances knowledge about Burton as a filmmaker, and provides previously undocumented facts about the filmIncludes a range of theoretical approaches, drawn from psychoanalysis, philosophy, animal studies, aesthetics, feminism and representationProvides a multidisciplinary approach with inclusion of animal studies’ expertise that illuminates different strategies for analysing characters/bodiesExamines works including The Jar that are little explored and which will extend knowledge of Burton’s canonProvides up-to-date research including Burton’s most recent film Dumbo (2019)Tim Burton is an internationally celebrated director, critically acclaimed for his fantasy horror films and the macabre ghosts, animated corpses and grotesques that inhabit them. This innovative study centres on the body as a centripetal force in Burton’s work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon. It broadens the focus of living forms to include animated, creaturely, corporeal and Gothic bodies, exploring the way that Burton celebrates the body – whether human, animal, animated or anthropomorphised.In prioritising the somatic aspects of characters, Tim Burton’s Bodies spotlights actual physical attributes and behaviour, and considers what meanings these may impart in terms of race, class, gender, sexuality, humanimality and disability.
    Note: Frontmatter -- , CONTENTS -- , FIGURES -- , NOTES ON CONTRIBUTORS -- , ACKNOWLEDGEMENTS -- , INTRODUCTION -- , PART ONE. ANIMATED BODIES -- , 1. TRANSFORMATION: METAMORPHOSIS, ANIMATION AND FAIRY TALE IN THE WORK OF TIM BURTON -- , 2. AGREEING TO BE A ‘BURTON BODY’: DEVELOPING THE CORPSE BRIDE STORY -- , 3. TIM BURTON’S UNRULY ANIMATION -- , 4. CORPSE BRIDE: ANIMATION, ANIMATED CORPSES AND THE GOTHIC -- , PART TWO. CREATURELY BODIES -- , 5. BURTON, APES AND RACE: THE CREATURELY POLITICS OF TIM BURTON’S PLANET OF THE APES -- , 6. DEAD PETS’ SOCIETY: GOTHIC ANIMAL BODIES IN THE FILMS OF TIM BURTON -- , 7. TOO DARK FOR DISNEY: TIM BURTON, CHILDREN’S HORROR AND PET DEATH -- , 8. MONSTROUS MASCULINITY: ‘BECOMING CENTAUR’ IN TIM BURTON’S SLEEPY HOLLOW -- , 9. ANOMALOUS BODIES IN TIM BURTON’S BESTIARY: REIMAGINING DUMBO -- , PART THREE. CORPOREAL BODIES -- , 10. ALL OF US CANNIBALS: EATING BODIES IN CHARLIE AND THE CHOCOLATE FACTORY AND SWEENEY TODD: THE DEMON BARBER OF FLEET STREET -- , 11. ‘I MIGHT JUST SPLIT A SEAM’: FABRIC AND SOMATIC INTEGRITY IN THE WORK OF TIM BURTON -- , 12. THE SEMIOTICS OF A BROKEN BODY: TIM BURTON’S USE OF SYNECDOCHE -- , 13. ART AND THE ORGAN WITHOUT A BODY: ‘THE JAR’ AS BURTON’S ARTISTIC MANIFESTO -- , 14. ‘HELL HERE!’: TIM BURTON’S DESTRUCTION OF MICHELLE PFEIFFER IN BATMAN RETURNS -- , PART FOUR. GOTHIC, MONSTROUS AND PECULIAR BODIES -- , 15. THE GROTESQUE SOCIAL OUTCAST IN THE FILMS OF TIM BURTON -- , 16. ‘A GIANT MAN CAN’T HAVE AN ORDINARY-SIZED LIFE’: ON TIM BURTON’S BIG FISH -- , 17. TIM BURTON’S CURIOUS BODIES IN MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: A CONTEMPORARY TALE OF THE GROTESQUE -- , 18. ASEXUALITY AND SOCIAL ANXIETY: THE PERILS OF A PECULIAR BODY -- , 19. BURTON’S BENEVOLENTLY MONSTROUS FRANKENSTEINS -- , BIBLIOGRAPHY -- , FILM AND TELEVISION -- , INDEX , In English.
    Language: English
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  • 4
    UID:
    gbv_664693709
    Format: ix, 236 Seiten , Illustrationen
    ISBN: 9781848859012
    Series Statement: International library of visual culture 6
    Note: Literaturverzeichnis: Seite 217-229
    Language: English
    Subjects: General works
    RVK:
    Keywords: Großbritannien ; Film ; Landschaft ; Geschichte 1999-2008 ; Neuromantik
    URL: Cover
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  • 5
    UID:
    almahu_BV039139926
    Format: IX, 236 S. : , Ill.
    ISBN: 978-1-84885-901-2
    Series Statement: International library of visual culture 6
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Film ; Landschaft
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  • 6
    Online Resource
    Online Resource
    Newcastle upon Tyne :Cambridge Scholars Pub.,
    UID:
    almahu_9948317259102882
    Format: 211 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
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  • 7
    Book
    Book
    Newcastle upon Tyne :Cambridge Scholars Publ.,
    UID:
    almahu_BV025554701
    Format: 211 S. : , Ill.
    ISBN: 978-1-8471-8744-4 , 1-8471-8744-7
    Note: Includes bibliographical references (p. [189]-207)
    Language: English
    Keywords: Biografie
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  • 8
    Online Resource
    Online Resource
    Newcastle upon Tyne :Cambridge Scholars Pub.,
    UID:
    edocfu_9959227714102883
    Format: 1 online resource (223 p.)
    Edition: 1st ed.
    ISBN: 1-282-19222-1 , 9786612192227 , 1-4438-0859-8
    Content: Neo-Romantic Landscapes offers a reappraisal of the 1940's films of Powell and Pressburger focusing on their use of landscape. Questioning the established notion that the two film-makers, owing to their non-British personal roots, are located as un-British and 'other', Stella Hockenhull draws a correlation between the two media of film and painting to suggest otherwise. Emphasising the spiritual aspects of landscape and nature at a time when the experience and imagery of the war years generate...
    Note: Description based upon print version of record. , TABLE OF CONTENTS; ACKNOWLEDGEMENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CONCLUSION; BIBLIOGRAPHY; INDEX , English
    Additional Edition: ISBN 1-84718-744-7
    Language: English
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  • 9
    UID:
    edocfu_9960169988602883
    Format: 1 online resource (360 p.) : , 16 B/W illustrations
    ISBN: 9781474444156
    Content: Explores the changing roles of women to the Western and offers new approaches to what has been a male-centred genrePioneers new avenues for research on the Western and includes a bibliography of the extant criticism on women and Western to encourage further scholarshipCharts significant shifts in Hollywood’s transmission of American gender values and expectationsExamines the common Western tropes of women homesteaders, soiled doves, masculinised and erotically dangerous women and female characters bent on revengeTraditional and intertextual representations of women in the Western are consideredAs the Western matured, women’s roles became more complex and modern – transmitting a subtle cultural coding about the nature of westward expansionism, heroism, family life, manliness and American femininity. In Women in the Western, a range of international scholars explores the changing roles of women in the genre through case studies of classic films like Broken Arrow (1950) and The Searchers (1956), and contemporary films and TV series like Wind River (2017) and Justified (2010–15). Considering traditional and intertextual representations of women in the Western, the book charts the significant shifts in Hollywood’s transmission of gender values and expectations.
    Note: Frontmatter -- , CONTENTS -- , FIGURES -- , ACKNOWLEDGMENTS -- , INTRODUCTION -- , PART ONE. ROLES ON THE RANGE -- , 1. SILENT BUT ROWDY: STUNTWOMEN OF THE EARLY FRONTIER -- , 2. SUFFERING HEROINES ON THE FRONTIER—MELODRAMA AND PATHOS, 1914–39 -- , 3. WHEN EAST GOES WEST: THE LOSS OF DRAMATIC AGENCY IN DEMILLE’S WESTERN WOMEN FROM THE 1910s TO THE 1930s -- , 4. THE VIRGINIAN AND THE ROSE: TWO KEY FEMALE ROLES IN WESTERN FILMS AND COMICS -- , 5. FREUD, “THE FAMILY ON THE LAND,” AND THE FEMININE TURN IN POST-WAR WESTERNS -- , 6. CLYTEMNESTRA AND ELECTRA UNDER WESTERN SKIES -- , 7. “NEVER SEEN A WOMAN WHO WAS MORE OF A MAN”: SALOON GIRLS, WOMEN HEROES, AND FEMALE MASCULINITY IN THE WESTERN -- , 8. GENDER POLITICS IN THE REVISIONIST WESTERN: INTERROGATING THE PERPETRATOR–VICTIM BINARY IN THE MISSING (HOWARD 2003) -- , PART TWO. WOMEN’S ISSUES IN POST-WAR, REVISIONIST, AND FEMINIST WESTERNS -- , 9. TRADING PLACES—TRADING RACES: THE CROSS-CULTURAL ASSIMILATION OF WOMEN IN THE SEARCHERS (1956) AND THE UNFORGIVEN (1960) -- , 10. WESTERN NOSTALGIA, REVISIONISM, AND NATIVE AMERICAN WOMEN IN WIND RIVER (2017) -- , 11. MOSTLY WHORES WITH A (VERY) FEW ANGELS: ASIAN WOMEN IN THE WESTERN -- , 12. “WE BEEN HAUNTED A LONG TIME”—RAPED WOMEN IN WESTERNS -- , 13. “MY BODY FOR A HAND OF POKER”: THE BELLE STARR STORY IN ITS CONTEXTS -- , 14. THE FEMALE AVENGER IN POST-9/11 WESTERNS -- , 15. YOU’VE GOT SOMETHING: FEMALE AGENCY IN JUSTIFIED -- , 16. EASTWARD THE WOMEN: REMAPPING WOMEN’S JOURNEYS IN TOMMY LEE JONES’S THE HOMESMAN (2014) -- , 17. WOMEN GOTTA GUN? ICONOGRAPHY AND FEMALE REPRESENTATION IN GODLESS -- , 18. WAGON MISTRESS -- , PART THREE. FILMOGRAPHY AND BIBLIOGRAPHIES -- , 19. WOMEN IN THE WESTERN FILMOGRAPHY AND BIBLIOGRAPHY -- , CONTRIBUTORS -- , INDEX , In English.
    Language: English
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  • 10
    UID:
    edocfu_9960141289402883
    Format: 1 online resource (320 p.) : , 30 B/W illustrations
    ISBN: 9781474404327
    Content: Challenges traditional Hollywood-derived models of star studiesIs classical Hollywood stardom the last word on film stars? How do film stars function in non-Hollywood contexts, such as Bollywood, East Asia and Latin America, and what new developments has screen stardom undergone in recent years, both in Hollywood and elsewhere? Gathering together the most important new research on star studies, with case studies of stars from many different cultures, this diverse and dynamic collection looks at film stardom from new angles, challenging the received wisdom on the subject and raising important questions about image, performance, bodies, voices and fans in cultures across the globe. From Hollywood to Bollywood, from China to Italy, and from Poland to Mexico, this collection revisits the definitions and origins of star studies, and points the way forward to new ways of approaching the field.Key featuresFeatures cutting-edge research on stardom and fandom from a range of different cultures, contributed by a diverse and international range of scholarsGenerates new critical models that address non-Hollywood forms of stardom, as well as under-researched areas of stardom in Hollywood itselfRevisits the definitions of stars and star studies that are previously defined by the study of Hollywood stardom, then points the way forward to new ways of approaching the fieldLooks at stars/stardom within a new local/translocal model, to overcome the Hollywood-centrism inherent to the existing national/transnational modelBrings into light various types of previously unacknowledged star textsEmploys a dynamic inter-disciplinary approachContributorsGuy Austin, Newcastle UniversityLinda Berkvens, University of Sussex Pam Cook, University of Southampton Elisabetta Girelli, University of St Andrews Sarah Harman, Brunel UniversityStella Hockenhull, University of WolverhamptonLeon Hunt, Brunel University Kiranmayi Indraganti, Srishti Institute of Art, Design and TechnologyJaap Kooijman, University of AmsterdamMichael Lawrence, University of SussexAnna Malinowska, University of SilesiaLisa Purse, University of ReadingClarissa Smith, University of SunderlandNiamh Thornton, University of Liverpool Yiman Wang, University of California-Santa CruzSabrina Qiong Yu, Newcastle UniversityYingjin Zhang, University of California-San Diego
    Note: Frontmatter -- , CONTENTS -- , FIGURES -- , ACKNOWLEDGEMENTS -- , INTRODUCTION PERFORMING STARDOM: STAR STUDIES IN TRANSFORMATION AND EXPANSION -- , PART 1 STAR PERFORMANCE -- , 1. REVISITING PERFORMANCE: NICOLE KIDMAN’S ENACTMENT OF STARDOM -- , 2. FILM STARS IN THE PERSPECTIVE OF PERFORMANCE STUDIES: PLAY, LIMINALITY AND ALTERATION IN CHINESE CINEMA -- , PART 2 STAR VOICES -- , 3. ‘SPEAKING IN A FORKED TONGUE’: ANNA MAY WONG’S LINGUISTIC COSMOPOLITANISM -- , 4. SONG TAXONOMIES: INDIAN POPULAR CINEMA’S TERRITORIES OF STARDOM -- , PART 3 STARS AND ETHNICITY -- , 5. WHITEWASHING THE DREAMGIRLS: BEYONCÉ, DIANA ROSS AND THE COMMODIFICATION OF BLACKNESS -- , 6. DARSHEEL SAFARY: GLOBALISATION, LIBERALISATION AND THE CHANGING FACE OF THE BOLLYWOOD CHILD STAR -- , PART 4 STARS AND AGEING -- , 7. ‘WHEN BARBARA STRIPS OFF HER PETTICOATS AND STRAPS ON HER GUNS’: BARBARA STANWYCK, MATURITY AND STARDOM IN THE 1950s AND 1960s -- , 8. CONFRONTING THE IMPOSSIBILITY OF IMPOSSIBLE BODIES: TOM CRUISE AND THE AGEING MALE ACTION HERO MOVIE -- , PART 5 STARS AND AUDIENCES -- , 9. HEROINES AT THE OUTSKIRTS OF CULTURE: HOLLYWOOD STARDOM IN INTRA-AND TRANSCULTURAL PRACTICES OF CAMP -- , 10. YOUTUBE AS ARCHIVE: FANS, GENDER AND MEXICAN FILM STARS ONLINE -- , PART 6 ABERRANT STARDOM -- , 11. IN YOUR FACE: MONTGOMERY CLIFT COMES OUT AS CRIP IN THE YOUNG LIONS -- , 12. ‘UNA DIVA NON COME LE ALTRE’: LE STREGHE AND THE PARADOXICAL STARDOM OF SILVANA MANGANO -- , PART 7 AT THE MARGINS OF FILM STARDOM -- , 13. ‘I WANT JAMES DEEN TO DEEN ME WITH HIS DEEN’: THE MULTI-LAYERED STARDOM OF JAMES DEEN -- , 14. CELEBRITY CREATURES: THE ‘STARIFICATION’ OF THE CINEMATIC ANIMAL -- , THE CONTRIBUTORS -- , INDEX , In English.
    Language: English
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