Format:
Online-Ressource (xxiv, 382 p)
Edition:
Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
ISBN:
1283150905
,
9780415893138
,
9781283150903
,
9781136715761
Series Statement:
Routledge interpretive marketing research series 14
Content:
Music, Movies, Meanings, and Markets focuses on macromarketing-related aspects of film music in general and on the cinemusical role of ambi-diegetic jazz in particular.? The book examines other work on music in motion pictures which has dealt primarily with the traditional distinction between nondiegetic film music (background music that comes from off-screen and is not audible to the film's characters, to further the dramatic development of plot, character, or other themes) and diegetic music (source music produced on-screen and/or that is audible to the film's characters, adding to the reali
Note:
Includes bibliographical references
,
Front Cover; Music, Movies, Meanings, and Markets; Copyright Page; Contents; Preface; Acknowledgments; Part I: Introduction: Ambi-Diegetic Music in Motion Pictures; 1. The Role of Ambi-Diegetic Film Music in the Product Design of Hollywood Movies: Macromarketing in La-La-Land; Part II: Ambi-Diegetic Jazz and the Development of Character; Introduction to Part II; 2. Ambi-Diegetic Film Music as a Product-Design and -Placement Strategy: The Crosby Duets in High Society (1956); 3. The Cinemusical Role of "My Funny Valentine" in The Fabulous Baker Boys (1989) and The Talented Mr. Ripley (1999)
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Part III: The Plot Thickens: Cinemusical Meanings in the Crime-Plus-Jazz GenreIntroduction to Part III; 4. Pete Kelly's Blues (1955); 5. The Cotton Club (1984); 6. Kansas City (1996); Part IV: Jazz, Films, and Macromarketing Themes: Art versus Commerce in the Young Man-with-a-Horn Genre; Introduction to Part IV; 7. Young Man with a Horn (1950); 8. Paris Blues (1961); 9. Mo' Better Blues (1990); Part V: Ambi-Diegetic, Nondiegetic, and Diegetic Cinemusical Meanings in Motion Pictures: Commerce, Art, and Brando Loyalty . . . or . . De Niro, My God, to Thee; Introduction to Part V
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10. Commerce and New York, New York (1977): He's Delightful He's Delicious; He's . . . De Niro; 11. Art and Heart Beat (1980): Stars Fell on Algolagnia; 12. Brando Loyalty and The Score (2001): How Do You Keep the Music Paying?; Part VI: God Is in the Details; Introduction to Part VI; 13. His Eye Is on the Sparrow: Small-but-Significant Cinemusical Moments in Jazz Film Scores by Miles Davis and John Lewis; 14. Small-but-Significant Implications of the Man Who Isn't There in Sweet Smell of Success (1957)
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Part VII: Jazz Biopics as Tragedy and Comedy: Pivotal Ambi-Diegetic Cinemusical Moments in Tragedepictions and Comedepictions of Jazz HeroesIntroduction to Part VII; 15. When Bad Things Happen to Great Musicians: TheTroubled Role of Ambi-Diegetic Jazz in Three Tragedepictions of Artistic Genius on the Silver Screen; 16. A Cinemusicaliterary Analysis of the American Dream as Represented by Biographical Jazz Comedepictions in the Golden Age of Hollywood Biopics: Blow, Horatio, Blow; O, Jakie, O; Go, Tommy, Go; No, Artie, No; References
,
Electronic reproduction; Available via World Wide Web
Additional Edition:
ISBN 020381553X
Additional Edition:
ISBN 9780203815533
Additional Edition:
ISBN 1283150387
Additional Edition:
Erscheint auch als Druck-Ausgabe Music, Movies, Meanings, and Markets : Cinemajazzamatazz
Language:
English
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