Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (VIII, 431 p.)

ISBN: 3-11-075446-0

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- , 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , In English.

Additional Edition: ISBN 3-11-075442-8

Language: English

DOI: 10.1515/9783110754469

URL: kostenfrei

URL: kostenfrei

URL: Cover

URL: Inhaltsverzeichnis

UID:

In: Journal of modern European history, 16(2018)4. Seite 487-508

Language: English

UID:

Format: 1 online resource (VIII, 431 p.)

ISBN: 9783110754469 , 9783110766820

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of 'photography and power', the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: "On the margins of the marginal" - Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy's anthropological and ethnographic photography in Russian Turkestan (1876-1881) -- , 3 Picturing "Russia's Orient": The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900-1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880-1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy's second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 "Another Turkestan" of senator Konstantin von der Pahlen (1908-1909) and engineer Nikolai M. Shchapov (1911-1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 "Ethnographic types" in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017-2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.

In: DG Plus DeG Package 2022 Part 1, De Gruyter, 9783110766820

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

Additional Edition: ISBN 9783110754568

Additional Edition: ISBN 9783110754421

Language: English

DOI: 10.1515/9783110754469

URL: Open Access

URL: Open Access

URL: Cover

UID:

Format: 1 Online-Ressource (40 min)

Series Statement: Vergangenheitsformen Staffel 1, Episode 1

Content: Der Beginn des Angriffes Russlands auf die Ukraine jährte sich zum ersten Mal. Als am 24. Februar 2022 russische Truppen unter offizieller Fahne in das Nachbarland einfielen, veränderte dies das Leben der Menschen in der Ukraine für immer. Der Krieg hatte bereits seit 2014 Tod und Leid über Teile der ukrainischen Bevölkerung gebracht. Die Auswirkungen des eskalierten Angriffskrieges Russlands seit 2022 sind nun auch in ganz Europa und auf der Welt deutlich zu spüren.

Content: In unserer ersten Folge diskutiert Christoph Classen (ZZF Potsdam) mit Helena Holzberger und Martin Wagner über die weißen Flecken der osteuropäischen Geschichte, über die Rolle von Historiker:innen als Expert:innen in der Öffentlichkeit und darüber, wie der russische Angriff auf die Ukraine die Arbeit der beiden in der Fachredaktion von H-Soz-Kult und ihr Forschen verändert hat.

Content: Zu den Gästen: Helena Holzberger ist wissenschaftliche Mitarbeiterin an der Ludwig Maximilians Universität München. Sie hat zur Geschichte des Orientalismus in der sowjetischen Gesellschaft promoviert und arbeitet zur Fotografiegeschichte und zu Mensch-Tier-Beziehungen. Sie ist seit 2020 Redaktionsmitglied bei H-Soz-Kult. Martin Wagner ist seit kurzem wissenschaftlicher Mitarbeiter an der Freien Universität Berlin. Er arbeitet derzeit an einer Vergleichsstudie zur Transformation totalitärer Regime mit dem Titel Kollektiv durch die Krise. Wagner ist seit 2020 Redaktionsmitglied bei H-Soz-Kult.

Language: German

Keywords: Russisch-Ukrainischer Krieg ; Geschichtswissenschaft ; Historiker ; Podcast ; Interview

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Cover

Author information: Werneke, Thomas

Author information: Classen, Christoph 1965-

UID:

Format: 1 online resource (VIII, 431 p.)

ISBN: 3-11-075446-0

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- , 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , In English.

Additional Edition: ISBN 3-11-075442-8

Language: English

DOI: 10.1515/9783110754469

UID:

Format: 1 online resource (VIII, 431 p.)

ISBN: 3-11-075446-0

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- , 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , In English.

Additional Edition: ISBN 3-11-075442-8

Language: English

DOI: 10.1515/9783110754469

UID:

Format: Illustrationen

Content: Russlands Krieg gegen die Ukraine enthüllte nicht nur den imperialen Großmachtanspruch herrschender Eliten in Russland, sondern auch ein generelles kulturelles Überlegenheitsgefühl gegenüber Ukrainer:innen. Darüber hinaus beklagen immer wieder Stimmen aus Kasachstan, Georgien und Usbekistan den kolonialistischen Habitus einiger geflüchteter Russ:innen. Diese Einstellungen haben ihre Wurzeln im russländischen Imperium, denn die Revolution und Gründung der Sowjetunion brachen nur bedingt mit dem imperialen Erbe des Zarenreiches. Spätestens seit den 1930er Jahren stand, nach einigem nationalpolitischen Hin- und Her, das russische Volk auch in öffentlichen Diskursen an der Spitze der sowjetischen Völker. In einem kurzen, aber besonders repräsentativen Beispiel möchte ich zeigen, wie in der Zwischenkriegszeit diese Hierarchisierung durch öffentlich publizierte Fotografien suggestiv vermittelt wurde.

Note: Literaturangaben

In: Die Wirklichkeit ist angekommen ..., Potsdam : zdbooks, 2024, (2024), Seite 278-286

In: year:2024

In: pages:278-286

Additional Edition: Erscheint auch als Druck-Ausgabe Holzberger, Helena Vermeintliche Völkerfreundschaft 2024

Language: German

DOI: 10.14765/zzf.dok-2786

URL: Volltext  (kostenfrei)