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  • 1
    UID:
    gbv_27744683X
    Format: 145 S , 4 St.
    Edition: [Partitur und Stimmen]
    ISBN: 0253328543
    Series Statement: Publications of the Early Music Institute
    Uniform Title: Missa cuiusvis toni
    Note: Die Stimmen enthalten die Mensuralnotation mit unterl. Text, sowie in moderner Notation die authentischen 4 Modi. Die Partitur enth. die Messe in moderner Notation in den 4 authentischen Modi. - Für 4 St
    Language: English
    Author information: Ockeghem, Johannes 1410-1497
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    UID:
    gbv_183233886X
    Format: 1 Online-Ressource
    ISBN: 9780253055514
    Content: The symbols used in the notation of seventeenth- and eighteenth-century music are tantalizingly similar to those of modern notation, but their meanings can be very different. The right musical pronunciation is avidly sought by today's scholars and performers and by an increasingly demanding modern audience. Transcribing earlier notation into our modern system, in which time signatures and bar lines indicate regular accents and dynamic stress, distorts music that may have been conceived quite differently. Using theoretical treatises and instruction manuals of the period, George Houle provides a practical guide to the performance of Baroque and early Classic-period music, including discussions of notes inegales, keyboard fingerings, woodwind tonguings, and string bowings. Creating a persuasive beat, he advises, requires a paradoxical mixture of precision and flexibility that avoids both mechanical regularity and unpredictable caprice. These principles are demonstrated on an unusual cassette tape, available separately. Realized by means of a computer program, it reconstructs fifteen examples of music from the late eighteenth century, reproducing not only the melodies but the metrical articulations of these pieces. When performed according to the conventions of its own time, seventeenth- and eighteenth-century music has a wonderful lilt and grace and a compelling vitality
    Note: English
    Language: Undetermined
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  • 3
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    UID:
    gbv_274129949
    Format: IX, 174 S. , Ill., Notenbeisp.
    ISBN: 0253337925
    Series Statement: Music: scholarship and performance
    Note: Literaturverz. S. [153] - 169 , Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Rhythmus ; Takt ; Musik ; Geschichte 1600-1800
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  • 4
    Book
    Book
    Bloomington, Ind. [u.a.] : Indiana Univ. Press
    UID:
    b3kat_BV039856570
    Format: IX, 174 S. , Ill., graph. Darst., Notenbeisp.
    Edition: 1. repr. in paperback, 2. [print.]
    ISBN: 0253213916
    Series Statement: Music: scholarship and performance
    Note: Literaturverz. S. [153] - 169
    Language: English
    Keywords: Takt ; Geschichte 1600-1800
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  • 5
    Musical Score
    Musical Score
    Bloomington, Ind. 〈〈[u.a.]〉〉 : Indiana Univ. Pr.
    UID:
    b3kat_BV011948499
    Format: 56 S. , 5 St.
    Edition: [Partitur, Stimmen]
    ISBN: 0253328519
    Series Statement: Publications of the Early Music Institute
    Language: Undetermined
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  • 6
    UID:
    gbv_827682522
    Format: VII, 311 Bl. , Notenbeisp
    Note: Stanford, Univ., Diss., 1961
    Language: English
    Keywords: Hochschulschrift
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  • 7
    Online Resource
    Online Resource
    Indiana University Press | Bloomington :Indiana University Press,
    UID:
    edocfu_9959892726502883
    Format: 1 online resource (1 online resource ix, 174 pages) : , illustrations).
    ISBN: 0-253-05551-2
    Series Statement: Music--scholarship and performance
    Content: While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.
    Note: The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition. , English
    Language: English
    Keywords: History. ; Electronic books.
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  • 8
    Online Resource
    Online Resource
    Indiana University Press | Bloomington :Indiana University Press,
    UID:
    edoccha_9959892726502883
    Format: 1 online resource (1 online resource ix, 174 pages) : , illustrations).
    ISBN: 0-253-05551-2
    Series Statement: Music--scholarship and performance
    Content: While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.
    Note: The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition. , English
    Language: English
    Keywords: History. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Indiana University Press | Bloomington :Indiana University Press,
    UID:
    almahu_9949331221702882
    Format: 1 online resource (1 online resource ix, 174 pages) : , illustrations).
    ISBN: 0-253-05551-2
    Series Statement: Music--scholarship and performance
    Content: While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.
    Note: The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition. , English
    Language: English
    Keywords: History. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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