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  • 1
    UID:
    gbv_1869182138
    Format: 1 Online-Ressource (282 p.)
    Series Statement: SEL
    Content: In Vluchtlijnen van de poëzie, Mettes' experimental poetry and political essayism are the starting point for a creative reading and (re)interpretation of recent poetry history. The book takes the reader from Mettes to Friedrich Hölderlin, Herman Gorter, Gertrude Stein, Sybren Polet, J.F. Vogelaar, Ron Silliman, Dominique De Groen, Hannah van Binsbergen and many others. The poetic galaxy that is created in this way offers insight into the relationship between politics, poetry and form
    Note: Dutch
    Language: Undetermined
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  • 2
    UID:
    almahu_BV047169438
    Format: 1 Online-Ressource (xi, 212 Seiten) : , Illustrationen.
    ISBN: 978-0-429-26918-9 , 9781000195439
    Series Statement: Routledge Research in art and politics
    Content: Resilience : searching for new weapons while fleeing -- Global conjunctions of aesthetic resilience -- Artistic practices of embodied resilience
    Content: "This book examines how renewed forms of artistic activism were developed in the wake of the neoliberal repression since the 1980s. The volume shows the diverse ways in which artists have sought to confront systemic crises around the globe, searching for new and enduring forms of building communities and reimagining the political horizon. The authors engage in a dialogue with these artistic efforts and their histories - in particular the earlier artistic activism that was developed during the civil rights era in the 1960s and 70s - providing valuable historical insight and new conceptual reflection on the future of aesthetic resilience. This book will be of interest to scholars in contemporary art, history of art, film and literary studies, protest movements, and social movements"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, hbk. ISBN 978-0-367-21984-0
    Language: English
    RVK:
    RVK:
    Keywords: Kunstsoziologie ; Aktivismus ; Konferenzschrift ; Hochschulschrift ; Electronic books ; Konferenzschrift ; Electronic books.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    almahu_9949560680202882
    Format: 1 online resource (275 pages)
    Content: In 2006 overleed de Nederlandse dichter en criticus Jeroen Mettes (1978-2006). Postuum verscheen in 2011 zijn lange prozagedicht 'N30'. In dat werk probeerde Mettes een 'direct engagement met de buitentekstuele werkelijkheid' tot stand te brengen door het talige lawaai van die werkelijkheid tot onderdeel te maken van zijn poëzie. 'N30' sloeg in als een bom. Mettes' poëziekritiek en zijn dichtwerk vormden een inspiratiebron voor een nieuwe generatie Nederlandstalige dichters die een poëzie gingen schrijven die tegelijkertijd politiek, experimenteel én persoonlijk was. In 'Vluchtlijnen van de Poëzie' vormt de experimentele dichtkunst en politieke essayistiek van Mettes het uitgangspunt voor een creatieve lezing en (her)interpretatie van de (recente) poëziegeschiedenis. De vluchtlijnen brengen de lezer van Mettes naar Friedrich Hölderlin, Herman Gorter, Gertrude Stein, Sybren Polet, J.F. Vogelaar, Ron Silliman, Dominique De Groen, Hannah van Binsbergen en vele anderen. Het poëtische sterrenstelsel dat zo ontstaat biedt zicht op de relatie tussen politiek, poëzie en vorm.
    Language: Dutch
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  • 4
    Online Resource
    Online Resource
    Leiden :Leiden University Press,
    UID:
    almahu_9948323379202882
    Format: 251 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: LUP dissertations
    Language: English
    Keywords: Electronic books.
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  • 5
    UID:
    gbv_1733388346
    Format: 1 Online-Ressource (xii, 212 pages)
    ISBN: 9781000195439
    Series Statement: Routledge Research in Art and Politics Series
    Content: Cover -- Half Title -- Series Page -- Title Page -- Copyright page -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction: Taking Aesthetics from Resistance to Resilience -- PART I: Resilience: Searching for New Weapons While Fleeing -- 1. Resilience Thinking, Storytelling, and Aesthetic Resilience -- 2. But Does it Work in Theory? Androcentric Blind Spots and Omissions -- 3. Learning from Documenta? Aesthetic Resilience and the Politics of Institutionalized Art -- 4. Blackout: The Necropolitics of Extraction -- 5. Movement of Movements: Resilient Strategies in the 'Global South' -- PART II: Global Conjunctions of Aesthetic Resilience -- 6. Of Tricksters and Zombies: Re-imagining Outsideness in Contemporary Russian Activist Art -- 7. An Alloy Made from Art and Activism, in North Macedonia -- 8. Drones and Streets: On the Image Composition of the Tahrir and Gezi Occupations -- 9. The Resilient City: When Social Activism Meets Media Arts in Hong Kong -- 10. Art-activism in Decolonizing a South African University Space -- PART III: Artistic Practices of Embodied Resilience -- 11. Feminist and Anti-Racist Graffiti: Disrupting Public Space in the 1970s in Britain -- 12. The Black Radical: Fungibility, Activism, and Portraiture in These Times -- 13. Practicing Aesthetic Resilience through Collaboration -- 14. Embodied Narratives: Dance, Corporeality, and Creative Processes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780367219840
    Additional Edition: Erscheint auch als Druck-Ausgabe Art and activism in the age of systemic crisis New York : Routledge, 2021 ISBN 9780367219840
    Language: English
    RVK:
    RVK:
    Keywords: Kunstsoziologie ; Aktivismus ; Geschichte 1960-1980
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  • 6
    UID:
    gbv_1700703730
    Format: xi, 212 Seiten , Illustrationen
    ISBN: 9780367219840
    Series Statement: Routledge Research in art and politics
    Content: Resilience : searching for new weapons while fleeing -- Global conjunctions of aesthetic resilience -- Artistic practices of embodied resilience.
    Content: "This book examines how renewed forms of artistic activism were developed in the wake of the neoliberal repression since the 1980s. The volume shows the diverse ways in which artists have sought to confront systemic crises around the globe, searching for new and enduring forms of building communities and reimagining the political horizon. The authors engage in a dialogue with these artistic efforts and their histories - in particular the earlier artistic activism that was developed during the civil rights era in the 1960s and 70s - providing valuable historical insight and new conceptual reflection on the future of aesthetic resilience. This book will be of interest to scholars in contemporary art, history of art, film and literary studies, protest movements, and social movements"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780429269189
    Additional Edition: Erscheint auch als Online-Ausgabe Art and Activism in the Age of Systemic Crisis Milton : Taylor & Francis Group, 2020 ISBN 9781000195439
    Language: English
    RVK:
    RVK:
    Keywords: Kunstsoziologie ; Aktivismus ; Geschichte 1960-1980 ; Engagierte Kunst ; Geschichte 1960-2017 ; Konferenzschrift
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  • 7
    UID:
    edoccha_9961153227502883
    Format: 1 online resource (275 pages)
    Content: In 2006 overleed de Nederlandse dichter en criticus Jeroen Mettes (1978-2006). Postuum verscheen in 2011 zijn lange prozagedicht 'N30'. In dat werk probeerde Mettes een 'direct engagement met de buitentekstuele werkelijkheid' tot stand te brengen door het talige lawaai van die werkelijkheid tot onderdeel te maken van zijn poëzie. 'N30' sloeg in als een bom. Mettes' poëziekritiek en zijn dichtwerk vormden een inspiratiebron voor een nieuwe generatie Nederlandstalige dichters die een poëzie gingen schrijven die tegelijkertijd politiek, experimenteel én persoonlijk was. In 'Vluchtlijnen van de Poëzie' vormt de experimentele dichtkunst en politieke essayistiek van Mettes het uitgangspunt voor een creatieve lezing en (her)interpretatie van de (recente) poëziegeschiedenis. De vluchtlijnen brengen de lezer van Mettes naar Friedrich Hölderlin, Herman Gorter, Gertrude Stein, Sybren Polet, J.F. Vogelaar, Ron Silliman, Dominique De Groen, Hannah van Binsbergen en vele anderen. Het poëtische sterrenstelsel dat zo ontstaat biedt zicht op de relatie tussen politiek, poëzie en vorm.
    Language: Dutch
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    edocfu_9961153227502883
    Format: 1 online resource (275 pages)
    Content: In 2006 overleed de Nederlandse dichter en criticus Jeroen Mettes (1978-2006). Postuum verscheen in 2011 zijn lange prozagedicht 'N30'. In dat werk probeerde Mettes een 'direct engagement met de buitentekstuele werkelijkheid' tot stand te brengen door het talige lawaai van die werkelijkheid tot onderdeel te maken van zijn poëzie. 'N30' sloeg in als een bom. Mettes' poëziekritiek en zijn dichtwerk vormden een inspiratiebron voor een nieuwe generatie Nederlandstalige dichters die een poëzie gingen schrijven die tegelijkertijd politiek, experimenteel én persoonlijk was. In 'Vluchtlijnen van de Poëzie' vormt de experimentele dichtkunst en politieke essayistiek van Mettes het uitgangspunt voor een creatieve lezing en (her)interpretatie van de (recente) poëziegeschiedenis. De vluchtlijnen brengen de lezer van Mettes naar Friedrich Hölderlin, Herman Gorter, Gertrude Stein, Sybren Polet, J.F. Vogelaar, Ron Silliman, Dominique De Groen, Hannah van Binsbergen en vele anderen. Het poëtische sterrenstelsel dat zo ontstaat biedt zicht op de relatie tussen politiek, poëzie en vorm.
    Language: Dutch
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  • 9
    Online Resource
    Online Resource
    Leiden :Leiden University Press,
    UID:
    almafu_9959240616702883
    Format: 1 online resource (259 p.)
    Edition: 1st ed.
    ISBN: 90-485-0749-9
    Series Statement: LUP dissertations
    Content: Taking its cue from poststructuralist deconstruction, this study develops a new concept of technics, technique, and technology. This new concept of technics is located at a quasi-ontological level, and it thereby becomes possible to renegotiate the relati
    Note: Description based upon print version of record. , Acknowledgements; Thank You; Table of Contents; Introduction From Machinic to Technics (and back again); Chapter One Machines / Dispersion / Technics; Chapter Two Machinic Functions: Deconstruction and/of the Metaphysical Machine; Chapter Three The Modern Political Machine; Chapter Four Subject / Exappropriation / Technics On the Terminal Exappropriation of Language and Technics; Reference Material; Machinic Deconstruction: Literature / Politics / Technics Samenvatting in het Nederlands , English
    Additional Edition: ISBN 90-8728-029-7
    Language: English
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  • 10
    UID:
    almafu_9960141307602883
    Format: 1 online resource (224 p.)
    ISBN: 9780748647378
    Series Statement: Critical Connections : CRCO
    Content: The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine
    Note: Frontmatter -- , Contents -- , Acknowledgements -- , 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- , 2 What Does It Mean to Call Film an Art? -- , 3 After the Passage of the Beast: ‘False Documentary’ Aspirations, Acousmatic Complications -- , 4 The Spectator without Qualities -- , 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- , 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia’s La Comunidad -- , 7 Inhuman Spectatorship -- , 8 Cinemarxis: Rancière and Godard -- , 9 Jacques Rancière’s Animated Vertigo; or, How to be Specific about Medium -- , 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- , 11 Remarks by Way of a Postface -- , Contributors -- , Bibliography -- , Index , In English.
    Language: English
    Subjects: General works
    RVK:
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