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  • 1
    UID:
    almahu_BV045236518
    Format: xii, 225 Seiten.
    ISBN: 978-0-262-03858-4 , 0-262-03858-7 , 978-0-262-53572-4 , 0-262-53572-6
    Series Statement: October files 23
    Content: The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and "after" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career
    Note: Includes bibliographical references and index , Pictures , Afterward/Afterword/Afterwork
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1947- Levine, Sherrie ; Plastik ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Joselit, David, ca. 20. Jh.
    Author information: Levine, Sherrie, 1947-
    Author information: Crimp, Douglas, 1944-2019
    Author information: Franz, Erich, 1944-
    Author information: Krauss, Rosalind E., 1941-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge, Massachusetts ; London : The MIT Press
    UID:
    b3kat_BV048962799
    Format: xv, 253 Seiten , Illustrationen
    ISBN: 9780262544979
    Series Statement: Writing architecture
    Content: From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture’s relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy’s House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans. Approaching its subject matter from multiple angles, Architecture’s Theory shows how architecture's theoretical and artifactual practices have a unique power to alter culture.
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Architekturtheorie ; Architektur ; Theorie ; Wechselwirkung
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_BV048507225
    Format: 321 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-1-948765-65-7
    Content: The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. The conversations that arise in this book are inquisitive and critically engaged. They pressure assumptions we routinely make about what constitutes meaningful and principled perspectives in architecture, landscape architecture, and art. Both the texts and the work take on some of the trickiest issues of our time. - Excerpt from a foreword to the book by Catherine Ingraham, Professor, Graduate Architecture and Urban Design, Pratt Institute
    Note: Vortitelblatt: Produced in association with the traveling exhibition "Ambiguous Territory: Architecture, Landscape, and the Postnatural": September 27-October 18, 2017: University of Michigan Taubman College Gallery, Ann Arbor, MI; September 10-October 5, 2018: University of Virginia Elmaleh Gallery, Charlottesville, VA; December 6, 2018-February 15, 2019: Pratt Manhattan Gallery, New York, NY; August 28 - December 15, 2019: Ithaca College Handwerker Gallery, Ithaca, NY
    Language: English
    RVK:
    Keywords: Kunst ; Architektur ; Landschaftsarchitektur ; Natur ; Biologie ; Geologie ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    b3kat_BV049525247
    Format: 1 Online-Ressource (321 Seiten) , Illustrationen
    ISBN: 9781638408307
    Content: The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. The conversations that arise in this book are inquisitive and critically engaged. They pressure assumptions we routinely make about what constitutes meaningful and principled perspectives in architecture, landscape architecture, and art. Both the texts and the work take on some of the trickiest issues of our time. - Excerpt from a foreword to the book by Catherine Ingraham, Professor, Graduate Architecture and Urban Design, Pratt Institute
    Note: Vortitelblatt: Produced in association with the traveling exhibition "Ambiguous Territory: Architecture, Landscape, and the Postnatural": September 27-October 18, 2017: University of Michigan Taubman College Gallery, Ann Arbor, MI; September 10-October 5, 2018: University of Virginia Elmaleh Gallery, Charlottesville, VA; December 6, 2018-February 15, 2019: Pratt Manhattan Gallery, New York, NY; August 28 - December 15, 2019: Ithaca College Handwerker Gallery, Ithaca, NY
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-948765-65-7
    Language: English
    RVK:
    Keywords: Kunst ; Architektur ; Landschaftsarchitektur ; Natur ; Biologie ; Geologie ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
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