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  • 1
    UID:
    almahu_BV005414991
    Format: XI, 207 S. : , Ill.
    ISBN: 0-8204-1858-7
    Series Statement: American university studies : Series 7, Theology and religion 132
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Musik ; Lutherische Orthodoxie ; Barock ; Musik ; Lutherische Orthodoxie ; Kirchenmusik ; Lutherische Theologie ; Barock ; Kirchenmusik ; Lutherische Theologie
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  • 2
    Book
    Book
    New York u.a. :Mellen,
    UID:
    almafu_BV005258107
    Format: XXX, 258 S.
    ISBN: 0-88946-547-9
    Series Statement: Studies in women and religion 1.
    Language: English
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  • 3
    UID:
    almafu_9960024639602883
    Format: 1 online resource (VII, 325 p.)
    ISBN: 9783110680959
    Series Statement: Arbeiten zur Kirchengeschichte , 142
    Content: This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
    Note: Frontmatter -- , Table of Contents -- , List of Figures -- , Framing Lutheran Music Culture -- , The Word of God and Music in Luther: Re-Reading Luther’s 1538 Rhau Preface -- , “Musicam semper amavi”: What is Remarkable about Luther’s Views on Music? -- , Did the Choir Introduce German Hymns to the Wittenberg Congregations? -- , Liturgical Foundations from the Court of Maximilian I and the Hope of Salvation -- , Johann Reusch’s Zehen deudscher Psalm Davids (1551) and the Circulation of German Psalm Motets in Northern Europe -- , Luther, Mattheson, and the Joy of Music -- , Reading Belief through Compositional Unity: J. S. Bach’s Response to a Lutheran Theology of Proportions -- , J. S. Bach, the Fuga Contraria, and the Lutheran Concept of Umkehr -- , “Defenders of music” as a Topos of Collective Self-Fashioning in Lutheran Writings from Early Modern Sweden -- , Luther in Felix Mendelssohn Bartholdy’s Hymn of Praise -- , The “Lutheran Style”: Aesthetics, Theology and Politics in Oskar Söhngen’s Writings -- , Beyond “Church-dividing” Differences: Music and New Ecumenical Perspectives on Justification -- , Lutheran Music Culture – A Reflection -- , Appendix 1: Martin Luther’s 1538 draft to the Encomion musices -- , Appendix 2: Preface by Johannes Bugenhagen to Balthasar Resinarius: Responsorium numero octoginta de tempore, 1544 -- , Appendix 3: Preface by Philipp Melanchthon to Johann Reusch: Zehen deudscher Psalm Davids, 1551 -- , Index of Names , In English.
    Additional Edition: ISBN 9783110681062
    Additional Edition: ISBN 9783110680607
    Language: English
    Subjects: Theology
    RVK:
    URL: Cover
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  • 4
    UID:
    gbv_119325640
    Format: XI, 207 S. , Ill. , 23 cm
    ISBN: 0820418587
    Series Statement: American university studies 132
    Note: Literaturverz. S. 187 - 203
    Language: English
    Subjects: Theology
    RVK:
    RVK:
    Keywords: Deutschland ; Kirchenmusik ; Lutherische Theologie ; Geschichte 1570-1750 ; Barock ; Kirchenmusik ; Lutherische Theologie ; Deutschland ; Deutschland ; Kirchenmusik ; Geschichte 1570-1750 ; Lutherische Theologie ; Barock ; Kirchenmusik ; Erweckungsbewegung ; Kirchenmusik ; Geschichte 1570-1750 ; Pietismus ; Kirchenmusik ; Geschichte 1570-1750 ; Kirchengeschichte
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  • 5
    UID:
    almahu_9948311952502882
    Format: xxvi, 148 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Other voice in early modern Europe
    Uniform Title: Selections. 1998
    Note: Includes translated selections from the writings of Gijsbert Voet.
    Language: English
    Keywords: Electronic books.
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  • 6
    UID:
    gbv_154539377X
    Format: XLIX, 162 Seiten , Illustrationen
    ISBN: 9781442232631
    Series Statement: Contextual Bach studies 5
    Content: In the two centuries after Martin Luther’s affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. This volume provides translations and commentary for two 18th-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann. Veritophili deutliche Beweis-Gründe, worauf der rechte Gebrauch der Music beydes in den Kirchen und ausser denselben beruhet (A truth lover’s clear reasonings on which the correct use of music rests, 1717) by Christoph Raupach, with an introduction by Johann Mattheson, serves as a cumulative statement of Lutheran advocacy of music. Mattheson’s Behauptung der himmlischen Musik (Affirmation of heavenly music, 1747) goes a step further in defending the reality of music in heaven and even the ultimate superiority of music over theology and sermons. The author's introduction traces the centrality of Mattheson’s belief in heavenly music throughout the course of his life, even while he was writing works of music theory that earned him a reputation as an Enlightenment thinker. Though influenced by Enlightenment philosophy, specifically British empiricism, he rejected the rationalist philosophies of his German contemporaries and expressed no sympathy for the emerging school of biblical criticism.
    Note: Includes bibliographical references and index , Erscheinungsjahr in Vorlageform:[2015] , Deutliche Beweis-Gründe , Behauptung der himmlischen Musik
    Additional Edition: ISBN 9781442232648
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Mattheson, Johann 1681-1764 ; Raupach, Christoph 1686-1744 ; Kirchenmusik ; Lutherische Kirche ; Mattheson, Johann 1681-1764 ; Raupach, Christoph 1686-1744 ; Kirchenmusik ; Lutherische Kirche ; Mattheson, Johann 1681-1764 Behauptung der himmlischen Musik aus den Gründen der Vernunft, Kirchen-Lehre und heiligen Schrift ; Raupach, Christoph 1686-1744 Veritophili deutliche Beweis-Gründe, worauf der rechte Gebrauch der Music, beydes in den Kirchen als ausser denselben, beruhet
    Author information: Mattheson, Johann 1681-1764
    Author information: Raupach, Christoph 1686-1744
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  • 7
    UID:
    gbv_722850069
    Format: Online-Ressource (176 p.)
    ISBN: 9780226849980
    Series Statement: Other Voice in Early Modern Europe, The
    Content: Advocate and exemplar of women's education, female of aristocratic birth and modest demeanor, Anna Maria van Schurman (1607-1678) was one of Reformation Europe's most renowned writers defending women's intelligence. From her early teens, Schurman garnered recognition and admiration for her accomplishments in languages, philosophy, poetry, and painting. As an adult she actively engaged in written correspondence and debate with Europe's leading intellectuals. Nevertheless, Schurman refused to regard herself as an anomaly among women. A supporter of the female sex, she argues that the same rigoro
    Note: Description based upon print version of record , Contents; Introduction to the Series; Introduction: Anna Maria van Schurman and Her Intellectual Circle; Selections from the Writings of Anna Maria van Schurman; A Practical Problem: Whether the Study of Letters Is Fitting for a Christian Woman; Correspondence with Andre Rivet on this Question; Correspondence with Other Women; Eukleria, Chapters 1 and 2; Concerning Women, by Gisbertus Voetius; Chapter I: The Natural Status and Condition of Women; Chapter II: The Secular and Political Status of Women; Chapter III: The Spiritual and Ecclesiastical Status of Women; Bibliography; Index;
    Additional Edition: ISBN 9780226850009
    Additional Edition: ISBN 9780226849980
    Additional Edition: Erscheint auch als Druck-Ausgabe Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle
    Language: English
    Keywords: Electronic books
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  • 8
    Book
    Book
    Halle : Verlag der Franckeschen Stiftungen Halle | [Wiesbaden] : Harrassowitz Verlag in Kommission
    UID:
    gbv_1862712603
    Format: VII, 206 Seiten , 23 cm x 16 cm
    ISBN: 9783447120982 , 3447120983
    Series Statement: Hallesche Forschungen Band 66
    Additional Edition: ISBN 9783447394499
    Additional Edition: Erscheint auch als Online-Ausgabe Irwin, Joyce L. In Spirit and in Truth Wiesbaden : Harrassowitz Verlag, 2024 ISBN 9783447394499
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Hallescher Pietismus ; Exeget ; Geistliche Musik ; Kirchenmusik ; Geschichte 1700-1828 ; Francke, August Hermann 1663-1727 ; Niemeyer, August Hermann 1754-1828 ; Halle (Saale) ; Pietismus ; Kirchenmusik
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  • 9
    UID:
    almafu_9960800094402883
    Format: 1 online resource (214 p.)
    ISBN: 1-4422-3264-1
    Series Statement: Contextual Bach Studies
    Content: 〈span〉〈span〉In the two centuries after Martin Luther's affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin's earlier work, 〈/span〉〈span style=""font-style:italic;""〉Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque〈/span〉〈span〉, traced this development in Lutheran theological
    Note: Includes index. , Foretastes Of Heaven In Lutheran Church Music Tradition ; Contents; List of Figures; Series Editor's Foreword; Preface; Abbreviations; Introduction; Part I Christoph Raupach, Deutliche Beweis-Gründe, 1717 Edited by Johann Mattheson; Preface by Johann Mattheson; Chapter 1. Concerning the Commands of God that Deal with Church Music, Vocal as well as Instrumental; Chapter 2. Of the Examples of Jews and Christians; Chapter 3. Concerning the Powerful Usefulness of the Whole of Church Music and also Concerning its Necessity , Chapter 4. Concerning the Powerful Usefulness of Music in Alleviating and Sweetening other Daily AffairsChapter 5. Of the Various Powerful Effects of Music on the Hearts and Minds of People.; Chapter 6. Of the Use of Music in Bodily Illness; Chapter 7. Of the Use of Church Music by Which One Experiences a Foretaste of Heavenly Life; Additional Comments; Part I Notes; Part II Johann Mattheson, Behauptung der himmlischen Musik, 1747; [Introductory Remarks]; Section 1. Investigation of Heavenly Music According to Purified Reason , Section 2. Investigation of Heavenly Music According to Doctrines of the Church and its TeachersSection 3. Investigation of Heavenly Music According to Holy Scripture Itself; Part II Notes; Appendix Mizler's Comments on Ammon's Gründlicher Beweis (1746); Index (Names and subjects); About the Author , English
    Additional Edition: ISBN 1-4422-3263-3
    Language: English
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  • 10
    UID:
    almafu_9959243824102883
    Format: 1 online resource (176 pages)
    Edition: 1st ed.
    ISBN: 1-281-12611-X , 9786611126117 , 0-226-85000-5
    Series Statement: Other voice in early modern Europe
    Uniform Title: Selections. 1998
    Content: Advocate and exemplar of women's education, female of aristocratic birth and modest demeanor, Anna Maria van Schurman (1607-1678) was one of Reformation Europe's most renowned writers defending women's intelligence. From her early teens, Schurman garnered recognition and admiration for her accomplishments in languages, philosophy, poetry, and painting. As an adult she actively engaged in written correspondence and debate with Europe's leading intellectuals. Nevertheless, Schurman refused to regard herself as an anomaly among women. A supporter of the female sex, she argues that the same rigorous education that shaped her should be made available to all Christian daughters of the aristocracy. Gathered here in meticulous translation are Anna Maria van Schurman's defense of women's education, her letters to other learned women, and her own account of her early life, as well as responses to her work from male contemporaries, and rare writings by Schurman's mentor, Voetius. This volume will interest the general reader as well as students of women's, religious, and social history.
    Note: Includes translated selections from the writings of Gijsbert Voet. , Front matter -- , Contents -- , The Other Voice in Early Modern Europe: Introduction to the Series -- , Introduction: Anna Maria van Schurman and Her Intellectual Circle -- , Selections from the Writings of Anna Maria van Schurman -- , Concerning Women -- , Bibliography -- , Index , English
    Additional Edition: ISBN 0-226-84999-6
    Additional Edition: ISBN 0-226-84998-8
    Language: English
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