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  • 1
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    almafu_BV046284096
    Format: 1 Online-Ressource (xvii, 255 Seiten) : , Illustrationen.
    ISBN: 978-3-030-27971-4
    Series Statement: Palgrave Studies in Performance and Technology
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27970-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27972-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27973-8
    Language: English
    Subjects: Computer Science , General works
    RVK:
    RVK:
    RVK:
    Keywords: Embodiment ; Immersion ; Theater ; Computerspiel
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London :Routledge,
    UID:
    almahu_9949385183802882
    Format: 1 online resource (xiii, 234 pages) : , illustrations (black and white)
    ISBN: 0429786182 , 9780429434839 , 0429434839 , 9780429786167 , 0429786166 , 9780429786174 , 0429786174 , 9780429786181
    Content: Theatre-Rites are regarded as pioneers in the field of object-led and site-specific performance, creating ground-breaking work for family audiences since 1995. This book marks the company's 25th anniversary, offering the first in-depth exploration of artistic director Sue Buckmaster's visionary practice, in which anything can be animated. This book draws on original research, including five years of in-depth interviews between its authors, images from Theatre-Rites' archive and Buckmaster's private collection, detailed observations from the company's professional training workshops and personal reflections on past productions. A timely and compelling advocacy for the importance of high-quality experimental arts provision for young audiences is made, distilling learning from decades of the company's professional activities to motivate and empower the next generation of object-led theatre-makers. Theatre-Rites: Animating Puppets, Objectsand Sites is an invaluable resource for any puppeteer, actor, dancer, visual artist, poet or student interested in expanding their understanding of how to incorporate puppetry and/or symbolic objects as metaphors in their work.
    Additional Edition: Print version: Jarvis, Liam. Theatre-Rites. Abingdon, Oxon : Routledge, 2022 ISBN 1138352241
    Language: English
    Keywords: Electronic books. ; History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_ZLB34757316
    Format: 220 Seiten , Illustrationen , 23,4 cm
    ISBN: 9781138352278
    Content: Theatre-Rites are regarded as pioneers in the field of object-led and site-specific performance, creating ground-breaking work for family audiences since 1995. This book marks the company's 25th anniversary, offering the first in-depth exploration of artistic director Sue Buckmaster's visionary practice, in which anything can be animated. This book draws on original research, including five years of in-depth interviews between its authors, images from Theatre-Rites' archive and Buckmaster's private collection, detailed observations from the company's professional training workshops and personal reflections on past productions. A timely and compelling advocacy for the importance of high-quality experimental arts provision for young audiences is made, distilling learning from decades of the company's professional activities to motivate and empower the next generation of object-led theatre-makers.Theatre-Rites: Animating Puppets, Objects and Sites is an invaluable resource for any puppeteer, actor, dancer, visual artist, poet or student interested in expanding their understanding of how to incorporate puppetry and/or symbolic objects as metaphors in their work.
    Note: Englisch
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    UID:
    gbv_1689716460
    Format: xvii, 255 Seiten , illustrationen , 22 cm
    ISBN: 9783030279707
    Series Statement: Palgrave studies in performance and technology
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9783030279714
    Additional Edition: Erscheint auch als Online-Ausgabe Jarvis, Liam Immersive Embodiment Cham : Palgrave Macmillan, 2019 ISBN 9783030279714
    Language: English
    Keywords: Embodiment ; Immersion ; Theater
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  • 5
    UID:
    b3kat_BV049046871
    Format: x, 190 Seiten , Illustrationen , 22 cm
    ISBN: 9781350270534 , 1350270539 , 9781350159310
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3501-5933-4
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3501-5932-7
    Language: English
    Keywords: Theater ; Performance ; Intermedialität ; Digitalisierung ; Identität ; Aufsatzsammlung
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  • 6
    UID:
    gbv_1794814167
    Format: x, 190 pages , illustrations (black and white) , 22 cm
    ISBN: 9781350159310
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781350159327
    Additional Edition: ISBN 9781350159334
    Language: English
    Keywords: Avatar ; Darstellende Kunst ; Technische Innovation ; Soziales Drama ; Soziale Identität
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  • 7
    Online Resource
    Online Resource
    Cham :Springer International Publishing :
    UID:
    almahu_9948204159702882
    Format: XVII, 255 p. 30 illus. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9783030279714
    Series Statement: Palgrave Studies in Performance and Technology
    Content: This book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent ‘immersive’ practices in an increasingly expanding and cross-disciplinary field are coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that ‘knows’ an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another’s ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers ‘inside’ vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. This book is intended for students, academics and practitioner-researchers studying or working in the related fields of immersive theatre/art-making, arts-science and VR in applied performance practices.
    Note: Chapter 1: Introduction -- Chapter 2: Proto-immersive Discourse & the ‘Theatrical Condition’ -- Chapter 3: The Immersive Promise of Becoming [with] the Other Body -- Chapter 4: Body-swapping: Self-attribution and Body Transfer Illusions (BTIs) -- Chapter 5: ‘Empathy Activism’ & Bodying Difference in Postdigital Culture: Jane Gauntlett’s In My Shoes & BeAnotherLab’s The Machine to be Another -- Chapter 6: Touching with a Virtualized Hand: Analogue’s Transports -- Chapter 7: The Suffering Avatar: Vicarity & Resistance in Body-tracked Multi-player Gaming -- Conclusion: The Theft of the Dragon Sabre: Bodies at Risk in Digital Reality.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783030279707
    Additional Edition: Printed edition: ISBN 9783030279721
    Additional Edition: Printed edition: ISBN 9783030279738
    Language: English
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  • 8
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    UID:
    gbv_1684983746
    Format: 1 Online-Ressource (XVII, 255 p. 30 illus)
    Edition: 1st ed. 2019
    ISBN: 9783030279714
    Series Statement: Palgrave Studies in Performance and Technology
    Content: Chapter 1: Introduction -- Chapter 2: Proto-immersive Discourse & the ‘Theatrical Condition’ -- Chapter 3: The Immersive Promise of Becoming [with] the Other Body -- Chapter 4: Body-swapping: Self-attribution and Body Transfer Illusions (BTIs) -- Chapter 5: ‘Empathy Activism’ & Bodying Difference in Postdigital Culture: Jane Gauntlett’s In My Shoes & BeAnotherLab’s The Machine to be Another -- Chapter 6: Touching with a Virtualized Hand: Analogue’s Transports -- Chapter 7: The Suffering Avatar: Vicarity & Resistance in Body-tracked Multi-player Gaming -- Conclusion: The Theft of the Dragon Sabre: Bodies at Risk in Digital Reality
    Content: This book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent ‘immersive’ practices in an increasingly expanding and cross-disciplinary field are coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that ‘knows’ an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another’s ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers ‘inside’ vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. This book is intended for students, academics and practitioner-researchers studying or working in the related fields of immersive theatre/art-making, arts-science and VR in applied performance practices
    Additional Edition: ISBN 9783030279707
    Additional Edition: Erscheint auch als Druck-Ausgabe Jarvis, Liam Immersive embodiment Cham, Switzerland : Palgrave Macmillan, 2019 ISBN 9783030279707
    Language: English
    Keywords: Embodiment ; Immersion ; Theater
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  • 9
    Online Resource
    Online Resource
    London [England] : Methuen Drama | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895306493
    Format: 1 Online-Ressource (224 pages)
    Edition: First edition
    ISBN: 9781350159341 , 9781350159327
    Content: "In the context of the postdigital age, where technology is increasingly part of our social and political world, Avatars, Activism and Postdigital Performance traces how identity is developed, created, hijacked, manipulated, sabotaged and explored through performance in postdigital culture. Considering how technology is reshaping performance, this timely collection reveals how we engage in performance practices through expanded notions of intermediality, convergence and layering. This book examines the artist as activist and avatar, and how body hacking, zombification, the cyborg and digital doubles problematize and expand our discussions of identity. Using a range of theatre and film performance examples, including Avatar, Calpurnia Descendin and User Not Found, chapters explore how the uncertain boundaries of the body in mediatized cultures, along with machine algorithms, apps and a commitment to a digital legacy, can operate as interventions between the senses, creating mediatized resonances between the body and one another. This is an incisive study for scholars, students and practitioners interested in the wider conversations around identity in mediatized culture."--
    Note: Includes bibliographical references and index , Introduction: Post-intermediality and the postdigital: 'Isn't it all "intermedial"? / Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UK -- Part I. Postdigital body-jacking: precarious performances through and 'in' the digital. 'Performativity 3.0: hacking post-digital subjectivities' / William Lewis, Texas State University, USA ; Avatars, apes, and the 'testing ground' of performance capture / Ralf Remshardt, University of Florida, USA -- Part II. Migrations: hearts, minds and souls. Archiving the soul -- we are 'liking' ghosts. Diva dromology: aging and acceleration in contemporary camp / Asher Warren, University of Tasmania, Australia ; Death and the migration of identity: social media as performance space / Lib Taylor, University of Reading, UK -- Part III. Dis-placed voices: it's not not them. Randy Rainbow's musical activism: hijacking audiences and politicising social media rapport / Karen Savage, University of Lincoln, UK ; Deepfake-ification: post-truth performance & postdigital aesthetics of failure / Liam Jarvis, University of Essex, UK -- Part IV. Out of synch: double exposure and asynchronicity. 'Voicing identity: theatre sound and precarious subjectivities / Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK & Yaron Shylydkrot, University of Surrey, UK ; Sensory disjunction and perceptual dissonance: resisting convergence in headphone theatre / Rosemary Klich, University of Essex, UK -- Part V. Postdigital place-mixing: the tango of human and non-human agency. Manufacturing 'dissent' in thoughts that can be danced / Piotr Woycicki, University of Aberystwyth, UK ; Postdigital Place -- mixing in the wild city / Jo Scott, Independent Scholar, UK -- Conclusion / Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UK. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350159310
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350159310
    Language: English
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  • 10
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    edocfu_BV046284096
    Format: 1 Online-Ressource (xvii, 255 Seiten) : , Illustrationen.
    ISBN: 978-3-030-27971-4
    Series Statement: Palgrave Studies in Performance and Technology
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27970-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27972-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27973-8
    Language: English
    Subjects: Computer Science , General works
    RVK:
    RVK:
    RVK:
    Keywords: Embodiment ; Immersion ; Theater ; Computerspiel
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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