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  • 1
    UID:
    gbv_174468118X
    Format: 185 Seiten , 26 cm
    ISBN: 9780997930603 , 0997930608
    Content: (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies.
    Note: Published on the occasion of the exhibition "Todd Gray: Euclidean Gris Gris" presented at the Pomona College Museum of Art, September 3, 2019-May 17, 2020 , Pagination includes program booklet "Longing on a large scale / curated by Nana Adusei-Poku" (22 x 14 cm.) bound between pages 144/177. Includes campus map
    Language: English
    Subjects: General works
    RVK:
    Keywords: Gray, Todd 1954- ; Fotografie ; Kolonialismus ; Bildband ; Ausstellungskatalog
    Author information: Adusei-Poku, Nana
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1680951025
    Format: 191 Seiten , 24 cm
    ISBN: 9781912122189 , 1912122189
    Content: In 'Lead White' Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poetic exploration of numerous topics including national health, education and contemporary Africa. The documents collected by Bhimji come from a wide variety of places. There are legal and constitutional documents, but also photographs and personal effects. A particular point of interest in Lead White is paper and how texture and light function as an echo of the themes investigated here. This substantial monograph marks a departure of sorts for Bhimji. In this work she incorporates to her new mediums of digital photography and the traditional craft of embroidery. This interplay, in Gallagher's words, forms a 'tension between present and past, and enhances the relationship between the specific and the universal.'
    Content: The genesis of Lead White stretches back to when Bhimji first visited the Zanzibar National Archive in 1998. She has searched through land records, maps and correspondence from the Berlin Conference of 1884-5, which started the European colonial 'scramble for Africa'. Her camera focuses on the minute details of first-hand records - a stamp, a home address, a signature - and blows them up to an epic scale, revealing shadows, the ambiguities and the delicacy of otherwise institutional objects. Bhimji says her work is about beauty and issues that are personal and universal. She likens her process to a forensic investigator, looking at records of treaties signed and territories mapped, searching for evidence of what crimes could have been carried out.--Tate website
    Note: Colophon: "Published on the occasion of Tate Britain's "Spotlight" display of Zarina Bhimji's Lead White, 19 November 2018-2 June 2019."
    Language: English
    Keywords: Bhimji, Zarina 1963- ; Fotografie ; Ausstellungskatalog ; Bildband
    Author information: Gallagher, Ann
    Author information: Bhimji, Zarina 1963-
    Library Location Call Number Volume/Issue/Year Availability
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