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  • 1
    Book
    Book
    Ann Arbor :University of Michigan Press,
    UID:
    almafu_BV044346272
    Format: ix, 227 Seiten : , Diagramme.
    ISBN: 978-0-472-05337-7 , 978-0-472-07337-5
    Series Statement: Perspectives on contemporary Korea
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780472122615
    Language: English
    Subjects: Economics , General works , Sociology
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    Keywords: Mobile Telekommunikation ; Smartphone ; Mobile Computing
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  • 2
    Online Resource
    Online Resource
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV047341096
    Format: 1 Online-Ressource (xv, 297 Seiten) : , Diagramme.
    ISBN: 978-0-367-81674-2
    Series Statement: Routledge handbooks
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-367-41579-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-367-77074-7
    Language: English
    Subjects: General works
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    Keywords: Neue Medien ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    almahu_9949378106302882
    Format: 1 online resource (333 p.)
    ISBN: 1-283-47916-8 , 9786613479167 , 1-84966-427-7
    Content: Some advocates and more than a few critics have misconstrued the political economy of media as a unified field of inquiry. The authors from this volume, by contrast, draw from a more diverse stream of the schools of thought signified by this tradition: Neoclassical Economics, Radical Media Political Economy, Schumpeterian Institutional Political Economy, and the Cultural Industries School. The book as a whole is as alert to developments in our main objects of analysis - media institutions, technologies, markets, uses and society - as it is to changes in the world around us, including current t
    Note: Description based upon print version of record. , Cover; Contents; List of Figures; List of Tables; List of Contributors; Preface; Acknowledgments; Part One: Introductory Essay; The Political Economies of Media and the Transformation of the Global Media Industries; Setting the scene: baseline considerations; Big sweeping trends, critical details, and political economies of the media; Which media political economy?; Neoclassical political economy; Radical media political economies: the monopoly capital and digital capitalism schools , Creative destruction: Schumpeterian institutional political economy, the creative industries school, and network political economyMutations: the cultural industries school; ""All that is solid melts into air"" (Karl Marx): the global transformation of the network media industries; Some closing thoughts; Notes; Part Two: From the Singular to the Plural: Theorizing the Digital and Networked Media Industries in the Twenty-First Century; 1 Principal Ongoing Mutations of Cultural and Informational Industries , The ""mutations of cultural, informational, and communications industries"" research programFive major trends and trajectories in the development in the CICIs; Mutation 1: the current globalization of, and expansion in, market consumption (of culture and information); Mutation 2: the increasing dominance of communications industries over content industries; Mutation 3: the power of ICTs (digital) over cultural and informational practices; Mutation 4: maintenance of content industries but emergence of common interindustry characteristics , Mutation 5: difficulties and growing pressures faced by social agents, producers, and in particular, artists and intellectuals within the various branches of the cultural and informational industriesThree decisive questions and one new orientation in perspective; Conclusion; Notes; 2 Media Ownership, Oligarchies, and Globalization: Media Concentration in South America; Introduction; Approaches to media concentration; The issue of diversity; Measurement techniques; The media in the Southern Cone; Argentina; Brazil; Chile; Uruguay; Concentration in the Southern Cone today; Concluding comments , Notes3 Media as Creative Industries: Conglomeration and Globalization as Accumulation Strategies in an Age of Digital Media; Introduction: which media economics?; The curse of bigness: monopoly, competition, and the media; Conglomeration as a media corporate strategy; Does conglomeration work?; Globalization of media corporations: myths and legends; Conclusion; 4 The Structure and Dynamics of Communications Business Networks in an Era of Convergence: Mapping the Global Networks of the Information Business; Communications networks in an era of convergence , The core of the global network of communications networks , English
    Additional Edition: ISBN 1-84966-893-0
    Additional Edition: ISBN 1-84966-420-X
    Language: English
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  • 4
    UID:
    almahu_9949712218902882
    Format: 1 online resource (xxii, 310 pages) : , illustrations
    Content: "Some advocates and more than a few critics have misconstrued the political economy of media as a unified field of inquiry. The authors from this volume, by contrast, draw from a more diverse stream of the schools of thought signified by this tradition: Neoclassical Economics, Radical Media Political Economy, Schumpeterian Institutional Political Economy, and the Cultural Industries School. The book as a whole is as alert to developments in our main objects of analysis - media institutions, technologies, markets, uses and society - as it is to changes in the world around us, including current trends in communication and media studies. The contributors show that digital media are disrupting entire media industries, but without erasing the past. Throughout, the impact of the unprecedented wave of media consolidation in the late-1990s and the financial crisis of the past few years loom large. The authors also suggest that there is no 'supra logic' of 'total system integration' that spans the network media, while insisting that one media sector is not the same as the next. Social networking activities often beg, pilfer and borrow 'content' from 'traditional media', but it remains the case that Time Warner, Comcast, the BBC and News Corp. are very different creatures than Apple, Baidu, Facebook or Google. In other words, even in the age of convergence and remix culture, different media continue to display their own distinctive political economies, as the volume's title - The Political Economies of Media - signals".
    Additional Edition: ISBN 1-84966-353-X
    Language: English
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  • 5
    UID:
    gbv_1832249972
    Format: 1 Online-Ressource (336 p.)
    ISBN: 9781849664264 , 9781849664271 , 9781849664202
    Content: This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Some advocates and more than a few critics have misconstrued the political economy of media as a unified field of inquiry. The authors from this volume, by contrast, draw from a more diverse stream of the schools of thought signified by this tradition: Neoclassical Economics, Radical Media Political Economy, Schumpeterian Institutional Political Economy, and the Cultural Industries School. The book as a whole is as alert to developments in our main objects of analysis - media institutions, technologies, markets, uses and society - as it is to changes in the world around us, including current trends in communication and media studies. The contributors show that digital media are disrupting entire media industries, but without erasing the past. Throughout, the impact of the unprecedented wave of media consolidation in the late-1990s and the financial crisis of the past few years loom large. The authors also suggest that there is no 'supra logic' of 'total system integration' that spans the network media, while insisting that one media sector is not the same as the next. Social networking activities often beg, pilfer and borrow 'content' from 'traditional media', but it remains the case that Time Warner, Comcast, the BBC and News Corp. are very different creatures than Apple, Baidu, Facebook or Google. In other words, even in the age of convergence and remix culture, different media continue to display their own distinctive political economies, as the volume's title - The Political Economies of Media - signals
    Note: English
    Language: Undetermined
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  • 6
    Book
    Book
    New York [u.a.] :Routledge,
    UID:
    almafu_BV041136837
    Format: XV, 169 S. : , graph. Darst.
    Edition: 1. publ.
    ISBN: 978-0-415-62343-8 , 978-0-203-58803-1
    Series Statement: Routledge research in cultural and media studies 47
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
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    Keywords: Medienwirtschaft ; Globalisierung ; Massenmedien ; Management
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  • 7
    UID:
    almahu_9949384284502882
    Format: 1 online resource (xv, 322 pages)
    ISBN: 9780429450457 , 0429450451 , 9780429833748 , 0429833741 , 9780429833755 , 042983375X , 9780429833731 , 0429833733 , 9781003011262 , 1003011268 , 9781000766394 , 100076639X , 9781000766554 , 1000766551 , 9781000766233 , 1000766233
    Series Statement: Routledge studies in media and cultural industries ; 3
    Content: "This book examines cross-regional film collaboration within and beyond the Asia-Pacific region. Through a mixed methods approach of political economy and industry, market and textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include: cultural globalization and Asian regionalization; identity, regionalism, and industry practices and inter-Asian and trans-Pacific co-production practices among the U.S., China, South Korea, Japan, India, Hong Kong, Argentina, Australia, Taiwan, and New Zealand"--
    Note: Cultural globalization through film co-productions in the Asia-Pacific region / Dal Yong Jin -- Fast boats from Hollywood to China-vice versa-or ships passing in the night? The PRC meets the NICL / Toby Miller -- Sleeping with the intimate "enemy"? Dynamics and precarities of Chinese co-productions in the case of the "Korea ban" / Lisa Leung -- Post-2014 Chinese-Korean film co-production: nation branding via online film publicity / Elian Chung -- Hindi Chini bhai bhai: examining India-China co-production deals in globalized media markets / Ruhi Khan -- International film co-productions as a new harbour of nationalistic communication amid regional "imagined communities": the case of China and Korea / Mi Sook Park -- Is the China party over?: global integration, state intervention, and changing China-Hollywood relations: 2014-2018 / Wendy Su -- Seeking a global audience: transnational narrative strategies of the Netflix original movie, Okja / Dong-Hoo Lee -- Influential factors for producing film co-productions between Korea and New Zealand / JuHee Kim -- Co-producing with the other side of the world: Argentine-Korean films and international film festivals / Lucía Rud -- Connecting with China, Hollywood and film festivals: the collaboration and co-production of Taiwanese filmmakers in the era of neo-liberal globalization / Jocelyn Yi-Hsuan Lai -- Beyond Japan-Taiwan coproduction: intertextuality and elliptical figures in Hou Hsiao-hsien's Café lumière / Michelle Bloom and Satoko Kakihara -- Seoul-Hong Kong-Macau: Love with an alien (1957) and postwar Korea-Hong Kong coproduction / Sangjoon Lee -- Docu-reality and empathy in Bloodless (2017): a manifesto for transnational virtual reality cinema / Luke Buckmaster and Brian Yecies -- Final recipe as a Pan-Asian co-production film: interview with director Gina Kim / Dal Yong Jin.
    Additional Edition: Print version: Asia-Pacific film co-productions. New York : Routledge, 2019 ISBN 9781138325333
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books
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  • 8
    UID:
    almahu_9949568109602882
    Format: 1 online resource (xii, 282 pages) : , illustrations
    ISBN: 9781003393016 , 1003393012 , 9781000932256 , 1000932257 , 9781000932195 , 1000932192
    Content: "A comprehensive and critical introduction to understanding the Korean Wave (Hallyu) as a transnational media phenomenon. This book provides an accessible introduction to the Korean Wave - the rapid growth of local cultural industries and the global popularity of Korean popular culture over the past thirty years - providing historical, political, economic, and socio-cultural context to its initial rise and enduring popularity. Jin explores the transnational cultural flows of Hallyu across a variety of products and digital technologies - from television dramas, film, and K-pop to online games, and webtoons - and explains the process of cross-media convergence and the socio-political contexts behind the Hallyu phenomenon. He also explores how overseas fans and audiences advance K-pop fandom as social agents in different geo-cultural contexts. The book concludes by discussing if Hallyu can become a sustainable global popular culture beyond a fan-based regional cultural phenomenon. Each chapter features detailed contemporary case studies and discussion questions to enhance student engagement. This is essential reading for students of Media and Communication, Cultural Studies, Korean Studies and Asian Studies, particularly those taking classes on popular culture and media, media and globalization, Korean popular culture, and East Asian culture"--
    Note: Introduction. What is the Korean wave? ; Major goals of the book ; Summary of the book -- Part I: History, theory, and context of the Korean wave. The history of the Korean wave ; Theoretical approaches : from cultural proximity to transnational proximity ; Cultural policy in the new Korean wave ; Soft power and cultural diplomacy ; Local cultural industries toward the global cultural markets -- Part II: Transnational Korean wave. The new wave of K-dramas in the digital platform age ; K-pop fandom from global perspectives ; Korean cinema and Hallyu cinema ; Transnational digital games and Esports -- Part III: Problematizing the Korean wave. What is the K in the Korean wave ; Diaspora, ethnicity, and the Korean wave ; BTS and fan-nationalism ; Webtoons, transmedia storytelling, and intellectual property.
    Additional Edition: Print version: Jin, Dal Yong, 1964- Understanding the Korean wave New York : Routledge, 2024 ISBN 9781032492957
    Language: English
    Keywords: History.
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  • 9
    Book
    Book
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    UID:
    almafu_BV043541699
    Format: ix, 220 Seiten : , Diagramme.
    ISBN: 978-0-252-03997-3 , 978-0-252-08147-7
    Content: "The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context"...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, e-book ISBN 978-0-252-09814-7
    Language: English
    Subjects: Ethnology
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    Keywords: Massenkultur
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  • 10
    Book
    Book
    Lanham ; Boulder ; New York ; London :Lexington Books,
    UID:
    almafu_BV046122087
    Format: x, 207 Seiten.
    ISBN: 978-1-4985-8825-6 , 978-1-4985-8827-0
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4985-8826-3
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: K-Pop ; Musikwirtschaft ; Popsängerin ; Idol
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