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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949386691102882
    Format: 1 online resource (150 pages)
    ISBN: 9781351105972 , 1351105973 , 1351105957 , 9781351105965 , 1351105965 , 9781351105941 , 1351105949 , 9781351105958
    Content: "Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelopes much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries"--
    Note: Television programs go to the movies: crossing boundaries in exhibition spaces -- Television's detractors go to the movies: classic representations of television -- Television stories go to the movies: strategies of adaptation -- Television producers go to the movies: transforming professional identities -- Coda: let it go?
    Additional Edition: Print version: Gray, Jonathan (Jonathan Alan). Television goes to the movies New York : Routledge, 2021. ISBN 9781138476431
    Language: English
    Keywords: Electronic books.
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  • 2
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949385820502882
    Format: 1 online resource (x, 450 pages) : , illustrations
    Edition: Second edition.
    ISBN: 9781003099499 , 1003099491 , 9781000613643 , 100061364X , 9781000613605 , 1000613607
    Content: "Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough exploration of global media industries in flux. Even as legacy media industries experience significant disruption in the face of streaming and online delivery, the power of the television channel persists. Far from disappearing, television channels have multiplied and adapted to meet the needs of old and new industry players alike. Television viewers now navigate complex choices among broadcast, cable, and streaming services across a host of different devices. From Networks to Netflix guides students, instructors, and scholars through that complex and transformed channel landscape to reveal how these industry changes unfold and why they matter. This second edition features new players like Disney+, HBO Max, Crunchyroll, Hotstar, and more, while attending to TV services across six continentsthe world. An ideal resource for students and scholars of media studies, media theory, and media industries, this book continues to offer a concrete, tangible way to grasp the foundations of television-and television studies-even as they continue to be rewritten"--
    Additional Edition: Print version: From networks to netflix New York, NY : Routledge, 2022 ISBN 9780367568283
    Language: English
    Keywords: Electronic books. ; Aufsatzsammlung
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  • 3
    UID:
    almahu_9949087688602882
    Format: 1 online resource (337 pages).
    ISBN: 9780814724989 (e-book)
    Series Statement: Critical Cultural Communication
    Additional Edition: Print vrsion: Making media work : cultures of management in the entertainment industries. New York ; London, England : New York University Press, c2014 ISBN 9780814764695
    Language: English
    Keywords: Electronic books. ; Cross-cultural studies
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  • 4
    Online Resource
    Online Resource
    New York ; London :Routledge,
    UID:
    almafu_BV046075095
    Format: 1 Online-Ressource (X, 430 Seiten) : , Illustrationen.
    ISBN: 978-1-317-33167-4 , 978-1-315-65864-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback Johnson, Derek From Networks to Netflix : A Guide to Changing Channels Milton : Routledge,2018 ISBN 978-1-138-99851-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-138-99849-0
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fernsehanstalt ; Fernsehkanal ; Streaming ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Malden, MA :Wiley Blackwell,
    UID:
    almafu_9959327984502883
    Format: 1 online resource (xii, 561 pages)
    ISBN: 9781118495278 , 1118495276 , 9781118505526 , 1118505522 , 9781118495254 , 111849525X
    Content: "A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject.-Rethinks cultures of authorship and challenges the concept of auteurism across multiple media forms -Moves beyond notions of the individual to focus on how authorship is collaborative, contested, and networked, examining cultures of authorship and the practicalities of how it works -Draws on the cutting-edge research of scholars and practitioners whose work has produced significant new insights into the field -Examines a wide range of media, including television, social media, radio, videogames, transmedia, music, and comic books -Offers an impressive global focus, including pieces on Mexican music, amateur film production in Nairobi slums, tele-serial production in Kinshasa, Hong Kong film, and the marketing of Bollywood"--
    Note: Machine generated contents note: 1. Introduction: The Problem of Media Authorship (Jonathan Gray and Derek Johnson) I. Theorizing and Historicizing Authorship 2. Authorship and the Narrative of the Self (John Hartley) 3. The Return of the Author: Ethos and Identity Politics (Kristina Busse) 4. Making Music: Copyright Law and Creative Process (Olufunmilayo B. Arewa) 5. When is the Author? (Jonathan Gray) 6. Hidden Hands At Work: Authorship, the Intentional Flux, and the Dynamics of Collaboration (Colin Burnett) II. Contesting Authorship 7. Participation is Magic: Collaboration, Authorial Legitimacy, and the Audience Function (Derek Johnson) 8. Telling Whose Stories? Reexamining Author Agency in Self-Representational Media in the Slums of Nairobi (Brian Ekdale) 9. Never Ending Story: Authorship, Seriality, and the Radio Writers Guild (Michele Hilmes) 10. From Chris Chibnall to Fox: Torchwood's Marginalized Authors and Counter-Discourses of TV Authorship (Matt Hills) 11. Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors (Ian Gordon) III. Industrializing Authorship 12. Benny Hill Theatre: "Race," Commodification, and the Politics of Representation (Anamik Saha) 13. Cynical Authorship and the Hong Kong Studio System: Li Hanxiang and his Shaw Brothers Erotic Films (Stephen Teo) 14. The Authorial Function of the Television Channel: Augmentation and Identity (Catherine Johnson) 15. The Mouse House of Cards: Disney Tween Stars and Questions of Institutional Authorship (Lindsay Hogan) 16. Transmedia Architectures of Creation: An Interview with Ivan Askwith (Jonathan Gray) 17. Dubbing the Noise: Square Enix and Corporate Creation of Videogames (Mia Consalvo) IV. Expanding Authorship 18. Authorship Below-The-Line (John T. Caldwell) 19. Production Design and the Invisible Arts of Seeing (David Brisbin) 20. Scoring Authorship: An Interview with Bear McCreary (Derek Johnson) 21. Bowdown to Your New God: Misha Collins and Decentered Authorship in the Digital Age (Louisa Stein) 22. Collaboration and Co-Creation in Networked Environments: An Interview with Molly Wright Steenson (Megan Sapnar Ankerson) 23. Dawn of the Undead Author: Fanboy Auteurism and Zack Snyder's "Vision" (Suzanne Scott) V. Relocating Authorship 24. Authoring Hype in Bollywood (Aswin Punathambekar) 25. Auteurs at the Video Store (Daniel Herbert) 26. Authorship and the State: Narcocorridos in Mexico and the New Aesthetics of Nation (Hector Amaya) 27. Scripting Kinshasa's Teleserials: Reflections on Authorship, Creativity, and Ownership (Katrien Pype) 28. "We Never Do Anything Alone": An Interview on Academic Authorship with Kathleen Fitzpatrick (Jonathan Gray and Derek Johnson). , Part I. Theorizing and Historicizing Authorship -- Part II. Contesting Authorship -- Part III. Industrializing Authorship -- Part IV. Expanding Authorship -- Part V. Relocating Authorship. , Introduction: The Problem of Media Authorship -- , Theorizing and Historicizing Authorship -- , Authorship and the Narrative of the Self -- , Introduction: Three Acts -- , Act I. God -- or is it Mammon? -- is an Author -- , Act II. No-One is an Author -- , Act III. Everyone is an Author -- , Notes -- , The Return of the Author: Ethos and Identity Politics -- , Fraught Authorship and its Ethical Implications -- , Birth of the Author -- , Death of the Author -- , Postmodern Subjects and Why Identities Matter -- , Hipster Racism and ''Other Asians'' -- , ''Woman's Work'' and Squaring Up -- , Pseudonyms and Online Identities -- , Authority and Gender in Fan Texts -- , Fan Reader/Writer Interaction -- , Authorial Ethos -- , Notes -- , Making Music: Copyright Law and Creative Processes -- , Musical Visions: Sacralization and Changing Nineteenth-Century Conceptions of Creation -- , Sacralization, Copyright Conceptions of Creativity, and the Rise of African-Based Music -- , Copyright, Borrowing, and the Blues -- , Conclusion -- , Notes -- , When is the Author? -- , A Recent History of the Author -- , Many Authors -- , Incomplete Authorship -- , Many Readers or Many Authors? -- , Clusters of Authorship -- , Cluster Flux: A Conclusion -- , Notes -- , Hidden Hands at Work: Authorship, the Intentional Flux, and the Dynamics of Collaboration -- , Introduction -- , The Author's Intentional Flux: A Low Altitude Theory -- , Preliminary Stances: Bresson's Precompositional Commitment to Visual Austerity -- , Bresson and Burel: Problems and Solutions in ''Stripping the Wires'' -- , Conclusion: The Intentional Flux Model at the Intersection of Film and Media Studies -- , Notes -- , Contesting Authorship -- , Participation is Magic: Collaboration, Authorial Legitimacy, and the Audience Function -- , Everypony is an Author? -- , From the Glue Factory to the TV Factory -- , Authorship Straight from the Horse's Mouth -- , Taking the Reins -- , Conclusion: Horse Power -- , Notes -- , Telling Whose Stories? Re-examining Author Agency in Self-Representational Media in the Slums of Nairobi -- , Self-Representational Media Production -- , The Research Setting -- , Levels of Analysis in Self-Representational Media Production -- , Self-Representational Media Authorship -- , Notes -- , Never Ending Story: Authorship, Seriality, and the Radio Writers Guild -- , Streaming Seriality as Cultural Form -- , Irna Phillips and the Perils of Serial Authorship -- , The Organization of Authorship -- , Herding Cats -- Invisible Cats -- , Defining and Defending Radio Authorship -- , The Consolidation of Authorship -- , Notes -- , From Chris Chibnall to Fox: Torchwood's Marginalized Authors and Counter-Discourses of TV Authorship -- , Tactical Authorship: Chris Chibnall as Showrunner ''Tenant'' -- , Author Pseudonyms in Industry Counter-Discourse: Introducing Amos Crumpsall, Stone D. McFerris, and WebleyWildfoot -- , The US-UK Torchwood that Wasn't: Fox as ''Evil''/''Lovely'' -- , Conclusion -- , Notes -- , Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors -- , Moral Rights of Authorship -- , Economic Rights of Authors -- , Shaping Associations -- , Conclusion -- , Notes -- , Industrializing Authorship -- , "Benny Hill Theatre'': "Race, '' Commodification, and the Politics of Representation -- , Situating the Burden of Representation -- , The Politics of British Asian Theatre Production -- , ''Benny Hill Theatre'' and the Commercialization of Asian Theatre -- , Authorship and Cultures of Production -- , Conclusion -- , Notes -- , Cynical Authorship and the Hong Kong Studio System: Li Hanxiang and His Shaw Brothers Erotic Films -- , Authorship in a Wider Spectrum -- , Li Hanxiang as Model of the Cynical Author in Cinema -- , Li and the Studio: Whose Authorship? -- , Conclusion -- , Notes -- , The Authorial Function of the Television Channel: Augmentation and Identity -- , The Tensions of Authorship in the Broadcast Era -- , The Television Channel as Brand in the Cable/Satellite Era -- , The Television Channel in the Digital Era -- , Conclusion -- , Notes -- , The Mouse House of Cards: Disney Tween Stars and Questions of Institutional Authorship -- , The (Inter)Textuality of Stars and Star Brands -- , Reconciling Duff, Disney, and Dollar Signs -- , Developing Disney's Authorship Strategies -- , Conclusion -- , Notes -- , Transmedia Architectures of Creation: An Interview with Ivan Askwith -- , Dubbing the Noise: Square Enix and Corporate Creation of Videogames -- , Introduction -- , Corporations, Globalization, Cosmopolitanism -- , A Developer's Self-Development: Square Enix -- , Square Enix's Cosmopolitan Disposition -- , A Spectrum of Dispositions -- , Conclusions -- , Notes -- , Expanding Authorship -- , Authorship Below-the-Line -- , Introduction -- , The Problem of Collectivity -- , Legal and Contractual Constraints on BTL Authorship -- , Economic Stimuli and BTL Authorial Discourses -- , Material Conditions: Forces of Authorial Disorder -- , Conclusion -- , Notes -- , Production Design and the Invisible Arts of Seeing -- , Exploring the Black Hole -- , The Author-Auteur Conundrum -- , Power in the Shadows -- , Virtually Real -- , The Big Mash-Up -- , The Story Space Ahead -- , Notes -- , Scoring Authorship: An Interview with Bear McCreary -- , Notes -- , Bowdown to Your New God: Misha Collins and Decentered Authorship in the Digital Age -- , Expanding Transmedia -- , Who Has the Right to Write? Authorship Made Visible -- , The Collectively Authored Transmedia Star -- , @mishacollins: Negotiating Power, Play, and Affect Online -- , Transmedia Power Struggles -- , Decentering Transmedia Authorship -- , Conclusion -- , Notes -- , Collaboration and Co-Creation in Networked Environments: An Interview with Molly Wright Steenson -- , Notes -- , Dawn of the Undead Author: Fanboy Auteurism and Zack Snyder's "Vision'' -- , Dawn of the Undead Author -- , Constructing the Fanboy Auteur -- , Watching the Watchmen: Authorial Paratexts and DVD Commentaries -- , Suckerpunching the Fanboy Auteur: Critical Reception of Sucker Punch -- , Conclusion (Or, What About the Fangirl Auteur?) -- , Notes -- , Relocating Authorship -- , Authoring Hype in Bollywood -- , ''It's All About Knowing Your Audience'' -- , Reimagining the Audience: A Tale of Two Mahurats -- , Bollywood-izing MTV-India -- , Knowing the Audience, MBA-Style -- , ''You Cannot Piss Off Anyone'' -- , Conclusion -- , Notes -- , Auteurs at the Video Store -- , Auteur Sections -- , Constructing Auteurs as Process -- , Video Store Auteurs -- , Conclusion -- , Notes -- , Authorship and the State: Narcocorridos in Mexico and the New Aesthetics of Nation -- , Thesis: Censoring Narcocorridos -- , Antithesis: El Movimiento Alterado -- , A Brief Synthesis by Way of Conclusion -- , Notes -- , Scripting Kinshasa's Teleserials: Reflections on Authorship, Creativity, and Ownership -- , Authorship? -- , (In)Stability of the Script -- , Sacred Authors -- , Ownership -- , Creative Adaptations -- , Conclusion -- , Notes -- , "We Never Do Anything Alone'': An Interview on Academic Authorship with Kathleen Fitzpatrick.
    Additional Edition: Print version: Companion to media authorship. Malden, MA : Wiley Blackwell, 2013 ISBN 9780470670965
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books. ; Electronic books. ; Electronic books. ; Electronic books.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Book
    Book
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV044714295
    Format: X, 430 Seiten : , Illustrationen.
    ISBN: 978-1-138-99849-0 , 978-1-138-99851-3
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-65864-3
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fernsehanstalt ; Fernsehkanal ; Streaming ; Aufsatzsammlung ; Aufsatzsammlung
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  • 7
    Book
    Book
    New York, NY [u.a.] :New York Univ. Press,
    UID:
    almafu_BV040894728
    Format: IX, 291 S. : , Ill.
    ISBN: 978-0-8147-4347-8 , 978-0-8147-4348-5
    Series Statement: Postmillennial pop
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8147-4349-2
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8147-4389-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: Kulturindustrie ; Medien ; Franchising
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  • 8
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949597027502882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9780814743492 (ebook) :
    Series Statement: Postmillennial pop
    Content: A nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.
    Additional Edition: Print version : ISBN 9780814743478
    Language: English
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  • 9
    UID:
    almahu_9949597157502882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9780814724989 (ebook) :
    Series Statement: Critical cultural communication
    Content: 'Making Media Work' provides a deeper and more nuanced understanding of management within the entertainment industries. Drawing from work in critical sociology and cultural studies, the collection theorizes management as a pervasive, yet flexible set of principles drawn upon by a wide range of practitioners - artists, talent scouts, performers, directors, show runners, and more - in their ongoing efforts to articulate relationships and bridge potentially discordant forces within the media industries.
    Additional Edition: Print version : ISBN 9780814764695
    Language: English
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  • 10
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