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  • 1
    UID:
    gbv_489682766
    Format: XVI, 414 S. , Ill., Kt.
    Edition: 1. publ.
    ISBN: 0415701759 , 9780415701754
    Series Statement: Cass series 35
    Content: I. The Pacific background -- II. Why Japan gambled -- III. The last clear chance -- IV. The long postmortem -- V. The course of empire -- VI. Bataan through Midway -- VII. The counterthrust -- VIII. The first two days -- IX. The Battle of Savo Island -- X. Settling in -- XI. Up against it -- XII. A mixed picture -- XIII. Courage and ambivalence -- XIV. Medical issues -- XV. The end of the beginning.
    Note: Includes bibliographical references and index , The Pacific backgroundWhy Japan gambled -- The last clear chance -- The long postmortem -- The course of empire -- Bataan through Midway -- The counterthrust -- The first two days -- The Battle of Savo Island -- Settling in -- Up against it -- A mixed picture -- Courage and ambivalence -- Medical issues -- The end of the beginning. , I. The Pacific background -- II. Why Japan gambled -- III. The last clear chance -- IV. The long postmortem -- V. The course of empire -- VI. Bataan through Midway -- VII. The counterthrust -- VIII. The first two days -- IX. The Battle of Savo Island -- X. Settling in -- XI. Up against it -- XII. A mixed picture -- XIII. Courage and ambivalence -- XIV. Medical issues -- XV. The end of the beginning
    Language: English
    Subjects: History
    RVK:
    Keywords: USA ; Armee ; Pazifikkrieg ; Feldzug ; Bibliografie
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  • 2
    Online Resource
    Online Resource
    Toronto, [Ontario] ; : University of Toronto Press,
    UID:
    almafu_9959238985002883
    Format: 1 online resource (537 p.)
    Edition: 1st ed.
    ISBN: 1-4426-9182-4 , 1-4426-8863-7
    Content: "Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the court ultimately chose to abandon its own long-standing determination that film was merely a 'business' unworthy of free-speech rights, declaring that the First Amendment barred government from banning any film as 'sacrilegious.'" "Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyses the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship." "Tracing the development of the Church in the United States, Johnson discusses why it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The court's decision was not only a milestone in the law of church-state relations, but paved the way for a succession of later decisions that gradually established a firm legal basis for freedom of expression in the arts."--Jacket.
    Note: 'A business pure and simple' -- The church, 'modernism, ' and 'Americanism' -- A church of immigrants -- A new Catholic-American culture -- Protestantism Balkanized -- Reining in Hollywood -- The Production Code -- The Legion of Decency -- The Breen Office -- The Paramount Case -- Cocktails and communism -- New realities -- Visions of Mary -- Mary or communism -- The priest as public figure -- 'Woman further defamed' -- 'A sense of decency and good morals' -- 'The law knows no heresy' -- In the Supreme Court -- Candour and shame. , Issued also in print. , English
    Additional Edition: ISBN 0-8020-9493-7
    Additional Edition: ISBN 0-8020-9307-8
    Language: English
    Keywords: History. ; Electronic books. ; History. ; Electronic books. ; Electronic books.
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  • 3
    Book
    Book
    Toronto [u.a.] : University of Toronto Press
    UID:
    gbv_563200359
    Format: VIII, 516 S. , Ill. , 24 cm
    ISBN: 9780802094933 , 9780802093073
    Note: Includes bibliographical references (p. [445]-477) and index
    Language: English
    Keywords: USA ; Filmzensur ; Religion ; Geschichte 1930-1953 ; L' amore
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_BV026407240
    Format: XI, 200 S.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Ohio, Univ., Diss., 1975
    Language: English
    Keywords: Hochschulschrift
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  • 5
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almafu_9958353093302883
    Format: 1 online resource
    ISBN: 9781442688636
    Content: Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts.
    Note: Frontmatter -- , Contents -- , Introduction -- , 1. ‘A Business Pure and Simple’ -- , 2. The Church, ‘Modernism,’ and ‘Americanism’ -- , 3. A Church of Immigrants -- , 4. A New Catholic-American Culture -- , 5. Protestantism Balkanized -- , 6. Reining In Hollywood -- , 7. The Production Code -- , 8. The Legion of Decency -- , 9. The Breen Office -- , 10. The Paramount Case -- , 11. Cocktails and Communism -- , 12. New Realities -- , 13. Visions of Mary -- , 14. Mary or Communism -- , 15. The Priest as Public Figure -- , 16. ‘Woman Further Defamed’ -- , 17. ‘A Sense of Decency and Good Morals’ -- , 18. ‘The Law Knows No Heresy’ -- , 19. In the Supreme Court -- , 20. Candour and Shame -- , Notes -- , Bibliography -- , Index
    Language: English
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