Kooperativer Bibliotheksverbund

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Format: 1 online resource (xviii, 443 pages) : , illustrations (black and white), music, digital, PDF file(s)

ISBN: 9781846155772

Content: The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualisations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions.

Note: Previously issued in print: 2007.

Additional Edition: Print version : ISBN 9781843833178

Language: English

DOI: 10.1017/9781846155772

URL: https://www.cambridge.org/core/product/identifier/9781846155772/type/BOOK

URL: lizenzpflichtig

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Format: 1 online resource (xiii, 527 pages) : , digital, PDF file(s).

ISBN: 9781787445567 (ebook)

Content: Kitty Clive (1711-1785) was a top London stage star. She dominated spoken as well as musical comedy. From the 1740s onwards, her reputation suffered a sharp decline. For anyone curious about star production in eighteenth-century Britain, her story is not to be missed.

Note: Title from publisher's bibliographic system (viewed on 09 Oct 2019).

Additional Edition: Print version: ISBN 9781783273461

Language: English

URL: http://www.cambridge.org/core/product/identifier/9781787445567/type/BOOK

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

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Format: Partitur (XL, 242 Seiten) : , Faksimiles, Diagramme , 1 USB-Stick

ISMN: 979-0-006-54320-5

Series Statement: Opera 4

Note: Vorwort deutsch und englisch

Language: German

Subjects: Musicology

Author information: Bickerstaffe, Isaac, 1735-1812

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Format: 290 S. , Ill., graph. Darst., Notenbeisp. , 29 cm

ISBN: 9780874130706 , 9781611490329

Content: Introduction / Berta Joncus and Jeremy Barlow -- Management. John Rich as manager and entrepreneur / Robert D. Hume -- The finances of an eighteenth-century theatre : the Lincoln's Inn Fields Company under John Rich in 1724-1725 / Judith Milhous -- What the prompter saw : the diary of Rich's prompter, John Stede / David Hunter -- John Rich, theatrical regulation, and the dilemma of the commercial stage / Matthew J. Kinservik -- Dance theatre. John Rich, French dancing, and English pantomimes / Moira Goff -- Harlequin choreographies : repetition, difference, and representation / Linda J. Tomko -- Pierrot strikes back : Francois Nivelon at Lincoln's Inn Fields and Covent Garden, 1723-1738 / Jennifer Thorp -- Musical theatre. Good for the Garden : the composition of Handel's Ariodante / Donald Burrows -- "Heathen gods and heroes" : singers and John Rich's pantomimes at Lincoln's Inn Fields / Olive Baldwin and Thelma Wilson -- The Beggar's opera in London's theatres, 1728-1761 / Jeremy Barlow -- Beyond The Beggar's opera : John Rich and English ballad opera, 1728-1736 / Berta Joncus and Vanessa L. Rogers -- Dramatic theatre. The impact of the Shakespeare Ladies Club on John Rich's repertory in the 1737-738 theatrical season : Shakespeare versus pantomme? / Fiona Ritchie -- The nation in breeches : actress Margaret Woffington / Felicity Nussbaum -- Scenography and iconography. Scenographies behind the scenes : mapping, classifying, and interpreting John Rich's 1744 inventory of Covent Garden / Ana Martinez -- Harlequin Newton: John Rich's Necromancer and the public ccience of the 1720s / Al Coppola -- Hogarth and Rich : gesture and expression in The beggar's opera / Robin Simon -- Picturing Rich / Marcus Risdell

Note: Includes bibliographical references and index , Introduction , Management. John Rich as manager and entrepreneur , The finances of an eighteenth-century theatre : the Lincoln's Inn Fields Company under John Rich in 1724-1725 , What the prompter saw : the diary of Rich's prompter, John Stede , John Rich, theatrical regulation, and the dilemma of the commercial stage , Dance theatre. John Rich, French dancing, and English pantomimes , Harlequin choreographies : repetition, difference, and representation , Pierrot strikes back : Francois Nivelon at Lincoln's Inn Fields and Covent Garden, 1723-1738 , Musical theatre. Good for the Garden : the composition of Handel's Ariodante , "Heathen gods and heroes" : singers and John Rich's pantomimes at Lincoln's Inn Fields , The Beggar's opera in London's theatres, 1728-1761 , Beyond The Beggar's opera : John Rich and English ballad opera, 1728-1736 , Dramatic theatre. The impact of the Shakespeare Ladies Club on John Rich's repertory in the 1737-738 theatrical season : Shakespeare versus pantomme? , The nation in breeches : actress Margaret Woffington , Scenography and iconography. Scenographies behind the scenes : mapping, classifying, and interpreting John Rich's 1744 inventory of Covent Garden , Harlequin Newton: John Rich's Necromancer and the public ccience of the 1720s , Hogarth and Rich : gesture and expression in The beggar's opera , Picturing Rich

Additional Edition: ISBN 9781611490336

Language: English

Subjects: General works

Keywords: Rich, John 1692-1761 ; England ; Theater ; Aufsatzsammlung

URL: Autorenbiografie

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Format: 1 Partitur (XL, 242 Seiten) , Illustrationen , 1 USB-Stick

ISMN: 9790006543205

Series Statement: Opera : Spektrum des europäischen Musiktheaters in Einzeleditionen ; historisch-kritische Hybridausgaben / herausgegeben von der Akademie der Wissenschaften und der Literatur, Mainz, unter der Leitung von Thomas Betzwieser 4

Uniform Title: Love in a village

Note: Übersetzerin: Gudula Schütz , "The full edition consists of two parts, the printed score and the data storage device containing the text edition and the critical apparatus published with Edirom software." - Titelblatt-Rückseite , USB-Beilage enthält die musikalischen und textlichen Quellen, die Editionen der dramatischen Texte sowie die kritischen Berichte , USB-Stick-Beilage: Windows 7 SP 1 or higher. Mac OS X 10.10 or higher. Not running from the data carrier. Installation must be made on the hard disk. 1.1 GB free hard disk space, min. 1 GB of free RAM. , Vorwort Englisch und Deutsch, Text Englisch

Language: English

Author information: Betzwieser, Thomas 1958-

Author information: Bickerstaffe, Isaac 1735-1812

Author information: Droese, Janine 1979-

Author information: Gardner, Matthew 1981-

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Format: XVII, 443 Seiten , Illustrationen, Notenbeispiele, Faksimile

Edition: First published

ISBN: 1843833174 , 9781843833178

Language: English

Subjects: Musicology

Keywords: Musik ; Geschichte ; Strohm, Reinhard 1942- ; Aufsatzsammlung ; Bibliografie ; Festschrift

URL: Inhaltsverzeichnis

Author information: Bent, Margaret 1940-

Author information: Strohm, Reinhard 1942-

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Format: 1 online resource (720 p.) : , 24 B/W illustrations 76 musical illustrations

ISBN: 9780748693139

Series Statement: Edinburgh Companions to Literature and the Humanities

Content: Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , List of Tables -- , Acknowledgements -- , Introduction -- , 1. Intertextuality, Topic Theory and the Open Text -- , 2. Secrets, Technology and Musical Narrative: Remarks on Method -- , 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- , Part I: Literature and Music before 1500 -- , Introduction -- , 4. Music and the Book: The Textualisation of Music and the -- , 5. Liturgical Music and Drama -- , 6. Intermedial Texts -- , 7. Citation and Quotation -- , 8. Polytextuality -- , 9. Courtly Subjectivities -- , 10. Gender: The Art and Hermeneutics of (In)differentiation -- , Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- , Introduction -- , 11. Music and the Literature of Science in Seventeenth-Century England -- , 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- , Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- , 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- , 14. Against ‘the Music of Poetry’ -- , 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- , Performers and Performance -- , 16. Shakespeare’s Musicians: Status and Hierarchy -- , 17. Best-Selling Ballads in Seventeenth-Century England -- , 18. Italian Performance Practices in Seventeenth-Century English Song -- , Theatre Music and Opera -- , 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- , 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- , 21. All-Sung English Opera Experiments in the Seventeenth Century -- , Part III: Literature and Music in the Eighteenth Century -- , Introduction -- , 22. Thomas Arne and ‘Inferior’ English Opera -- , 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- , 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- , Oratorio -- , 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- , 26. Maurice Greene and the English Church Music Tradition -- , Eighteenth-Century Fiction and Music -- , 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- , 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- , 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- , Music, Poetry and Song -- , 30. Shelley’s Musical Gifts -- , 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- , 32. The Musical Poetry of the Graveyard -- , 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- , Part IV: Literature and Music in the Nineteenth Century -- , Introduction -- , 34. Music and the Rise of Narrative -- , Opera -- , 35. From English Literature to Italian Opera: A Tangled Web of Translation -- , 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- , 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- , Nineteenth-Century Fiction and Music -- , 38. Stendhal at La Scala: The Birth of Musical Fandom -- , 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- , 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- , Music, Poetry and Song -- , 41. Music in Romantic and Victorian Poetry -- , 42. The Princess and the Tennysons’ Performance of Childhood -- , 43. Tchaikovsky’s Songs: Music as Poetry -- , 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- , Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- , Introduction -- , Music and Critical Theory -- , 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- , 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- , Music and Fiction since 1900 -- , 47. Music in Proust: The Evolution of an Idea -- , 48. Music in Woolf’s Short Fiction -- , 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- , 50. E. M. Forster and Music: Listening for the Amateur -- , 51. Beckett, Music and the Ineffable -- , 52. Jean Rhys and the Politics of Sound -- , 53. Music in Contemporary Fiction -- , Music, Poetry and Song -- , 54. Modernist Poetry and Music: Pound Notes -- , 55. Auden’s Imaginary Song -- , 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- , 57. Music and Contemporary Poetry: Audience, Apology and Silence -- , Opera -- , 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- , 59. Britten, Austen and Mansfi eld Park -- , 60. Tippett, Eliot and Madame Sosostris -- , Literature, Pop Music and Sound -- , 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- , 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- , 63. Words in Popular Songs -- , 64. Notes on Soundtracked Fiction: The Past as Future -- , Coda -- , 65. Origins and Destinations: A Future for Literature and Music -- , Notes on Contributors -- , Editorial Advisory Board -- , Index , In English.

Language: English

DOI: 10.1515/9780748693139

URL: https://doi.org/10.1515/9780748693139

URL: https://www.degruyter.com/isbn/9780748693139

URL: https://doi.org/10.1515/9780748693139

URL: https://www.degruyter.com/isbn/9780748693139