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  • 1
    UID:
    b3kat_BV049359639
    Format: 1 Online-Ressource (xvi, 641 Seiten) , Illustrationen
    ISBN: 9780253066268
    Series Statement: Black camera Volume 13, number 2
    In: 2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-253-06624-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-253-06625-1
    Language: English
    Subjects: General works
    RVK:
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  • 2
    UID:
    b3kat_BV049359608
    Format: 1 Online-Ressource (xvi, 672 Seiten) , Illustrationen
    ISBN: 9780253066305
    Series Statement: Black camera Volume 13, number 3
    In: 3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-253-06628-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-253-06629-9
    Language: English
    Subjects: General works
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  • 3
    UID:
    b3kat_BV049359656
    Format: 1 Online-Ressource (xvi, 620 Seiten) , Illustrationen
    ISBN: 9780253066220
    Series Statement: Black camera Volume 13, number 1
    In: 1
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-253-06620-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-253-06621-3
    Language: English
    Subjects: General works
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  • 4
    AV-Medium
    AV-Medium
    [S.l.] : BBC [u.a.]
    UID:
    b3kat_BV023989167
    Format: 1 Videokassette (VHS, 60 Min.)
    Series Statement: Eine Welt für alle
    Uniform Title: Rabi
    Note: Copyright dt. Fassung: WDR, 1992. - Fernsehmitschnitt: ARD 09.05.1992
    Language: German
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  • 5
    UID:
    gbv_1870718437
    Format: 1 Online-Ressource (xvi, 641 Seiten) , Illustrationen
    ISBN: 9780253066275 , 0253066271 , 9780253066268 , 0253066263
    Series Statement: Studies in the cinema of the Black diaspora
    Content: Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades
    Note: Includes bibliographical references and index , African Cinema and the Diasporic: Introductory Considerations / Michael T. Martin and Gaston J. M. Kaboré -- Part I: Sites and Contexts of Exhibit -- African Film Festivals in Africa: Curating "African Audiences" for "African Films" / Lindiwe Dovey -- On Tracking World Cinema: African Cinema at Film Festivals / Manthia Diawara -- African Women on the Film Festival Landscape: Organizing, Showcasing, Promoting, Networking / Beti Ellerson -- African Cinema in the Tempest of Minor Festivals / Sambolgo Bangré -- Postcolonial Film Collaboration and Festival Politics / Dorothee Wenner -- Part II: FESPACO: An Evolving Cinematic and Cultural Formation -- African Cinema and Festival: FESPACO / Manthia Diawara -- FESPACO: Promoting African Film Development and Scholarship / M. Africanus Aveh -- FESPACO and Cultural Valorization / Mahir Şaul -- African Cinema: Between the "Old" and the "New" / Mbye Cham -- Statement at Ouagadougou (1979) / Ousmane Sembène A Name Is More Than the Tyranny of Taste / Wole Soyinka -- Cine-Agora Africana: Meditating on the Fiftieth Anniversary of FESPACO / Aboubakar Sanogo -- Cultural Politics of Production and Francophone West African Cinema: FESPACO 1999 / Teresa Hoefert de Turégano -- A Mirage in the Desert? African Women Directors at FESPACO / Claire Andrade-Watkins -- Cabascabo, the Film That Lastingly Established FESPACO: Interview with Alimata Salambéré, President of the First Edition (1969) / Olivier Barlet -- The Long Take: Gaston Kaboré on FEPACI & FESPACO / Michael T. Martin -- Pressing Revelations: Notes on Time at FESPACO / Rod Stoneman -- Fifty Years of Women's Engagement at FESPACO / Beti Ellerson -- Thiaroye or Yeelen / Férid Boughedir -- Long Live Cinema! Long Live FESPACO. A Luta Continua! / Claire Diao -- Rethinking FESPACO As an Echo / Michel Amarger -- Going to the Cinema in Burkina Faso / Mustapha Ouedgraogo -- FESPACO and Its Many Afterlives / Sheila Petty -- FESPACO Film Festival / Colin Dupré -- Part III: Conditionalities and Challenges -- Towards Reframing FESPACO / Imruh Bakari -- FESPACO Past and Future: Voices from the Archive / June Givanni -- The Opening of South Africa and the Future of African Film / Mahir Şaul -- FESPACO 2019: Moving Toward Resurrection / Olivier Barlet; Translated by Chloe Farrell -- Fifty Years of Memories for Shaping the Future! / Rémi Abéga -- Part IV: Commentaries: Filmmakers, Film Scholars, and Media Professionals -- Part V: Documents -- Resolution on the Pan-African Film Festival of Ouagadougou (1972) -- Regulations of the Carthage Film Festival (1970s) -- Regulations of the Pan-African Film Festival of Ouagadougou (1980) -- Regulations for the Official Juries of the 26th Edition of FESPACO (2019) -- FESPACO Award Winners (1972-2019) -- FESPACO 50th Anniversary Symposium (2019) -- Manifesto of Ouagadougou (2017) -- FESPACO Poster Gallery (1969-2019) -- Organizing Themes of the FESPACO Festival (1973-2019) -- Major Events of FESPACO (1969-2016) -- The African Film Library of Ouagadougou -- Part VI. Dossiers -- Dossier 1: Paul Robeson Award Initiative (PRAI) -- Dossier 2: The Higher Institute of Image and Sound/Studio School (ISIS-SE) -- Dossier 3: IMAGINE Film Training Institute -- * Power to the Imagination (2020) / Michael T. Martin -- * Founding Myths and Storytelling: The African Modern (2011) / Michael T. Martin
    Additional Edition: ISBN 9780253066244
    Additional Edition: ISBN 9780253066251
    Additional Edition: Erscheint auch als Druck-Ausgabe African cinema : Volume 2, FESPACO - formation, evolution, challenges Bloomington : Indiana University Press, 2023 ISBN 9780253066244
    Language: English
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  • 6
    UID:
    gbv_1870719220
    Format: 1 Online-Ressource (xvi, 672 Seiten) , Illustrationen
    ISBN: 9780253066312 , 025306631X , 9780253066305 , 0253066301
    Series Statement: Studies in the cinema of the Black diaspora
    Additional Edition: ISBN 9780253066299
    Additional Edition: ISBN 9780253066282
    Additional Edition: Erscheint auch als Druck-Ausgabe African cinema : Volume 3, The documentary record : declarations, resolutions, manifestos, speeches Bloomington : Indiana University Press, 2023 ISBN 9780253066282
    Language: English
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  • 7
    UID:
    gbv_1870716108
    Format: 1 Online-Ressource (xiv, 608 Seiten) , Illustrationen
    ISBN: 9780253066237 , 9780253066220 , 0253066239
    Series Statement: Studies in the cinema of the Black diaspora
    Content: Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema
    Note: Includes bibliographical references and index , On Decoloniality: African and Diasporic Cinema 1 / MICHAEL T. MARTIN AND GASTON J. M. KABORÉ -- Part I: Colonial Formations Colonial Cinema / ROY ARMES -- The Colonialist Regime of Representation, 1945-1960 / JAMES E. GENOVA -- Politics of Cultural Conversion in Colonialist African Cinema / FEMI OKIREMUETTE SHAKA -- The African Bioscope: Movie-House Culture in British Colonial Africa / JAMES BURNS -- From the Inside: The Colonial Film Unit and the Beginning of the End / TOM RICE -- The Independence Generation: Film Culture and the Anti-Colonial Struggle in the 1950s / ODILE GOERG -- Part II: Constituting African Cinema -- What is Cinema for Us? / MED HONDO -- A Cinema Fighting for Its Liberation / FÉRID BOUGHEDIR -- Where Are the African Women Filmmakers? / HAILE GERIMA -- The FEPACI and Its Artistic Legacies / SADA NIANG -- New Avenues for FEPACI: Interview with Seipati Bulane-Hopa / MONIQUE MBEKA PHOBA -- The Six Decades of African Film / OLIVIER BARLET -- Africa, The Last Cinema / CLYDE TAYLOR -- The Pan-African Cinema Movement: Achievements, Misadventures, and Failures (1969-2020) / FÉRID BOUGHEDIR -- Part III: Theorizing African Cinema -- African Cinema(s): Denitions, Identity, and Theoretical Considerations / ALEXIE TCHEUYAP -- Theorizing African Cinema: Contemporary African Cinematic -- Discourse and Its Discontents / ESIABA IROBI -- The Theoretical Construction of African Cinema / STEPHEN A. ZACKS -- Towards a Critical Theory of Third World Films / TESHOME H. GABRIEL -- Africans Filming Africa: Questioning Theories of an Authentic African Cinema / DAVID MURPHY -- Tradition/Modernity and the Discourse of African Cinema / JUDE AKUDINOBI -- Towards a Theory of Orality in African Cinema / KEYAN G. TOMASELLI, ARNOLD SHEPPERSON, AND MAUREEN EKE -- Film and the Problem of Languages in Africa / PAULIN SOUMANOU VIEYRA -- In Defense of African Film Studies / BOUKARY SAWADOGO -- Part IV: Articulations of African Cinema -- Dossier 1: Key Dates in the History of African Cinema / CURATED BY OLIVIER BARLET AND CLAUDE FOREST -- Dossier 2: Ousmane Sembène / CURATED BY SAMBA GADJIGO AND SADA NIANG -- * Sembène's Legacy to FESPACO / SAMBA GADJIGO AND SADA NIANG -- * Vigil for a Centennial / OUSMANE SEMBÈNE -- * Cinema as Evening School / OUSMANE SEMBÈNE -- * Statement at Ouagadougou (1979) / OUSMANE SEMBÈNE -- * Art for Man's Sake: A Tribute to Ousmane Sembène / SAMBA GADJIGO -- * On "Mediated Solidarity": Reading Ousmane Sembène in Sembène! / MICHAEL T. MARTIN -- * Ousmane Sembène: An Annotated Gallery / COLE NELSON -- Dossier 3: African Women in Cinema / CURATED BY BETI ELLERSON
    Additional Edition: ISBN 9780253066206
    Additional Edition: ISBN 9780253066213
    Additional Edition: Erscheint auch als Druck-Ausgabe African cinema : Volume 1, Colonial antecedents, constituents, theory, and articulations Bloomington : Indiana University Press, 2023 ISBN 9780253066206
    Language: English
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  • 8
    UID:
    gbv_615147070
    Format: 455 S. , 22 cm
    ISBN: 9783596853915
    Series Statement: Fischer-Schatzinsel
    Uniform Title: Il principe della Città di Sabbia 〈dt.〉
    Content: Bei einem Wettbewerb der besten Geschichtensänger Afrikas wird die Seele von Rokias Grossvater während seiner Darbietung vom Fürsten der Stadt aus Sand geraubt. Sanagò, dessen Name aus Angst nicht genannt wird, duldet keine Geschichtensänger, da diese von den Träumen der Menschen erzählen und ihre Gefühle wecken, das Einzige, das er fürchtet. Während die 11-Jährige unter Gefahren aufbricht, die Seele des Grossvaters zu befreien, versucht ihr Onkel, der ortsansässige Priester, mithilfe ihrer Brüder das Dorf vor der Vernichtung durch Sanagò zu retten. - P. Baccalario, Bestsellerautor der "Ulysses-Moore"-Reihe und G. Kaboré, afrikanischer Filmemacher, sowie E. d'Alò, Regisseur, legen eine magische Geschichte über kindliches Vertrauen vor. Dabei geben sie einen faszinierenden Einblick in das Volk der Dogon, ihre Kultur und Lebensweise sowie ihre religiöse Vorstellungswelt und Mythologie. In bildhafter Sprache erzählt, schaffen sie eine märchenhaft dichte Atmosphäre. Ein umfangreiches Glossar erschliesst Unbekanntes. Eine bewegende Erzählung, die derzeit verfilmt wird. Gern empfohlen. Ab 11
    Language: German
    Subjects: Education
    RVK:
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  • 9
    UID:
    almahu_BV025246379
    Format: 1 Videokassette (VHS, 75 Min.) : farb.
    Language: French
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  • 10
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609554502882
    Format: 1 online resource (1 video file, approximately 68 min.) : , digital, .flv file, sound
    Content: Wend Kuuni is a landmark in African filmmakers' attempts to "return to the sources" of their culture, to recover a "usable" African past to solve the problems of the African present. Filmmaker Gaston Kaboré adapts the measured rhythms of traditional African storytelling to create an authentically African cinematic language. He retells an ancient fable about a mute, memoryless orphan, driven from his homeland, who is renamed Wend Kuuni ("God's Gift") by the grateful village which adopts him. Kaboré uses this simple tale to demonstrate that traditional Mossi values can still provide answers to many problems besetting modern Africa, fractured by rural dislocation, refugees and political conflict.
    Note: Title from title frames. , Originally produced by California Newsreel in 1982. , Mode of access: World Wide Web.
    Language: English
    Keywords: Documentary films.
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