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  • 1
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045402903
    Format: x, 198 Seiten
    ISBN: 9781138564404
    Series Statement: The cultural politics of media and popular culture
    Content: Contested terms, the European Union contribution and a financial crisis / Betty Kaklamanidou and Ana Corbalán -- National, transnational and intermedial perspectives in post-2008 European cinema / Thomas Elsaesser -- France after the crisis : work, home and flexible solidarity in Les neiges du Kilimandjaro (2011) and Ma part du gateau (2011) / Michael Gott -- Spanish science fiction film in times of emergency : crisis and entrapment in Nacho Vigalondo's Extraterrestrial and David and Álex Pastor's The last days / Antonio Cordoba -- Narratives of migration and the sense of crisis in post-2008 European cinema / György Kalmár -- Undocumented migration in European borderlands : re-locating the crisis in contemporary documentaries / Jan Kühnemund -- Post-2008 European comedies of crisis : La vida inesperada and Casse-tête chinois / Debra J. Ochoa -- Depression as aesthetic answer to the socioeconomic crisis in two days, one night / Tobias Dietrich -- French and Italian co-production redux : the Fondo initiative / claudia Romanelli -- The contemporary Serbian film industry : issues of production and distribution (2008-2017) / Sandra Nikolic and Biljana Mitrovic -- La jeunesse désaffectée in contemporary Serbian cinema / Nevena Daković and Maša Seničić -- The Greek new wave : representing work and unemployment in crisis / Ursula-Helen Kassaveti and Afroditi Nikolaidou -- Contemporary Greek and Polish "best foreign language films" in an age of austerity / Anne Ciecko
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-12242-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781351347075
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781351347068
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781351347051
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Film ; Wirtschaftskrise ; Flucht ; Geschichte 2008-2018 ; Aufsatzsammlung
    Author information: Corbalán Vélez, Ana
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV047010936
    Format: 1 Online-Ressource (x, 198 Seiten)
    ISBN: 9781315122427 , 9781351347075 , 9781351347068 , 9781351347051
    Series Statement: The cultural politics of media and popular culture
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-138-56440-4
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Film ; Wirtschaftskrise ; Flucht ; Geschichte 2008-2018 ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Corbalán Vélez, Ana
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Cambridge : Cambridge Scholars Publishing
    UID:
    b3kat_BV041840730
    Format: VIII, 229 S.
    ISBN: 1443854581 , 9781443854580
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works , Sociology
    RVK:
    RVK:
    RVK:
    Keywords: Girls ; Frau ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, NY : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1034139312
    Format: 1 Online-Ressource (x, 214 pages) , Illustrationen
    Edition: 2014
    ISBN: 9781501322334 , 9781501322327 , 9781501322310
    Content: "With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?"--Bloomsbury Publishing
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781501322303
    Additional Edition: ISBN 9781501341830
    Additional Edition: Erscheint auch als Druck-Ausgabe Kaklamanidou, Betty, 1972 - The "disguised" political film in contemporary Hollywood New York, NY : Bloomsbury Academic, 2016 ISBN 9781501322303
    Language: English
    Keywords: Los Angeles- Hollywood ; Politischer Film ; Geschichte 2001-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV045179419
    Format: 1 Online-Ressource (200 Seiten) , Illustrationen
    ISBN: 9781501322334
    Content: "With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?"--Bloomsbury Publishing
    Additional Edition: Available in another form
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-2231-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-2230-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Politischer Film ; Geschichte 2001-
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_873650204
    Format: xiii, 223 Seiten , illustrated
    ISBN: 9781501322303
    Content: With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?
    Content: With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781501322310
    Additional Edition: ISBN 9781501322327
    Additional Edition: Erscheint auch als Online-Ausgabe Kaklamanidou, Betty, 1972 - The "disguised" political film in contemporary Hollywood New York, NY : Bloomsbury Academic, 2016 ISBN 9781501322334
    Additional Edition: ISBN 9781501322327
    Additional Edition: ISBN 9781501322310
    Language: English
    Keywords: Los Angeles- Hollywood ; Politischer Film ; Geschichte 2001-
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    b3kat_BV040742609
    Format: XV, 188 S.
    Edition: 1. publ.
    ISBN: 9780415632744
    Series Statement: Popular culture and world politics
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-203-07010-9
    Language: English
    Keywords: USA ; Film ; Romantik ; Komödie ; Geschlechterrolle ; Neoliberalismus
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    b3kat_BV048728872
    Format: 1 online resource (383 pages)
    ISBN: 9780814346754
    Content: Explores romantic comedy's revitalizing response to shifting sexual and social mores of the past decade
    Note: Cover Page -- Title Page -- Copyright Page -- Contents -- Forewor -- Romantic Comedy Today: Making Progress Always or Only Maybe? -- Introduction: Love Actually: Romantic Comedy since the Aughts -- Act 1: What's New Is Old: Regenerating Romcom -- 1. We Found Love in a Hopeless Place: Romantic Comedy in the Post-Romantic Age -- 2. Comedy and Melodrama from Sunrise to Midnight: Genre and Gender in Richard Linklater's Before Series -- 3. From Jane to Mindy: The Politics of Narrative Control in the Contemporary Romantic Comedy -- 4. "Third-Act Romances" in Contemporary American Film and Television -- 5. Queer Romance in Take My Wife: How the Television Rom-Sitcom Gives New Life to the Genre -- Act 2: Love in a Time of Precarity: Romcom Realism -- 6. In Love and Up in Smoke: Harold & -- Kumar and the Romantic Turn of the Post-9/11 Stoner Comedy -- 7. Romance as Business in the Capitalist Metropolis: Johnnie To's Don't Go Breaking My Heart 1 and 2 -- 8. Obvious Child, Bookshops, and Po , Acknowledgments -- Selected Bibliography -- Contributors -- Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    UID:
    b3kat_BV041809075
    Format: viii, 207 Seiten
    ISBN: 9780786478804
    Content: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics...as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history"..
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: USA ; Film ; Fernsehserie ; Erwachsener ; Geschichte 2000-2013 ; Aufsatzsammlung
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  • 10
    UID:
    b3kat_BV044987103
    Format: ix, 200 Seiten , Illustrationen
    ISBN: 9781501322303 , 9781501341830
    Content: "With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?"--Bloomsbury Publishing
    Note: Includes bibliographical references and index , paperback edition
    Additional Edition: Available in another form
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-5013-2232-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-2231-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Politischer Film ; Geschichte 2001-
    Library Location Call Number Volume/Issue/Year Availability
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