Kooperativer Bibliotheksverbund

UID:

Format: 1 DVD-Video (112 min) : , farbig ; , 12 cm.

Note: Orig.: USA 2002.. - Inklusive: Original-Kommentar, Original-Dokumentationen "Fighting for Care" und "Behind the Scenes of John Q.", 6 nicht verwendete / alternative Szenen mit optionalem Original-Kommentar, interaktive menüs, Szenenanwahl, Trailer , Deutsch, Englisch. - Untertitel: Deutsch, Englisch. - Untertitel für Hörgeschädigte: Deutsch

Language: German

Keywords: Geisel ; Gesundheitsvorsorge ; Kriminalfilm ; Thriller ; Film ; DVD-Video

UID:

Format: 164 S., [2] Bl. : , Ill. ; , 23 cm.

ISBN: 978-3-03910-931-9

Series Statement: French studies of the eighteenth and nineteenth centuries 26

Language: French

Subjects: Art History

Keywords: Paris ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024037627&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

Author information: Kearns, James, 1947-

Author information: Vaisse, Pierre, 1938-

UID:

Format: XIII, 218 Seiten : , Illustrationen.

ISBN: 0-947623-23-X

Series Statement: Texts and dissertations / Modern Humanities Research Association 27

Note: Teilw. zugl.: Conventry, Univ. of Warwick, Diss., 1976

Language: English

Subjects: Romance Studies

Keywords: 1873-1907 Jarry, Alfred ; Malerei ; 1859-1936 Kahn, Gustave ; Malerei ; Französisch ; Literatur ; Symbolismus ; Malerei ; 1842-1898 Mallarmé, Stéphane ; Symbolismus ; Malerei ; Kunstbetrachtung ; Kunst ; Literatur ; Malerei ; Symbolismus ; 1842-1898 Mallarmé, Stéphane ; Landschaftsmalerei ; Symbolismus ; Hochschulschrift ; Hochschulschrift

Author information: France, Peter 1935-

UID:

Format: 1 online resource (244 p.)

Edition: 1st, New ed.

ISBN: 9783035308075

Series Statement: French Studies of the Eighteenth and Nineteenth Centuries 36

Content: The military man has long been one of literature’s archetypal figures. Using a comparative framework, this book traces the transformation of the military man in eighteenth-century British and French literature as this figure moved from noble warrior to nationalised professional in response to changes within the military structure, the role of empire and the impact of an expanding middle class. The author examines the way in which the masculinity of the military man was reimagined at a time when older models of military service persisted alongside emerging models of patriotic nationalism, inspired by bourgeois morality, the cult of sensibility and a new understanding of the role of violence in both public and private domains. Through a corpus of canonical and lesser-known literature, the book explores the military man’s relationship to the state and to his fellow citizens, even in the domestic setting. With the role of the «nobleman» in decline, the military man, not a «civilian» and no longer associated with the ‘aristocrat’, became a separate class of man.

Content: «By not weighing the work down with too much specialist terminology from any one discipline Lacey makes it accessible to all — an admirable feat. The clarity, depth, and breadth of the research make this a rewarding read for scholars from a wide range of disciplines and a worthy addition to any collection.» (Ciaran McDonnell, French Studies Vol. 71. Issue 4 2017)

Note: Contents: The Fetish of the Sword – Young Men in a Military Profession – The Selfless Veteran in an Empire – Mercenaries in a Nation of Citizens – The Justicier in the Eighteenth-Century Domestic Tragedy.

Additional Edition: ISBN 9783034318877

Language: English

Subjects: Romance Studies

DOI: 10.3726/978-3-0353-0807-5

URL: https://www.peterlang.com/view/product/47005?format=EPDF

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (236 p.)

Edition: 1st, New ed.

ISBN: 9783035302073

Series Statement: French Studies of the Eighteenth and Nineteenth Centuries 32

Content: The collector was one of the archetypal figures of the nineteenth-century French cultural imagination. During the July Monarchy (1830-48) a new culture of collecting emerged, which continued to develop over the course of the century and which attracted the attention of a wide range of social commentators and writers. From the sketch-writing of the 1830s to the late nineteenth-century decadent fictions of Jean Lorrain, from Balzac’s Cousin Pons to Proust’s Charles Swann, the literature of the period abounds in examples of men (and occasionally women) afflicted with what the Larousse Grand Dictionnaire called in 1869 ‘la collectionnomanie’. This book examines these representations of the collector. It shows that woven into them are fundamental anxieties generated by the experience of modernity, involving the nature of identity and selfhood, the relentless accumulation of commodities in a capitalist system of production and the (in)ability of language to translate experience accurately.

Note: Contents: The Physiology of the Collector – Of Money and Museums: Le Cousin Pons and the Death of the Collector – Collecting the Self – (Re)Collecting the Past – The Poverty of Taxonomy – To Create or to Collect?

Additional Edition: ISBN 9783034307574

Language: English

DOI: 10.3726/978-3-0353-0207-3

URL: https://www.peterlang.com/view/product/44813?format=EPDF

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: XII, 177 S , 8°

Edition: Rev. ed.

Language: English

Author information: Read, Herbert Edward 1893-1968

UID:

Format: 1 online resource (525 p.)

Edition: 1st, New ed.

ISBN: 9783035307313

Series Statement: French Studies of the Eighteenth and Nineteenth Centuries 33

Content: Following on from « Ce Salon à quoi tout se ramène »: Le Salon de peinture et de sculpture, 1791–1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830–1852, funded in 2010–2012 by the UK’s Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon’s nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world.

Content: «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015)

Note: Contents: Richard Wrigley: Au seuil du Salon – Sarah Bakkali: Le Salon et le marché de l’art moderne à Paris (1791–1799) – Susan L. Siegfried: Salon and Early Republican Experiments in State Patronage – Daniel Harkett: Delphine Gay and the Paris Salon – Eva Bouillo: Le Salon des Refusés ne date pas de 1863! Les enjeux d’un face à face entre le Salon de l’opposition et le Salon officiel en 1827 – James Kearns: Legislating for the Salon, 1830–1833 – Alister Mill: Artists at the Salon during the July Monarchy – Harriet Griffiths: The Academy and the Salon Jury, 1831–1848 – Aurélie Gavoille: Étienne-Jean Delécluze (1781–1863), un observateur privilégié du Salon au XIXe siècle – Christophe Longbois-Canil: Les Salons de 1843 et de 1844, miroirs d’une époque – Vera Klewitz: Between Capitals and Provinces: The French Painter Sophie Rude (1797–1867) – Arnaud Bertinet: La question du Salon au Louvre 1850–1853 – Laurent Cazes: Usages et enjeux de l’exposition au Salon pour les peintres étrangers, 1852–1881 – Elena Granuzzo: The Paris Salons 1791–1881: Controversies and Debates in the North of Italy in the Late Eighteenth and Nineteenth Centuries – Jana Wijnsouw: Sculpting a National Career Abroad: Belgian Sculptors at the Paris Salon – Isabel Valverde: L’influence des Salons au-delà des frontières nationales : le cas des Exposiciones Nacionales de Bellas Artes – Jon Whiteley: Literature and Painting at the Paris Salon, 1699–1881 – Diana Seave Greenwald: The Demand for Peasants: A Statistical Analysis of Rural Imagery at the Paris Salon – Alison Mcqueen: Shifting Institutional Practices during the Second Empire: The Salon Lottery of 1859 – Debra J. Dewitte: The Exhibition of Drawings, Pastels and Watercolours in the French Salon: 1863–1881 – Alain Bonnet: Le Prix du Salon – Fae Brauer: «Turquet’s Turkey»: Ending the Salon – Pierre Vaisse: Exposer hors du Salon.

Additional Edition: ISBN 9783034317788

Language: English

DOI: 10.3726/978-3-0353-0731-3

URL: https://www.peterlang.com/view/product/46807?format=EPDF

UID:

Format: xiii, 509 Seiten , Diagramme, Illustrationen , 23 cm

ISBN: 3034317786 , 9783034317788

Series Statement: French studies of the eighteenth and nineteenth centuries 33

Content: Following on from " Ce Salon a quoi tout se ramene ": Le Salon de peinture et de sculpture, 1791-1890, published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852, funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world.--

Content: Introduction / James Kearns -- Au seuil du Salon / Richard Wrigley -- Le Salon et le marchè de l'art moderne à Paris (1791-1799) / Sarah Bakkali -- Salon and early Republican experiments in state patronage / Susan L. Siegfried -- Delphine Gay and the Paris Salon / Daniel Harkett -- Le Salon des Refusés ne date pas de 1863! Les enjeux d'un face à face entre le Salon de l'opposition et le Salon officiel en 1827 / Eva Bouillo -- Painting for the Paris Salon? The French state, artists and academy, 1830-1852 (Arts and Humanities Research Project) -- I. Legislating for the Salon, 1830-1833 / James Kearns -- II. Artists at the Salon during the July Monarchy / Alister Mill -- III. The Academy and the Salon Jury, 1831-1848 / Harriet Griffiths -- Étienne-Jean Delécluze (1781-1863), un observateur privilégié du Salon au XIXe siècle / Aurélie Gavoille -- Les Salons de 1843 et de 1844, miroirs d'une époque / Christophe Longbois-Canil -- Between capitals and provinces : the French painter Sophie Rude (1797-1867) / Vera Klewitz -- La question du Salon au Louvre 1850-1853 / Arnaud Bertinet -- Usages et enjeux de l'exposition au Salon pour les peintres étrangers, 1852-1881 / Laurent Cazes -- The Paris salons 1791-1881 : controversies and debates in the north of Italy in the late eighteenth and nineteenth centuries / Elena Granuzzo -- Sculpting a national career abroad : Belgian sculptors at the Paris Salon / Jana Wijnsouw -- L'influence des Salons au-delà des frontières nationales : le cas des Exposiciones Nacionales de Bellas Artes / Isabel Valverde -- Literature and painting at the Paris Salon, 1699-1881 / Jon Whiteley -- The demand for peasants : a statistical analysis of rural imagery at the Paris Salon / Diana Seave Greenwald -- Shifting institutional practices during the Second Empire : the Salon Lottery of 1859 / Alison Mcqueen -- The exhibition of drawings, pastels and watercolours in the French salon : 1863-1881 / Debra J. Dewitte -- Le prix du salon / Alain Bonnet -- "Turquet's turkey" : ending the salon / Fae Brauer -- Exposer hors du salon / Pierre Vaisse

Note: Literaturangaben , "... a selection of the papers presented at the conference 'The Paris Fine Art Salon, 1791-1881', held in the University of Exeter on 4 - 6 September 2013" - Seite [1] , Beiträge teilweise englisch, teilweise französisch

Additional Edition: ISBN 9783035307313

Additional Edition: Erscheint auch als Online-Ausgabe The Paris Fine Art Salon/Le Salon, 1791-1881 Oxford : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015

Language: English

Subjects: Romance Studies , Art History

Keywords: Salon Paris ; Geschichte 1791-1881 ; Konferenzschrift ; Konferenzschrift

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Kearns, James 1947-

UID:

Format: 1 Online-Ressource (180 p)

Edition: 1st, New ed

ISBN: 9783035302202

Series Statement: French Studies of the Eighteenth and Nineteenth Centuries 26

Content: Exposition organisée par l’État jusqu’en 1881, grande fête annuelle ou bisannuelle de l’art, le Salon de peinture et de sculpture domine la vie artistique à Paris tout au long du dix-neuvième siècle. Dans l’historiographie de la modernité artistique, cependant, le rôle de ce « Salon à quoi tout se ramène » (comme le disait Tabarant dans La Vie artistique au temps de Baudelaire) a trop souvent été réduit à celui du terrain de bataille où se sont confrontées « tradition académique » et « nouveauté révolutionnaire ». Les sept études que contient ce volume ont donc pour but de restituer au Salon sa véritable dimension historique en analysant des éléments essentiels de son organisation, son fonctionnement et sa finalité, dont : son emplacement (au Louvre jusqu’en 1848), ses artistes, ses visiteurs, sa rhétorique et son système de récompenses, pour terminer sur les raisons et les conséquences de son abandon par l’État

Content: «[...] on ne peut que souhaiter une excellente diffusion à ce volume salutaire» (Jean-David Jumeau-Lafond, La Tribune de l'art 11/2012)

Content: Contenu : Pierre Vaisse : Introduction – Marie-Claude Chaudonneret : Les artistes vivants au Louvre (1791-1848) : du musée au bazar – Eva Bouillo : La fréquentation du Salon de 1817 à 1827 – James Kearns : Pas de Salon sans Louvre ? L’exposition quitte le musée en 1848 – Adrien Goetz : Un art de l’éreintement – Guillaume Peigné : L’impératif des récompenses : le cas spécifique de la sculpture (1864-1880) – Olivia Tolède-Léon : Le Salon de la Société nationale des beaux-arts comme lieu d’épanouissement du mécénat privé dans les années 1890 – Pierre Vaisse : Réflexions sur la fin du Salon officiel – James Kearns : Guide bibliographique

Additional Edition: ISBN 9783039109319

Additional Edition: Available in another form ISBN 9783039109319

Language: French

DOI: 10.3726/978-3-0353-0220-2

URL: Volltext

URL: Volltext

Author information: Kearns, James 1947-

UID:

Format: 1 Online-Ressource (1 Videodatei, 02:51:46 h) , farbig

Uniform Title: Henry IV

Content: Hotspur is dead and Prince Hal has proved his mettle on the battlefield, but Henry IV lies dying and the rebels, though scattered, show no sign of declaring their allegiance to the Crown. Stage director: Dominic Dromgoole. Screen director: Robin Lough.

Language: English

Keywords: Drama

DOI: 10.5040/9781350996939

DOI: 10.5040/9790000000009.01

URL: lizenzpflichtig

URL: http://dx.doi.org/10.5040/9790000000009.01

URL: lizenzpflichtig

Author information: Shakespeare, William 1564-1616