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  • 1
    UID:
    b3kat_BV043546737
    Format: 1 Online-Ressource (XIII, 187 Seiten)
    ISBN: 9781137583161
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-137-58315-4
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Kulturelles Kapital ; Vermarktung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Edinburgh :Edinburgh Univ. Press,
    UID:
    almafu_BV023393728
    Format: XXVII, 282 S.
    ISBN: 978-0-7486-2584-0 , 978-0-7486-2583-3
    Series Statement: Edinburgh critical guides to literature
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Renaissance ; Literatur ; Englisch ; Englisch ; Literatur ; Einführung
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  • 3
    Online Resource
    Online Resource
    London [u.a.] :Bloomsbury,
    UID:
    almahu_BV048253667
    Format: 1 Online-Ressource (272 Seiten).
    ISBN: 978-1-4725-7569-2 , 978-1-4725-7568-5
    Series Statement: The Arden Shakespeare
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Renaissance Acting Companies and their Plays makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage"..
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4081-4667-5
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Theatertruppe ; Englisch ; Drama ; Theater
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  • 4
    UID:
    almahu_BV043504582
    Format: xiii, 187 Seiten : , Illustrationen.
    ISBN: 978-1-137-58314-7 , 978-1-137-58315-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-137-58316-1
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Kulturelles Kapital ; Vermarktung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
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  • 5
    Book
    Book
    Basingstoke [u.a.] :Palgrave Macmillan,
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  • 6
    Online Resource
    Online Resource
    Oxford :Oxford University Press,
    UID:
    almahu_9948330796602882
    Format: 1 online resource (272 pages) : , illustrations (black and white).
    ISBN: 9780191888403 (ebook) :
    Series Statement: Oxford scholarship online
    Content: The first study to explore the progresses of Charles I offering a full account of the king's travels. Throwing new light on Charles' accessibility to his subjects, Keenan argues that he was not as distanced as has often been argued, but was well aware of the importance of public ceremony and more widely travelled than his ancestors.
    Additional Edition: Print version : ISBN 9780198854005
    Language: English
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  • 7
    UID:
    gbv_1731815271
    Format: xviii, 236 Seiten , Illustrationen, Karten , 24 cm
    Edition: First edition
    ISBN: 9780198854005 , 0198854005
    Content: The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 is the first study to focus on the history, and the political and cultural significance, of the travels and public profile of Charles I. As well as offering a much fuller account of the king's progresses and Caroline progress entertainments than currently exists, this volumes throws fresh light on the question of Charles I's accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the political conflicts which culminated in the English civil wars and Charles's overthrow.0Drawing on extensive archival research, the history opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practiced by Charles I. Part I explores the question of the king's accessibility further through case studies of Charles's three 'great' progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles's spectacular royal entry to the city on 25 November 1641.0More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his subjects or able to deploy the propaganda power of public display as successfully as his Tudor and Stuart predecessors
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 211-227
    Additional Edition: ISBN 9780191888403
    Additional Edition: Erscheint auch als Online-Ausgabe Keenan, Siobhan, 1973 - The progresses, processions, and royal entries of King Charles I, 1625-1642 Oxford : Oxford University Press, 2020 ISBN 9780191888403
    Language: English
    Keywords: Karl I. England, König 1600-1649 ; Umzug ; Staatsbesuch ; Prozession ; Zeremoniell
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    London :Bloomsbury Arden Shakespeare,
    UID:
    edocfu_9959202094802883
    Format: 1 online resource (283 p.)
    ISBN: 1-4725-7569-5 , 1-4725-7568-7
    Content: "Acting Companies and their Plays in Shakespeare's London explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Acting Companies and their Plays in Shakespeare's London makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage."--Bloomsbury Publishing.
    Note: Description based upon print version of record. , Machine generated contents note: -- Acknowledgements -- Textual Note -- List of Abbreviations -- Chapter 1: Introduction -- Chapter 2: The Acting Companies -- Chapter 3: Playwrights and Playwriting -- Chapter 4: Stages and Staging -- Chapter 5: Audiences Chapter -- 6: Patrons and Patronage -- Epilogue -- Notes -- Bibliography. , Also issued in print. , English
    Additional Edition: ISBN 1-4081-4667-3
    Additional Edition: ISBN 1-4081-4663-0
    Language: English
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  • 9
    UID:
    gbv_777663961
    Format: 272 Seiten
    Edition: First published
    ISBN: 9781408146637 , 9781408146675
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. "--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Renaissance Acting Companies and their Plays makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage"--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. "--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Renaissance Acting Companies and their Plays makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage"--
    Note: Machine generated contents note:Acknowledgements Textual Note List of Abbreviations Chapter 1: Introduction Chapter 2: The Acting Companies Chapter 3: Playwrights and Playwriting Chapter 4: Stages and Staging Chapter 5: Audiences Chapter 6: Patrons and Patronage Epilogue Notes Bibliography.
    Additional Edition: ISBN 9781472575685
    Additional Edition: ISBN 9781472575678
    Additional Edition: Erscheint auch als Online-Ausgabe Keenan, Siobhan Acting Companies and their Plays in Shakespeare's London London : Bloomsbury Publishing, 2014 ISBN 9781408146637
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: London ; Englisch ; Drama ; Theatertruppe ; Geschichte 1580-1642
    URL: Cover
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  • 10
    Book
    Book
    Manchester [u.a.] : Manchester Univ. Press for the Malone Society [u.a.]
    UID:
    gbv_644870532
    Format: LIV, 130 S. , Ill , 25 cm
    ISBN: 9780719086090
    Series Statement: The Malone Society reprints Vol. 174
    Content: Includes bibliographical references
    Note: One of four anonymous early 17century manuscript plays bound together with other material in a volume (MS A414) in the library of the Newdigate family of Arbury Hall, Nuneaton
    Language: English
    Subjects: English Studies
    RVK:
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