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  • 1
    UID:
    almahu_BV046804860
    Format: xii, 220 Seiten : , Notenbeispiele, 2 genealogische Tafeln.
    ISBN: 978-0-19-009756-1
    Series Statement: The new cultural history of music
    Content: "This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"--
    Note: Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-1900-9758-5
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-1900-9759-2
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Sängerin ; Musikleben ; Kultur ; Hochschulschrift ; History ; Hochschulschrift
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  • 2
    Online Resource
    Online Resource
    New York :Oxford University Press,
    UID:
    almahu_9948368018202882
    Format: 1 online resource (240 pages).
    ISBN: 9780190097592 (ebook) :
    Series Statement: The new cultural history of music
    Content: This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. The book argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity.
    Note: Also issued in print: 2020.
    Additional Edition: Print version : ISBN 9780190097561
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9947421400502882
    Format: 1 online resource : , illustrations (black and white)
    Edition: First edition.
    ISBN: 9780191853593 (ebook) :
    Content: This text examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
    Note: This edition previously issued in print: 2018.
    Additional Edition: Print version : ISBN 9780198812425
    Language: English
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  • 4
    UID:
    gbv_1637460104
    Format: xxvi, 249 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Edition: First edition
    ISBN: 0198812426 , 9780198812425
    Content: Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation. He was an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author of novels, historical works, polemical pamphlets, and guides to musical education. This collection of essays illuminates the social and cultural conditions that made such a varied career possible, offering fresh insights into previously unexplored aspects of late Georgian culture, society, and politics. Tracing the transitions in the cultural economy from an eighteenth-century system of miscellany to a nineteenth-century regime of specialisation, Charles Dibdin and Late Georgian Culture illustrates the variety of Dibdin's cultural output as characteristic of late eighteenth-century entertainment, while also addressing the challenge mounted by a growing preoccupation with specialisation in the early nineteenth century
    Note: Literaturverzeichnis Seite 227-242
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Dibdin, Charles 1745-1814 ; Dibdin, Charles 1745-1814 ; London ; Kulturleben ; Musikleben ; Geschichte 1770-1815 ; Aufsatzsammlung
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