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  • 1
    Book
    Book
    Receptacle of the sacred : illustrated manuscripts and the Buddhist book cult in South Asia (2013)
    Berkeley [u.a.] : University of California Press
    Details
    UID:
    gbv_1602976678
    Format: XXV, 377 S. , Ill., graph. Darst. , 24 cm
    ISBN: 0520273869 , 9780520273863
    Series Statement: South Asia across the disciplines
    Note: Includes bibliographical references (pages 351-366) and index
    Language: English
    Subjects: General works , Theology , Art History
    RVK:
    BE 8550
    RVK:
    AM 57650
    RVK:
    LO 88330
    Keywords: Südasien ; Buddhismus ; Illuminierte Handschrift ; Ritus ; Südasien ; Buddhismus ; Heilige Schrift ; Ritus ; Südasien ; Buddhismus ; Illuminierte Handschrift ; Ritus ; Heilige Schrift
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  • 2
    Book
    Book
    Garland of visions : color, tantra, and a material history of Indian painting (2021)
    Oakland : University of California Press
    Details
    UID:
    gbv_1695578392
    Format: xv, 331 Seiten , Illustrationen, Diagramme
    ISBN: 9780520343214
    Content: Introduction -- Painting and its medium -- The art of the book in medieval South Asia -- Visions on the move -- A garland of visions -- Color as an encoding tool -- Color to matter : a material history of Indian painting -- Epilogue.
    Content: "Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of the pothi-format manuscript as a medium for painting in Indic religious circles enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyers of many forms of knowledge--ritual, artistic, social, scientific, and religious--and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a paradigm-shifting material history of Indian painting"--
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Art History
    RVK:
    LO 88330
    RVK:
    LO 88110
    Keywords: Indien ; Buchmalerei ; Geschichte ; Indien ; Religion ; Tantrismus ; Vajrayāna ; Visualisierung ; Buchmalerei ; Geschichte
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  • 3
    Book
    Book
    Postcolonial grief : the afterlives of the Pacific wars in the Americas (2019)
    Durham ; London :Duke University Press,
    Details
    UID:
    almafu_BV045539304
    Format: ix, 185 Seiten ; , 24 cm.
    ISBN: 978-1-4780-0279-6 , 978-1-4780-0135-5
    Note: Melancholy violence : Frantz Fanon's The Wretched of the Earth and Hisaye Yamamato's "A Fire in Fontana" -- Haunting absence : racial cognitive mapping, interregnum, and the Los Angeles riots of 1992 -- Transpacific noir, dying colonialism -- Destined for death : Antigone along the Pacific Rim
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-0293-2
    Language: English
    Keywords: Asiaten ; Schriftsteller ; Künstler ; Kolonialismus ; Verarbeitung
    URL: Inhaltsverzeichnis
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  • 4
    Image
    Image
    Dharma and Puṇya : Buddhist ritual art of Nepal (2019)
    Leiden : Hotei Publishing
    Details
    UID:
    gbv_167802712X
    Format: 246 Seiten , Illustrationen
    ISBN: 9789004416413 , 9004416412
    Content: Dharma and Punya: Buddhist Ritual Art of Nepal' explores the centrality of ritual practices and the agency of people ? patrons, ritual specialists, devotees ? in creating and amplifying the efficacy of Buddhist art. Jinah Kim and Todd Lewis highlight the unparalleled contributions of Nepal?s artisans, patrons, and ritualists in engendering artistic heritage that is an endearing continuation of Indic Buddhist traditions. The publication presents paintings, illuminated texts, statues, and ritual implements from the Newar tradition in the Kathmandu Valley. Richly illustrated with photographs of contemporary rituals, religious observances, and historical examples, the essays provide cultural, historical and ritual contexts in which objects collected in art museums were used, and animate them. By recentering the historical imagination on communities, their rituals, and popular narrative traditions, Dharma and Pun?ya challenges prevailing misconceptions about Buddhism in the West and expand our understanding of Buddhism as a lived world religion. Contributors include: Naresh Bajracharya, Louis Coppleston, Sonali Dhingra, James Giambrone, Jinah Kim, Todd Lewis, Bruce McCoy Owens, Alexander von Rospatt and Sumon Tuladhar
    Note: "This publication accompanies the exhibition Dharma and Puṇya: Buddhist ritual art of Nepal at the Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, from 12 September - 14 December 2019
    Language: English
    Keywords: Nepal ; Newār ; Buddhismus ; Ritus ; Nepal ; Vajrayāna ; Ritus ; Nepal ; Buddhistische Kunst ; Ritus ; Bildband ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
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  • 5
    Book
    Book
    Munich Creative Business Week 2017 Partnerland Korea Human Connection, beyond smart! : 4th - 12th March, 2017 Goldberg Studios, Munich (2017)
    Seoul :Korea Craft and Design Foundation,
    Details
    UID:
    almafu_BV044458253
    Format: 49 Seiten : , Illustrationen.
    Note: Text koreanisch und englisch
    Language: Korean
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  • 6
    Online Resource
    Online Resource
    The Creative South : Buddhist and Hindu Art in Mediaeval Maritime Asia, volume 1 (2022)
    Singapore :ISEAS Publishing,
    Details
    UID:
    almahu_9949546568502882
    Format: 1 online resource (375 p.)
    ISBN: 9789814951494 , 9783110767001
    Content: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass
    Note: Frontmatter -- , Contents -- , 1. Introduction: Volume 1: Intra-Asian Transfers and Mainland Southeast Asia -- , PART I: INFLUENCES FROM THE SOUTH -- , 2. From Melayu to Thamel and Back: The Transmigration of the Eight-Armed Amoghapāśa -- , 3. In the Footsteps of Amoghavajra (705-774): Southern Indian Artistic Mode in Tang China and its Transmission to Tibet -- , 4. Heruka-Maṇḍalas across Maritime Asia -- , PART II: TRANSFERS AND INNOVATIONS IN MAINLAND SOUTHEAST ASIA -- , 5. Goddess Prajñāpāramitā and Esoteric Buddhism in Jayavarman VII's Angkor -- , 6. Dancers, Musicians, Ascetics, and Priests: Performance-based Śaiva Worship and its Development in the Temple Cults of Angkor -- , 7. Libraries or Fire Shrines? Reinterpreting the Function of 'Annex Buildings' in Khmer Śaiva Temples from the Prism of Early Śaivism -- , 8. Śaiva Religious Iconography: Dancing Śiva in Multi-Polity Medieval Campā -- , 9. The Colossal Trà Kiệu Pedestal in Campā and its Relationship to Courtly Culture in Cambodia, East Java, and China -- , 10. On the Chronological Interrelationship between Newly Found Inscriptions and the Temple Architecture of Campā: The Hòa Lai and Po Dam Sites -- , The Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Theol., Relig.Stud., Jewish Stud. 2022 English, De Gruyter, 9783110994544
    In: EBOOK PACKAGE Theol., Relig.Stud., Jewish Stud. 2022, De Gruyter, 9783110994537
    In: ISEAS Complete eBook-Package 2022, De Gruyter, 9783110767117
    Additional Edition: ISBN 9789814951487
    Language: English
    DOI: 10.1355/9789814951494
    URL: https://doi.org/10.1355/9789814951494
    URL: https://www.degruyter.com/isbn/9789814951494
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Postcolonial grief : the afterlives of the Pacific wars in the Americas (2019)
    Durham :Duke University Press,
    Details
    UID:
    almafu_9959677572302883
    Format: 1 online resource (201 pages)
    ISBN: 1-4780-0279-4
    Content: In Postcolonial Grief Jinah Kim explores the relationship of mourning to transpacific subjectivities, aesthetics, and decolonial politics since World War II. Kim argues that Asian diasporic subjectivity exists in relation to afterlives because the deaths of those killed by U.S. imperialism and militarism in the Pacific remain unresolved and unaddressed. Kim shows how primarily U.S.-based Korean and Japanese diasporic writers, artists, and filmmakers negotiate the necropolitics of Asia and how their creative refusal to heal from imperial violence may generate transformative antiracist and decolonial politics. She contests prevalent interpretations of melancholia by engaging with Frantz Fanon's and Hisaye Yamamoto's decolonial writings; uncovering the noir genre's relationship to the U.S. war in Korea; discussing the emergence of silenced colonial histories during the 1992 Los Angeles riots; and analyzing the 1996 hostage takeover of the Japanese ambassador's home in Peru. Kim highlights how the aesthetic and creative work of the Japanese and Korean diasporas offers new insights into twenty-first-century concerns surrounding the state's erasure of military violence and colonialism and the difficult work of remembering histories of war across the transpacific.
    Note: Melancholy violence : Frantz Fanon's The Wretched of the Earth and Hisaye Yamamato's "A Fire in Fontana" -- Haunting absence : racial cognitive mapping, interregnum, and the Los Angeles riots of 1992 -- Transpacific noir, dying colonialism -- Destined for death : Antigone along the Pacific Rim. , Issued also in print.
    Additional Edition: ISBN 1-4780-0293-X
    Additional Edition: ISBN 1-4780-0135-6
    Language: English
    DOI: 10.1515/9781478002796
    URL: https://doi.org/10.1515/9781478002796
    URL: https://www.degruyter.com/isbn/9781478002796
    URL: https://doi.org/10.1515/9781478002796
    URL: https://www.degruyter.com/isbn/9781478002796
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  • 8
    Online Resource
    Online Resource
    The Creative South : Buddhist and Hindu Art in Mediaeval Maritime Asia, volume 1 (2022)
    Singapore :ISEAS Publishing,
    Details
    UID:
    almafu_9960796720602883
    Format: 1 online resource (375 p.)
    ISBN: 9789814951494
    Content: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass
    Note: Frontmatter -- , Contents -- , 1. Introduction: Volume 1: Intra-Asian Transfers and Mainland Southeast Asia -- , PART I: INFLUENCES FROM THE SOUTH -- , 2. From Melayu to Thamel and Back: The Transmigration of the Eight-Armed Amoghapāśa -- , 3. In the Footsteps of Amoghavajra (705–774): Southern Indian Artistic Mode in Tang China and its Transmission to Tibet -- , 4. Heruka-Maṇḍalas across Maritime Asia -- , PART II: TRANSFERS AND INNOVATIONS IN MAINLAND SOUTHEAST ASIA -- , 5. Goddess Prajñāpāramitā and Esoteric Buddhism in Jayavarman VII’s Angkor -- , 6. Dancers, Musicians, Ascetics, and Priests: Performance-based Śaiva Worship and its Development in the Temple Cults of Angkor -- , 7. Libraries or Fire Shrines? Reinterpreting the Function of ‘Annex Buildings’ in Khmer Śaiva Temples from the Prism of Early Śaivism -- , 8. Śaiva Religious Iconography: Dancing Śiva in Multi-Polity Medieval Campā -- , 9. The Colossal Trà Kiệu Pedestal in Campā and its Relationship to Courtly Culture in Cambodia, East Java, and China -- , 10. On the Chronological Interrelationship between Newly Found Inscriptions and the Temple Architecture of Campā: The Hòa Lai and Po Dam Sites -- , The Contributors -- , Index , In English.
    Language: English
    DOI: 10.1355/9789814951494
    URL: https://doi.org/10.1355/9789814951494
    URL: https://www.degruyter.com/isbn/9789814951494
    URL: https://doi.org/10.1355/9789814951494
    URL: https://www.degruyter.com/isbn/9789814951494
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  • 9
    Online Resource
    Online Resource
    Receptacle of the sacred : illustrated manuscripts and the Buddhist book cult in South Asia (2013)
    Berkeley, CA :University of California Press,
    Details
    UID:
    almafu_9959240254802883
    Format: 1 online resource (406 p.)
    ISBN: 0-520-95488-2
    Series Statement: South Asia across the disciplines
    Content: In considering medieval illustrated Buddhist manuscripts as sacred objects of cultic innovation, Receptacle of the Sacred explores how and why the South Asian Buddhist book-cult has survived for almost two millennia to the present. A book "manuscript" should be understood as a form of sacred space: a temple in microcosm, not only imbued with divine presence but also layered with the memories of many generations of users. Jinah Kim argues that illustrating a manuscript with Buddhist imagery not only empowered it as a three-dimensional sacred object, but also made it a suitable tool for the spiritual transformation of medieval Indian practitioners. Through a detailed historical analysis of Sanskrit colophons on patronage, production, and use of illustrated manuscripts, she suggests that while Buddhism's disappearance in eastern India was a slow and gradual process, the Buddhist book-cult played an important role in sustaining its identity. In addition, by examining the physical traces left by later Nepalese users and the contemporary ritual use of the book in Nepal, Kim shows how human agency was critical in perpetuating and intensifying the potency of a manuscript as a sacred object throughout time.
    Note: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , List of Figures in the Printed Book -- , List of Figures and Diagrams Online -- , Introduction: Text, Image, and the Book -- , Part One. The Book -- , Part Two. Text and Image -- , Part Three. The People -- , Notes -- , Bibliography -- , Index , English
    Additional Edition: ISBN 0-520-27386-9
    Language: English
    DOI: 10.1525/9780520954885
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