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  • 1
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    UID:
    b3kat_BV010276366
    Format: XVI, 190 S.
    ISBN: 0253331382 , 0253209056
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: USA ; Feminismus ; Theorie
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  • 2
    UID:
    almahu_9949608831602882
    Format: 1 online resource (streaming video file) (104 minutes): , digital, .flv file, sound
    Content: Tyler (Munro Chambers) returns from a six year prison sentence to a surprise reunion with his former college friends, only to discover that they've all veered off course under the societal pressure of adulthood. Weighed down by the combination of college debt, hefty living costs, and the dawn of social media, this millennial generation is overworked, underpaid, and quite simply: stuck.
    Note: Title from title frames. , Film , In Process Record. , Originally produced by Utopia in 2021. , Mode of access: World Wide Web.
    Language: English
    Keywords: Feature films. ; Feature films. ; Feature films.
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  • 3
    UID:
    kobvindex_ZLB09310152
    Format: 1 CD , digtial , Beil.
    Note: Harry's fight. Across the universe. All or nothing at all. 50 ways to leave your lover. Last night. Do I move you? Alone together. Come together. Wayfaring stranger. Throw it away. And now. The inch worm. Here comes the sun.
    Language: English
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  • 4
    Book
    Book
    Durham, NC [u.a.] : Duke Univ. Press
    UID:
    gbv_664447856
    Format: xxi, 361 p , ill , 25 cm
    ISBN: 9780822350545 , 9780822350729
    Note: Includes bibliographical references (p. 301-349) and index , Nationalities, sexualities, and global TV : Highlander, Xena, and meanings of European Union -- Science in American life : among the culture warriors -- TV and the web come together -- Scholars and intellectual entrepreneurs -- Toward a feminist transdisciplinary posthumanities.
    Language: English
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  • 5
    UID:
    almafu_BV047833621
    Format: xi, 274 Seiten : , Illustrationen, Diagramme.
    ISBN: 978-1-3986-0202-1 , 978-1-3986-0200-7
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-3986-0201-4
    Language: English
    Subjects: Economics
    RVK:
    Keywords: Marketingtheorie ; Vertrieb ; Künstliche Intelligenz
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  • 6
    Online Resource
    Online Resource
    Bloomington, IN :Indiana University Press,
    UID:
    almafu_9959231572802883
    Format: 1 online resource (231 p.)
    ISBN: 0-253-10832-2
    Content: Body Politics and the Fictional DoubleEdited by Debra Walker KingExamines the disjunction between women's appearance and reality.In recent years, questions concerning ""the body"" and its place in postmodern discourses have taken center stage in academic disciplines. Body Politics joins these discussions by focusing on the challenges women face when their externally defined identities and representations as bodies -- their body fictions -- speak louder than what they know to be their
    Note: Description based upon print version of record. , Contents; Introduction: Body Fictions GLORIA WADE-GAYLES; [1] Who Says an Older Woman Can't/Shouldn't Dance? GLORIA WADE-GAYLES; [2] When Body Politics of Partial Identifica-tions Collide with Multiple Identities of Real Academics: Limited SUE V. ROSSER; [3] Body Language: Corporeal Semiotics, Literary Resistance MAUDE HINES; [4] Writing in Red Ink DEBRA WALKER KING; [5] Myths and Monsters: The Female Body as the Site for Political Agendas S. YUMIKO HULVEY; [6] Agency and Ambivalence: A Reading of Works by Coco Fusco CAROLINE VERCOE , [7] Performing Bodies, Performing Culture: An Interview with Coco Fusco and Nao Bustamante ROSEMARY WEATHERSTON[8] Women Singing, Women Gesturing: Music Videos MAUREEN TURIM; [9] Bombshell STEPHANIE A. SMITH; Afterword: The Unbroken Circle of Assumptions TRUDIER HARRIS; Notes; Selected Bibliography; Contributors; Index , English
    Additional Edition: ISBN 0-253-33779-8
    Language: English
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  • 7
    UID:
    edocfu_9959238166702883
    Format: 1 online resource (208 p.)
    ISBN: 0-585-00140-5
    Content: Examines the development of US feminist theory, tracing its inception, rocky development, and internecine struggles. This book focuses on the production and reception of feminist theory, which has been colored by race and racial privilege, fixed by sexual identity, and defined by class and hierarchy.
    Additional Edition: ISBN 0-253-20905-6
    Language: English
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959674042902883
    Format: 1 online resource (387 p.) : , 19 illustrations
    ISBN: 9780822394464
    Content: Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television—such as the Secrets of Lost Empires series shown on the PBS program Nova—demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities?
    Note: Frontmatter -- , Contents -- , Foreword -- , Preface -- , Acknowledgments -- , Introduction. A thick description amid authorships, audiences, and agencies in the nineties -- , One. Nationalities, sexualities, and global TV: highlander, Xena, and meanings of European union -- , Two. Science in American life: Among the culture warriors -- , Three. TV and the web come together -- , Four. Scholars and intellectual entrepreneurs -- , Conclusion. Toward a feminist transdisciplinary posthumanities -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
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  • 9
    Online Resource
    Online Resource
    Durham, NC :Duke University Press,
    UID:
    edocfu_9959677681502883
    Format: 1 online resource (389 p.)
    ISBN: 0-8223-9446-4 , 9786613409126 , 1-283-40912-7
    Series Statement: e-Duke books scholarly collection.
    Content: In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.
    Note: Description based upon print version of record. , Nationalities, sexualities, and global TV : Highlander, Xena, and meanings of European Union -- Science in American life : among the culture warriors -- TV and the web come together -- Scholars and intellectual entrepreneurs -- Toward a feminist transdisciplinary posthumanities. , English
    Additional Edition: ISBN 0-8223-5072-6
    Additional Edition: ISBN 0-8223-5054-8
    Language: English
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  • 10
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959674042902883
    Format: 1 online resource (387 p.) : , 19 illustrations
    ISBN: 9780822394464
    Content: Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television—such as the Secrets of Lost Empires series shown on the PBS program Nova—demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities?
    Note: Frontmatter -- , Contents -- , Foreword -- , Preface -- , Acknowledgments -- , Introduction. A thick description amid authorships, audiences, and agencies in the nineties -- , One. Nationalities, sexualities, and global TV: highlander, Xena, and meanings of European union -- , Two. Science in American life: Among the culture warriors -- , Three. TV and the web come together -- , Four. Scholars and intellectual entrepreneurs -- , Conclusion. Toward a feminist transdisciplinary posthumanities -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
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