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  • 1
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    almafu_9958126555202883
    Format: 1 online resource (305 p.)
    Edition: 1st ed.
    ISBN: 1-58729-446-X
    Content: Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an "I" as a product of social discourse and as a conduit for change.Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and
    Note: Description based upon print version of record. , Acknowledgments and Permissions; Introduction; 1 Lyric Conversations and Interventions; 2 Lyric Discourse, the Arts, and the Avant-Garde; 3 "Our Visible Selves"; 4 The Rhetoric of Self, Nation, and Economics; 5 Theory and the Lyric "I"; Notes; Bibliography; Index , English
    Additional Edition: ISBN 0-87745-873-1
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Aufsatzsammlung
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  • 2
    Online Resource
    Online Resource
    Iowa City : University of Iowa Press
    UID:
    gbv_1682131858
    Format: Online-Ressource
    ISBN: 158729446X , 9781587294464
    Series Statement: EBSCOhost eBook Collection
    Content: Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an "I" as a product of social discourse and as a conduit for change.Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and
    Note: Includes bibliographical references (p. [247]-264) and index , Lyric conversations and interventions -- Lyric discourse, the arts, and the avant-garde: Barbara Guest and Kathleen Fraser in the sixties -- "Our visible selves": visual-verbal collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip -- The rhetoric of self, nation, and economics: a poetics of public discourse in Carol Ann Duffy -- Theory and the lyric "I": feminist experimentation in Britain , Acknowledgments and Permissions; Introduction; 1 Lyric Conversations and Interventions; 2 Lyric Discourse, the Arts, and the Avant-Garde; 3 "Our Visible Selves"; 4 The Rhetoric of Self, Nation, and Economics; 5 Theory and the Lyric "I"; Notes; Bibliography; Index , Lyric conversations and interventions -- Lyric discourse, the arts, and the avant-garde: Barbara Guest and Kathleen Fraser in the sixties -- "Our visible selves": visual-verbal collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip -- The rhetoric of self, nation, and economics: a poetics of public discourse in Carol Ann Duffy -- Theory and the lyric "I": feminist experimentation in Britain , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Englisch ; Frauenlyrik ; Experimentelle Lyrik ; Englisch ; Frauenlyrik ; Experimentelle Lyrik ; Electronic books. ; Electronic books ; Aufsatzsammlung
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 3
    Book
    Book
    Cambridge ; New York, NY ; Port Melbourne ; Delhi ; Singapore :Cambridge University Press,
    UID:
    almafu_BV043356279
    Format: xxi, 458 Seiten : , Illustrationen.
    ISBN: 978-1-107-13756-1
    Content: "A History of Twentieth-Century American Women's Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets. Organized thematically, these essays survey the multilayered verse of such diverse poets as Edna St Vincent Millay, Marianne Moore, Anne Sexton, Adrienne Rich, and Audre Lorde. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of feminist literary criticism. This book is of pivotal importance to the development of women's poetry in America and will serve as an invaluable reference for specialists and students alike"...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-316-48856-0
    Language: English
    Subjects: American Studies
    RVK:
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    Keywords: Frauenlyrik ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    Online Resource
    Online Resource
    New York :Cambridge University Press,
    UID:
    almafu_9960117308602883
    Format: 1 online resource (xxi, 458 pages) : , digital, PDF file(s).
    ISBN: 1-316-49456-X , 1-316-49687-2 , 1-316-48856-X
    Content: A History of Twentieth-Century American Women's Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets. Organized thematically, these essays survey the multilayered verse of such diverse poets as Edna St Vincent Millay, Marianne Moore, Anne Sexton, Adrienne Rich, and Audre Lorde. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of feminist literary criticism. This book is of pivotal importance to the development of women's poetry in America and will serve as an invaluable reference for specialists and students alike.
    Note: Title from publisher's bibliographic system (viewed on 06 Jun 2016). , Machine generated contents note: 1. Critical mapping I: the category of 'woman poet': an introduction, by way of mapping Linda Kinnahan; 2. Critical mapping II: reading American poetry by women Rachel Blau DuPlessis; 3. Chronology I: American women poets, 1900-50 Cristanne Miller; 4. Chronology II: American women poets, 1950-2000 Jeanne Heuving; 5. Native American women poets Jennifer Andrews; 6. Asian American women poets Juliana Chang; 7. Chicana/Latina women poets Cordelia Chávez Candelaria; 8. African American women poets Emily R. Rutter; 9. Jewish American women poets Kathryn Hellerstein; 10. The world split open: feminism, poetry, and social critique Nancy Berke; 11. Little magazines and the gendered, racialized discourse of women's poetry Suzanne W. Churchill; 12. The WP network: anthologies and affiliations in contemporary American women's poetry Marsha Bryant; 13. High, low, and somewhere in-between: women's poetry and popular culture in modern America Michael Chasar; 14. 'At the edge of what we know': gender and environment in American poetry Margaret Ronda; 15. Token women, male movements, and literary history's feminist shadow Elizabeth Savage; 16. Lineages and legacies: real and imagined Deborah M. Mix; 17. Crossing geographies, crossing languages Ann Vickery; 18. Women's 'spiritualities' Romana Husk; 19. Forgiving the sonnet: modernist women's love poetry and the problem of sentimentality Melissa Girard; 20. The 'do it yourself' avant-garde: American women poets and experiment Susan Rosenbaum; 21. Visual poetics Elisabeth A. Frost; 22. Poetry and technology Alex Goody; 23. Post-millennial women's poetry Lisa Sewell. , English
    Additional Edition: ISBN 1-107-13756-X
    Additional Edition: ISBN 1-316-50485-9
    Language: English
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  • 5
    UID:
    almafu_BV009725933
    Format: XI, 285 S.
    Edition: 1. publ.
    ISBN: 0-521-45127-2
    Series Statement: Cambridge studies in American literature and culture 74
    Content: This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov, and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Joining revisionary studies of literary history, Professor Kinnahan sees Williams's work as both developing from the poetics of modernist women and as influencing subsequent generations of American women poets. Williams's poetry and prose of the 1910s and 1920s is read as a struggle with issues of gender authority in relationship to poetic tradition and voice. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relationship to these three generations of Anglo-American women writing within or descending from the modernist movement, the book pursues two questions: What can women poets, writing with an informed awareness of Williams, teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: 1883-1963 Williams, William Carlos ; Frauenlyrik ; 1883-1963 Williams, William Carlos ; 1923-1997 Levertov, Denise ; 1883-1963 Williams, William Carlos ; 1935- Fraser, Kathleen ; 1883-1963 Williams, William Carlos ; 1882-1966 Loy, Mina ; Frau
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  • 6
    UID:
    almafu_9960119612102883
    Format: 1 online resource (xi, 285 pages) : , digital, PDF file(s).
    ISBN: 0-511-52718-7
    Series Statement: Cambridge studies in American literature and culture ; 74
    Content: This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relation to these three generations of Anglo-American writing within and descending from the modernist movement, the book pursues two questions: what can women poets, writing with an informed awareness of Williams teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , 1. "The Full of My Freed Voice": Williams and Loy, Feminism and the Feminine -- The New Freewoman, the Egoist, and the Feminine -- The Feminist Movement, Mina Loy, and Others -- The Feminine as Resistance to Authority -- 2. In The American Grain: Proclaiming a Feminine Ground -- A Maternal Model for Tradition -- History's Myth of Discovery: Mastery's "outward thrust" -- The Feminine Ground of Contact: "a moral source not reckoned with" -- Language and the Local: "a woman drawing to herself ... myriad points of sound" -- 3. Denise Levertov: The Daughter's Voice -- A Maternal Mode of Authority: "The voice / a wave rising" -- A Discourse in Compassion: "Revolution in the poem -- The Houses of Tradition: "rise up / with changed vision" -- 4. Kathleen Fraser: A Tradition of Marginality -- Language Innovation and a Feminist Poetics: "to re-write the flood" -- Language Dis-ease: "What structure gagged me?" -- Language, Gender, and Tradition: "inside / (jittery / burned language)" -- Spring and All: New and Hidden Tradition -- Conclusion: Paterson and the Question of Authority. , English
    Additional Edition: ISBN 0-521-10157-3
    Additional Edition: ISBN 0-521-45127-2
    Language: English
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  • 7
    UID:
    gbv_370480163
    Format: XXIII, 277 S , 24 cm
    ISBN: 0877458731
    Note: Includes bibliographical references (p. [247]-264) and index
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Frauenliteratur ; Experimentelle Lyrik ; Englisch ; Frauenlyrik ; Experimentelle Lyrik ; Aufsatzsammlung ; Bibliografie
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  • 8
    UID:
    gbv_880137215
    Format: xiv, 281 Seiten , Illustrationen , 24 cm
    ISBN: 9781472489197
    Content: Loy among the photographers: poetry, perception, and the camera -- Surrealism, and the female body -- Portraits of the poor: the Bowery poems and the rise of documentary photography -- From patriotism to atrocity: the war poems and photojournalism -- Gendering the camera: Kathleen Fraser and Caroline Bergvall
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781315205250
    Language: English
    Subjects: American Studies , General works
    RVK:
    RVK:
    Keywords: Loy, Mina 1882-1966 ; USA ; Fotografie ; Literatur ; Schriftstellerin
    Author information: Loy, Mina 1882-1966
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    gbv_842516050
    Format: xxi, 458 Seiten , Illustrationen , 24 cm
    Edition: First published
    ISBN: 9781107137561
    Content: "A History of Twentieth-Century American Women's Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets. Organized thematically, these essays survey the multilayered verse of such diverse poets as Edna St Vincent Millay, Marianne Moore, Anne Sexton, Adrienne Rich, and Audre Lorde. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of feminist literary criticism. This book is of pivotal importance to the development of women's poetry in America and will serve as an invaluable reference for specialists and students alike"--
    Content: "The twentieth century in America spans a period tumultuous in its changes, multiplicitous in its populations, and effusive in its poetic and critical voices. How women have absorbed, commented upon, engaged with, defied, celebrated, and contributed to the varied cultures of poetry emergent alongside American modernity offers rich material and raises many questions in this History of Twentieth-Century American Poetry by Women. Indeed, questions motivate much of the literary history told here, beginning with fundamental questions of who, when, why, and how - questions of visibility and record are inseparable from questions of analysis and interpretation"--
    Content: Machine generated contents note: 1. Critical mapping I: the category of 'woman poet': an introduction, by way of mapping Linda Kinnahan; 2. Critical mapping II: reading American poetry by women Rachel Blau DuPlessis; 3. Chronology I: American women poets, 1900-50 Cristanne Miller; 4. Chronology II: American women poets, 1950-2000 Jeanne Heuving; 5. Native American women poets Jennifer Andrews; 6. Asian American women poets Juliana Chang; 7. Chicana/Latina women poets Cordelia Chv̀ez Candelaria; 8. African American women poets Emily R. Rutter; 9. Jewish American women poets Kathryn Hellerstein; 10. The world split open: feminism, poetry, and social critique Nancy Berke; 11. Little magazines and the gendered, racialized discourse of women's poetry Suzanne W. Churchill; 12. The WP network: anthologies and affiliations in contemporary American women's poetry Marsha Bryant; 13. High, low, and somewhere in-between: women's poetry and popular culture in modern America Michael Chasar; 14. 'At the edge of what we know': gender and environment in American poetry Margaret Ronda; 15. Token women, male movements, and literary history's feminist shadow Elizabeth Savage; 16. Lineages and legacies: real and imagined Deborah M. Mix; 17. Crossing geographies, crossing languages Ann Vickery; 18. Women's 'spiritualities' Romana Husk; 19. Forgiving the sonnet: modernist women's love poetry and the problem of sentimentality Melissa Girard; 20. The 'do it yourself' avant-garde: American women poets and experiment Susan Rosenbaum; 21. Visual poetics Elisabeth A. Frost; 22. Poetry and technology Alex Goody; 23. Post-millennial women's poetry Lisa Sewell
    Note: Literaturverzeichnis: Seite 393-435 , Machine generated contents note: 1. Critical mapping I: the category of 'woman poet': an introduction, by way of mapping Linda Kinnahan; 2. Critical mapping II: reading American poetry by women Rachel Blau DuPlessis; 3. Chronology I: American women poets, 1900-50 Cristanne Miller; 4. Chronology II: American women poets, 1950-2000 Jeanne Heuving; 5. Native American women poets Jennifer Andrews; 6. Asian American women poets Juliana Chang; 7. Chicana/Latina women poets Cordelia Chv̀ez Candelaria; 8. African American women poets Emily R. Rutter; 9. Jewish American women poets Kathryn Hellerstein; 10. The world split open: feminism, poetry, and social critique Nancy Berke; 11. Little magazines and the gendered, racialized discourse of women's poetry Suzanne W. Churchill; 12. The WP network: anthologies and affiliations in contemporary American women's poetry Marsha Bryant; 13. High, low, and somewhere in-between: women's poetry and popular culture in modern America Michael Chasar; 14. 'At the edge of what we know': gender and environment in American poetry Margaret Ronda; 15. Token women, male movements, and literary history's feminist shadow Elizabeth Savage; 16. Lineages and legacies: real and imagined Deborah M. Mix; 17. Crossing geographies, crossing languages Ann Vickery; 18. Women's 'spiritualities' Romana Husk; 19. Forgiving the sonnet: modernist women's love poetry and the problem of sentimentality Melissa Girard; 20. The 'do it yourself' avant-garde: American women poets and experiment Susan Rosenbaum; 21. Visual poetics Elisabeth A. Frost; 22. Poetry and technology Alex Goody; 23. Post-millennial women's poetry Lisa Sewell.
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    RVK:
    Keywords: USA ; Frauenliteratur ; Lyrik ; Geschichte 1900-2000 ; Aufsatzsammlung
    URL: Cover
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  • 10
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    almahu_9948315123902882
    Format: xxiii, 277 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
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