Kooperativer Bibliotheksverbund

UID:

Format: 233 Seiten : , 86 Illustrationen ; , 25 cm.

ISBN: 978-94-6372-571-2

Series Statement: Visual and material culture, 1300-1700 17

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-4854-458-5

Language: English

Keywords: 1541-1614 El Greco ; 1599-1660 Velázquez, Diego Rodríguez de Silva y ; Harmensz van Rijn 1606-1669 Rembrandt ; Malerei ; Gefühl ; Kunst ; Literatur ; Renaissance ; Rezeption ; Malerei

URL: Inhaltsverzeichnis

UID:

Format: 1 Online Ressource (233 Seiten) : , Illustrationen.

ISBN: 978-90-485-4458-5

Series Statement: Visual and Material Culture, 1300 –1700

Content: Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019) , In English

Language: English

Keywords: Kunst ; Literatur ; Renaissance ; Rezeption ; Malerei ; 1541-1614 El Greco ; 1599-1660 Velázquez, Diego Rodríguez de Silva y ; Harmensz van Rijn 1606-1669 Rembrandt ; Malerei ; Gefühl

DOI: 10.1515/9789048544585

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: https://doi.org/10.1515/9789048544585

UID:

Format: XII, 191 S. , Ill.

ISBN: 9780754666776

Series Statement: Visual culture in early modernity

Note: Literaturverz. S. [177 - 186] , List of illustrations -- Acknowledgements -- Introduction -- Ch. 1. Critical responses to painterly painting. Wölfflin's Malerisch -- Italian responses to painterly brushwork -- Spanish responses to painterly brushwork -- The hand of the artist -- Velázquez and Marco Boschini -- Ch. 2. An allegory of painterly painting. Portrait? Sibyl? -- Cesare Ripa's Pittura -- The origin of painting I. : Dibutades -- The origin of painting II : Narcissus -- The origin of painting III : God -- Ch. 3. The Spinners and the triumph of Venice. The background -- The foreground I : Process and product -- The foreground II : Moving figures --Tintoretto : tirato via di pratica -- Ch. 4. The Spinners as critique. Inverting Michelangelo -- Baltasar Gracián's Agudeza -- Redefining Affetti and the hierarchy of the genres -- Ch. 5. Las Meninas : social and structural perspectives. The early descriptions -- Structure and story -- Setting -- The nobility of Velázquez ; The nobility of painting -- Ch. 6. Las Meninas : painterly polemics. Critique of theory -- Las Meninas and Poussin's self-portraits -- The mirror -- Jan van Eyck's Arnolfini wedding and Baltasar Gracián's Agudeza -- Final touches -- Bibliography.

Language: English

Keywords: Velázquez, Diego Rodríguez de Silva y 1599-1660 ; Malerei ; Geschichte 1640-1660

URL: Cover

URL: Inhaltsverzeichnis

Author information: Velázquez, Diego Rodríguez de Silva y 1599-1660

UID:

Format: XII, 191 S. : , Ill.

ISBN: 978-0-7546-6677-6

Series Statement: Visual culture in early modernity

Note: Includes bibliographical references

Language: English

Keywords: 1599-1660 Velázquez, Diego Rodríguez de Silva y ; Maltechnik ; 1599-1660 Die Spinnerinnen Velázquez, Diego Rodríguez de Silva y ; 1599-1660 Las Meninas Velázquez, Diego Rodríguez de Silva y

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017624008&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

URL: Inhaltsverzeichnis

Author information: Velázquez, Diego Rodríguez de Silva y, 1599-1660

UID:

Format: 130 Seiten : , Illustrationen.

Content: New Approaches to Velázquez offers fresh insight into one of the major figures in Western art. By bringing together the work of seven prominent scholars working across the disciplines, this collection will analyze the paintings of Diego Velázquez (1599-1660) within the cultural, religious, and intellectual frameworks of seventeenth-century Spain. Art historians such as Fernando Marías, and Javier Portús explore the origins of Velázquez?s pivotal place in the history of Spanish art. At the same time, literary historian Laura Bass examines the central role played by Velázquez?s academic formation in the imagery and style of his paintings. The approaches highlighted in this book represent a departure from recent studies of Velázquez?s career as a courtier, and they instead focus on interpreting the unexplored issues raised by his paintings themselves

Note: Aus dem Dankwort: "Particular thanks are also due to Johan Van der Beke of Brepols Publishers, who inspired us to transform a conference session into an edited volume"

Language: English

Subjects: Art History

Keywords: 1599-1660 Velázquez, Diego Rodríguez de Silva y ; Konferenzschrift ; Konferenzschrift

URL: Rezension

URL: Inhaltsverzeichnis

URL: Rezension

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (233 pages) : , digital, PDF file(s).

ISBN: 9789048544585 (ebook)

Series Statement: Visual and material culture, 1300-1700

Content: Giles Knox examines how El Greco, Velaìzquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaìzquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.

Note: Title from publisher's bibliographic system (viewed on 20 Nov 2020).

Additional Edition: Print version: ISBN 9789463725712

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789048544585/type/BOOK

UID:

Format: 130 Seiten , Illustrationen

ISBN: 9782503569185

Content: New Approaches to Velázquez offers fresh insight into one of the major figures in Western art. By bringing together the work of seven prominent scholars working across the disciplines, this collection will analyze the paintings of Diego Velázquez (1599-1660) within the cultural, religious, and intellectual frameworks of seventeenth-century Spain. Art historians such as Fernando Marías, and Javier Portús explore the origins of Velázquez's pivotal place in the history of Spanish art. At the same time, literary historian Laura Bass examines the central role played by Velázquez's academic formation in the imagery and style of his paintings. The approaches highlighted in this book represent a departure from recent studies of Velázquez's career as a courtier, and they instead focus on interpreting the unexplored issues raised by his paintings themselves

Content: The poet in painting: Góngora's portraits and the politics of the Paragone / Laura R. Bass -- Eggs, water, metal: Velázquez, the Paragone, and the products of pratica / Giles Knox -- Joseph's bloodied coat presented to Jacob: from portrait to history: history at the margins of the human / Fernando Marías -- Velázquez and the philosophers in the Torre de la Parada / Aneta Georgievska-Shine -- Heresy, Judaism, and paganism in the Hall of Realms / Javier Portús

Language: English

Subjects: Art History

Keywords: Velázquez, Diego Rodríguez de Silva y 1599-1660 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Rezension

URL: Rezension

Author information: Velázquez, Diego Rodríguez de Silva y 1599-1660

UID:

Format: 48 Seiten , Illustrationen

ISBN: 9781785514449

Series Statement: Masterpiece in residence

Note: Ausstellungsdaten aus dem Internet ermittelt: September 18, 2022–January 15, 2023

Language: English

Keywords: Velázquez, Diego Rodríguez de Silva y 1599-1660 Fraga-Porträt Philipps IV. ; Ausstellungskatalog

UID:

Format: 1 Online-Ressource (233 Seiten)

ISBN: 9789048544585

Series Statement: Visual and material culture, 1300-700 17

Content: Frontmatter -- Table of Contents -- Acknowledgements -- List of Illustrations -- Introduction: Polemics of Painting -- Part One. Origin Stories and the Challenge of Italy -- 1. El Greco: Italy, Crete, Toledo -- 2. From El Greco to Velázquez: Juan Bautista Maíno -- Part Two. Illusion, Materiality, Touch -- 3. Velázquez and Inversion: Making and Illusion -- 4. Vulcan, Mars, and Venus: Erotic Touch -- 5. Late Rembrandt I: Texture and the Skilled Touch -- 6. Late Rembrandt II: Feeling with the Eyes -- Conclusion -- Bibliography -- About the Author -- Index

Content: Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted

Additional Edition: ISBN 978 94 6372 571 2

Language: English

DOI: 10.1515/9789048544585

URL: lizenzpflichtig

URL: Cover

URL: Cover

URL: http://purl.org/coar/access_right/c_16ec

UID:

Format: 1 online resource (272 p.)

ISBN: 9789048544585

Series Statement: Visual and Material Culture, 1300 –1700

Content: Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.

Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , List of Illustrations -- , Introduction: Polemics of Painting -- , Part One. Origin Stories and the Challenge of Italy -- , 1. El Greco: Italy, Crete, Toledo -- , 2. From El Greco to Velázquez: Juan Bautista Maíno -- , Part Two. Illusion, Materiality, Touch -- , 3. Velázquez and Inversion: Making and Illusion -- , 4. Vulcan, Mars, and Venus: Erotic Touch -- , 5. Late Rembrandt I: Texture and the Skilled Touch -- , 6. Late Rembrandt II: Feeling with the Eyes -- , Conclusion -- , Bibliography -- , About the Author -- , Index , In English.

Language: English

DOI: 10.1515/9789048544585

URL: https://doi.org/10.1515/9789048544585