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  • 1
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almahu_9949546566202882
    Format: 1 online resource
    ISBN: 9780231546355 , 9783110749663
    Series Statement: Rereadings
    Content: Considered by some to be the greatest novel of the twenty-first century, Helen DeWitt's brilliant The Last Samurai tells the story of Sibylla, an Oxford-educated single mother raising a possible child prodigy, Ludo. Disappointed when he meets his biological father, the boy decides that he can do better. Inspired by Akira Kurosawa's Seven Samurai, he embarks on a quixotic, moving quest to find a suitable father. The novel's cult-classic status did not come easy: it underwent a notoriously tortuous publication process and briefly went out of print.Lee Konstantinou combines a riveting reading of The Last Samurai with a behind-the-scenes look at DeWitt's fraught experiences with corporate publishing. He shows how interpreting the ambition and richness of DeWitt's work in light of her struggles with literary institutions provides a potent social critique. The novel helps us think about our capacity for learning and creativity, revealing the constraints that capitalism and material deprivation impose on intellectual flourishing. Drawing on interviews with DeWitt and other key figures, Konstantinou explores the book's composition and its history with Talk Miramax Books, the publishing arm of Bob and Harvey Weinstein's media empire. He argues that The Last Samurai allegorizes its troubled relationship with the institutions and middlemen that ferried it into the world. What's ultimately at stake in Ludo's quest is not only who might make a good father but also how we might fulfill our potential in a world that often seems cruelly designed to thwart that very possibility.
    Note: Frontmatter -- , CONTENTS -- , Preface THE LAST SAMURAI , UNREAD -- , 1 A LITTLE POTBOILER -- , 2 HELEN DEWITT'S AESTHETIC EDUCATION -- , 3 SYNERGY IS CRAP -- , 4 FUCK THE CHICAGO MANUAL OF STYLE -- , 5 THE BEST BOOK OF THE FORTY-FIFTH CENTURY -- , CODA Through a Hole in the Wall -- , ACKNOWLEDGMENTS -- , NOTES -- , INDEX , Mode of access: Internet via World Wide Web. , In English.
    In: Columbia University Press Complete eBook-Package 2022, De Gruyter, 9783110749663
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Education, Psychology, Comm 2022 English, De Gruyter, 9783110993950
    In: EBOOK PACKAGE Education, Psychology, Communication 2022, De Gruyter, 9783110994186
    Additional Edition: ISBN 9780231185820
    Language: English
    URL: Cover
    URL: Cover
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  • 2
    UID:
    almafu_BV048862308
    Format: viii, 313 Seiten : , Illustrationen.
    ISBN: 978-1-4968-3751-6 , 978-1-4968-3750-9
    Series Statement: Tom Inge series on comics artists
    Content: Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent WorcesterA carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem "The Wild Party," and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children’s books, and various cross-media collaborations. The twelve chapters cut across Spiegelman’s career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman’s predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman’s comics—such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist’s elevation of children’s comics—the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman’s achievements in the realm of comics and beyond
    Note: 53 b&w illustrations
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4968-3752-3
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4968-3753-0
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-3754-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-3755-4
    Language: English
    Subjects: American Studies , Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
    RVK:
    Keywords: 1948- Spiegelman, Art ; Comic ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Banita, Georgiana 1980-
    Author information: Spiegelman, Art 1948-
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  • 3
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    edocfu_9958352366802883
    Format: 1 online resource
    ISBN: 9780674969490
    Note: Frontmatter -- , Contents -- , Preface -- , Introduction. The Character of Irony -- , Part I. Irony -- , 1. The Hipster as Critic -- , 2. Punk’s Positive Dystopia -- , Part II. Postirony -- , 3. How to Be a Believer -- , 4. The Work of the Coolhunter -- , Conclusion. Manic Pixie Dream Occupier -- , Notes -- , Acknowledgments -- , Index , In English.
    Additional Edition: ISBN 9780674967885
    Language: English
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  • 4
    Online Resource
    Online Resource
    Cambridge, Massachusetts :Harvard University Press,
    UID:
    edocfu_BV043719315
    Format: 1 Online-Ressource (xiii, 368 Seiten).
    ISBN: 978-0-674-96949-0
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-674-96788-5
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Literatur ; Politik ; Postmoderne ; Ironie ; Roman ; Politik ; Postmoderne ; Ironie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    UID:
    gbv_835641740
    Format: xiii, 368 Seiten
    ISBN: 9780674967885
    Content: Introduction: the character of irony -- Irony -- The hipster as critic -- Punk's positive dystopia -- Postirony -- How to be a believer -- The work of the coolhunter -- Conclusion: Manic pixie dream occupier
    Content: Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present, showing how irony migrated from the countercultural margins of the 1950s to the cultural mainstream of the 1980s. Along the way, irony was absorbed into postmodern theory and ultimately became a target of recent writers who have sought to create a practice of “postirony” that might move beyond its limitations. As a concept, irony has been theorized from countless angles, but Cool Characters argues that it is best understood as an ethos: an attitude or orientation toward the world, embodied in different character types, articulated via literary style. Lee Konstantinou traces five such types―the hipster, the punk, the believer, the coolhunter, and the occupier―in new interpretations of works by authors including Ralph Ellison, William S. Burroughs, Thomas Pynchon, Kathy Acker, Dave Eggers, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner. For earlier generations of writers, irony was something vital to be embraced, but beginning most dramatically with David Foster Wallace, dissatisfaction with irony, especially with its alleged tendency to promote cynicism and political passivity, gained force. Postirony―the endpoint in an arc that begins with naive belief, passes through irony, and arrives at a new form of contingent conviction―illuminates the literary environment that has flourished in the United States since the 1990s.
    Note: Includes bibliographical references and index , Introduction: the character of ironyIrony -- The hipster as critic -- Punk's positive dystopia -- Postirony -- How to be a believer -- The work of the coolhunter -- Conclusion: Manic pixie dream occupier.
    Additional Edition: Erscheint auch als Online-Ausgabe Konstantinou, Lee Cool Characters Cambridge, MA : Harvard University Press, 2016 ISBN 9780674969490
    Language: English
    Subjects: American Studies
    RVK:
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    Keywords: USA ; Roman ; Politik ; Postmoderne ; Ironie ; Geschichte 1945-2015
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  • 6
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    almahu_9948316546002882
    Format: xxv, 270 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: The new American canon : the Iowa series in contemporary literature and culture
    Language: English
    Keywords: Electronic books.
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  • 7
    Book
    Book
    Iowa City :University of Iowa Press,
    UID:
    almafu_BV040116701
    Format: XXV, 270 Seiten.
    ISBN: 978-1-60938-082-3 , 1-60938-082-7
    Series Statement: The new American canon
    Note: Includes bibliographical references and index
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: 1962-2008 Wallace, David Foster ; Aufsatzsammlung
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  • 8
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    almafu_9959231917602883
    Format: 1 online resource (298 p.)
    Edition: 1st ed.
    ISBN: 1-60938-104-1
    Series Statement: The new American canon : the Iowa series in contemporary literature and culture
    Content: Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008. In a sweeping portrait of Wallace's writing and thought and as a measure of his importance in literary history, The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world's most influential authors. In this elegant volume, literary critics scrutinize the existing Wallace scholarship and at t
    Note: Description based upon print version of record. , Contents; Acknowledgments; Samuel Cohen and Lee Konstantinou - Introduction: Zoologists, Elephants, and Editors; Part 1: History; Paul Giles - All Swallowed Up: David Foster Wallace and American Literature; Don DeLillo - Informal Remarks from the David Foster Wallace Memorial Service in New York on October 23, 2008; Josh Roiland - Getting Away from It All: The Literary Journalism of David Foster Wallace and Nietzsche's Concept of Oblivion; George Saunders - Informal Remarks from the David Foster Wallace Memorial Service in New York on October 23, 2008; Part 2: Aesthetics , Samuel Cohen - To Wish to Try to Sing to the Next Generation: Infinite Jest's HistoryRick Moody - Tribute Written for Wallace Family Memorial Book, 2008; Lee Konstantinou - No Bull: David Foster Wallace and Postironic Belief; David Lipsky - An Interview with David Foster Wallace; Heather Houser - Infinite Jest's Environmental Case for Disgust; Dave Eggers - Foreword to Tenth Anniversary Edition of Infinite Jest; Part 3: Community; Ed Finn - Becoming Yourself: The Afterlife of Reception , Jonathan Franzen Informal Remarks from the David Foster Wallace Memorial Service in New York on October 23, 2008Kathleen Fitzpatrick Infinite Summer:Reading, Empathy, and the Social Network; Michael Pietsch and Rick Moody On Editing David Foster Wallace: An Interview; Ira B. Nadel - Consider the Footnote; Molly Schwartzburg - Conclusion: Observations on the Archive at the Harry Ransom Center; Notes on Contributors; Permissions; Index , English
    Additional Edition: ISBN 1-60938-082-7
    Language: English
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  • 9
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    almafu_9958352366802883
    Format: 1 online resource
    ISBN: 9780674969490
    Note: Frontmatter -- , Contents -- , Preface -- , Introduction. The Character of Irony -- , Part I. Irony -- , 1. The Hipster as Critic -- , 2. Punk’s Positive Dystopia -- , Part II. Postirony -- , 3. How to Be a Believer -- , 4. The Work of the Coolhunter -- , Conclusion. Manic Pixie Dream Occupier -- , Notes -- , Acknowledgments -- , Index , In English.
    Additional Edition: ISBN 9780674967885
    Language: English
    Subjects: American Studies
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Cambridge, Massachusetts :Harvard University Press,
    UID:
    almahu_BV043513890
    Format: xiii, 368 pages.
    ISBN: 978-0-674-96788-5 , 978-0-674-96949-0
    Content: "Cool Characters tells the story of American political irony from World War II to the present: how irony came to seem politically subversive for American countercultural rebels; how mainstream culture allegedly co-opted countercultural irony; how irony became part of major critical theories of postmodernism; and how ... starting in the late 1980s ... innovative writers developed an idea of "postirony" with the hope of overcoming the political limitations of postmodern irony. To chart the shift from irony to postirony, and show what relationship culture has to politics, the book offers intensive analyses of important American countercultural figures: the hipster, the punk, a figure the author calls "the believer," the coolhunter, and the occupier; and new interpretations of important works by Ralph Ellison, Thomas Pynchon, William S. Burroughs, Kathy Acker, Michael Muhammad Knight, David Foster Wallace, Dave Eggers, Alex Shakar, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner."...Provided by publisher
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Literatur ; Politik ; Postmoderne ; Ironie ; Roman ; Politik ; Postmoderne ; Ironie
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