Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (viii, 292 Seiten) : , Illustrationen.

ISBN: 978-1-5013-4830-3 , 978-1-5013-4829-7 , 978-1-5013-4828-0

Content: "This collection re-introduces Marxism into the studies of Third Cinema and World Cinema"--

Note: Chapter 1. Exporting Cinemarxism in the 1960s: The Case of Soy Cuba / Andrei Rogatchevski -- Chapter 2. Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo / Bruce Williams -- Chapter 3. "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview / Koel Banerjee -- Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice / Isabel Seguí -- Chapter 5. Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas / Mariano Paz -- Chapter 6. Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation / Paulina Aroch and André Dorcé -- Chapter 7. We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema / Lucian Tion -- Chapter 8. Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black / David Archibald and Finn Daniels-Yeomans -- Chapter 9. Newsreel Front: A Revived Vision of Third Cinema in Slovenia / Andrej Šprah -- Chapter 10. Listening to the Future: The Film-Philosophy of Abderrahmane Sissako / William Brown -- Chapter 11. Class, Gender and Ethnicity in Alfonso Cuarón's Roma / Ewa Mazierska -- Chapter 12. 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth / Enrique Uribe-Jongbloed and Toby Miller

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-4827-3

Language: English

Subjects: General works

Keywords: Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.5040/9781501348303

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Mazierska, Ewa 1964-

UID:

Format: 1 online resource

ISBN: 9781315304076 , 1315304074 , 9781315304052 , 1315304058

Content: "In this edited collection, an international ensemble of scholars examine what contemporary cinema tells us about neoliberal capitalism and cinema, exploring whether filmmakers are able to imagine progressive alternatives under capitalist conditions. Individual contributions discuss filmmaking practices, film distribution, textual characteristics and the reception of films made in different parts of the world. They engage with topics such as class struggle, debt, multiculturalism and the effect of neoliberalism on love and sexual behaviour. Written in accessible, jargon-free language, Contemporary Cinema and Neoliberal Ideology is an essential text for those interested in political filmmaking and the political meanings of films."--Provided by publisher.

Note: Chapter Introduction / , part Part 1 Political economy of neoliberalism and its discontents -- , chapter 1 Team Loach and Sixteen Films: Authorship, collaboration, leadifership (and football)1 / , chapter 2 US independent cinema and the capitalist mode of production: complicating discourses of independence and oppositionality -- , chapter 3 The lure of becoming cinema: The role of the internet in amateur and independent filmmaking / , chapter 4 Svetlana Baskova's response to Russian national neoliberalism in For Marx ... / , part Part 2 Neoliberal winners and losers -- , chapter 5 The rise of the entrepreneur in Jia Zhangke's Words of a Journey / , chapter 6 Capitalist realism in European films about debt / , chapter 7 Bypass, obscure forces and ontological anxiety / , chapter 8 Aggressive prosperity, violent austerity in Standing Aside, Watching Rosa Barotsi -- , chapter 9 Multiplexing Marx in contemporary American cinema / , part Part 3 Love and sexual identities undifer neoliberalism -- , chapter 10 Hedges of Manhattan: The disquieting charm of the haute bourgeoisie in Jonathan Demme's Rachel Getting Married / , chapter 11 Corporations of feelings: Romantic comedy in the age of neoliberalism / , chapter 12 Why is everyone not falling in love? Love, sex and neoliberalism in film adaptations of Bret Easton Ellis' works Kamila Rymajdo -- , chapter 13 Cinema, sex tourism and globalisation in American and European cinema / , chapter 14 Polymorphous consumption: Eytan Fox's The Bubble as gated community /

Additional Edition: Print version: Contemporary cinema and ideology. New York : Routledge, 2018 ISBN 9781138235731

Language: English

Keywords: Electronic books. ; Electronic books.

URL: https://www.taylorfrancis.com/books/9781315304076

URL: lizenzpflichtig

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Format: xii, 252 Seiten , Illustrationen

ISBN: 9781138235748 , 9781138235731

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-30407-6

Language: English

Subjects: General works

Keywords: Film ; Neoliberalismus ; Politik ; Neoliberalismus ; Film ; Geschichte 2005-2016 ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Klappentext

Author information: Mazierska, Ewa 1964-

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Format: viii, 281 Seiten : , Illustrationen.

ISBN: 978-1-78238-642-1

Note: Literaturangaben

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78238-643-8

Language: English

Subjects: General works

Keywords: Film ; Marxismus ; Aktivismus ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028191923&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

Author information: Mazierska, Ewa 1964-

UID:

Format: 1 Online-Ressource (304 pages)

Edition: First edition

Edition: Also published in print

ISBN: 1501348272 , 9781501348303 , 9781501348297 , 9781501348273 , 9781501348280

Content: "This collection re-introduces Marxism into the studies of Third Cinema and World Cinema"--

Content: Chapter 1. Exporting Cinemarxism in the 1960s: The Case of Soy Cuba / Andrei Rogatchevski -- Chapter 2. Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo / Bruce Williams -- Chapter 3. "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview / Koel Banerjee -- Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice / Isabel Seguí -- Chapter 5. Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas / Mariano Paz -- Chapter 6. Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation / Paulina Aroch and André Dorcé -- Chapter 7. We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema / Lucian Tion -- Chapter 8. Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black / David Archibald and Finn Daniels-Yeomans -- Chapter 9. Newsreel Front: A Revived Vision of Third Cinema in Slovenia / Andrej éSprah -- Chapter 10. Listening to the Future: The Film-Philosophy of Abderrahmane Sissako / William Brown -- Chapter 11. Class, Gender and Ethnicity in Alfonso Cuarón's Roma / Ewa Mazierska -- Chapter 12. 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth / Enrique Uribe-Jongbloed and Toby Miller.

Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 1

Additional Edition: Erscheint auch als Druck-Ausgabe

Language: English

Keywords: Electronic books

DOI: 10.5040/9781501348303

URL: lizenzpflichtig

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Format: 1 online resource (290 pages) : , illustrations, photographs

ISBN: 9781782386438 (e-book)

Additional Edition: Print version: Marxism and film activism : screening alternative worlds. New York ; Oxford, [England] : Berghahn, c2015 ISBN 9781782386421

Language: English

Subjects: General works

Keywords: Electronic books.

URL: Click to View

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Format: 1 online resource (xvi, 207 pages)

ISBN: 9780203131152 , 9781136475566 , 9781136475450 , 9781136475559

Series Statement: Routledge contemporary Russia and Eastern Europe series

Content: pt. 1. Cultural strategies, industry and reception -- pt. 2. People, place and nation.

Additional Edition: ISBN 9780415671644

Additional Edition: ISBN 9780415731317

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415671644

Language: English

DOI: 10.4324/9780203131152

URL: lizenzpflichtig

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Format: ix, 342 Seiten , Illustrationen

ISBN: 9781780763019

Series Statement: International library of the moving image 14

Note: Literaturangaben

Language: English

Subjects: General works

Keywords: Osteuropa ; Postkolonialismus ; Film ; Geschichte 1990- ; Aufsatzsammlung

URL: Cover

URL: Inhaltsverzeichnis

Author information: Mazierska, Ewa 1964-

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Format: xvi, 207 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: Routledge contemporary Russia and Eastern Europe series

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 Online-Ressource (ix, 342 pages) , illustrations

Edition: First edition

Edition: Also available in print

ISBN: 1780763018 , 9780755603466 , 9781780763019

Series Statement: International library of the moving image 14

Content: "All countries and nations are deeply affected by their neighbours and every national cinema reflects this relationship. This book explores how postcolonial approaches can 'frame' the neighbours of people living in Eastern Europe. It elucidates how the region has evolved from being a communist extension of the Soviet Union to becoming integrated into neoliberal capitalism. Drawing on classical studies of post-coloniality by Edward Said, Gayatri C. Spivak and Homi K. Bhabha, as well as the works of theorists and historians like Janusz Korek and Jaak Kangilaski, who specialise in the Eastern European variant of postcolonialism, the book demonstrates particular sensitivity to the question of genre in investigating how neighbours fit into and shape melodramas and thrillers, heritage and war films. Contributors explore a wide range of films in relation to territory, from the steppes of the East to reunified Berlin and to Albania on the Adriatic Sea and from the streets of Tallinn to the hill slopes of Transylvania. Individual chapters situate in a new context the movies of internationally celebrated filmmakers, such as Roman Polanski, Agnieszka Holland, Nikita Mikhalkov and Jan Hrebejk, as well as introducing films by locally renowned directors, such as Wladyslaw Pasikowski, Arsen Anton Ostojic' and Leida Laius."--

Content: Postcolonial theory and the postcommunist world / Ewa Mazierska, Lars Kristensen and Eva Näripea -- "If your car is stolen, it will soon be in Poland" : criminal representations of Poland and the Poles in German fictional film of the 1990s / Kristin Kopp -- Neighbours (almost) like us : representation of Germans, Germanness and Germany in Polish communist and postcommunist cinema / Ewa Mazierska -- "I'm at home here" : Sudeten Germans in Czech postcommunist cinema / Petra Hanáková -- Jánošik : the cross-border hero / Peter Hames --

Note: Includes bibliographical references and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1

Language: English

Keywords: Electronic books

DOI: 10.5040/9780755603466

URL: lizenzpflichtig