Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

ISBN: 9780814753293 , 9780814752616

Series Statement: American Literatures Initiative

Content: Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature

Note: English

Language: Undetermined

Keywords: Criticism, interpretation, etc.

URL: kostenfrei

URL: De Gruyter

URL: EBSCOhost

URL: JSTOR

URL: Open Square

URL: Project MUSE

URL: VLeBooks

URL: De Gruyter, Cover

URL: Volltext

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (270 p.)

Edition: 1st ed.

ISBN: 0-8147-5329-9

Series Statement: American Literatures Initiative ; 4

Content: Chicano Nations argues that the trans-nationalism that is central to Chicano identity originated in the global, postcolonial moment at- the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the labouring classes. The Spanish empire then began to implode, and colonists in the ""new world"" debated the national contours of the viceroyalties. This is where Marissa K. Lopez locates the origins of Chicano literature, which is now and always has been ""post-national,"" encompassing the wealthy

Note: Description based upon print version of record. , Latinidad abroad : Sarmiento's, Zavala's, and Perez Rosales' narrative maps -- Mexicanidad at home : Mariano Vallejo's Chicano historiography -- Racialized bodies and the limits of the abstract : Maria Mena and Daniel Venegas -- More life in the skeleton : Caballero and the teleology of race -- Ana Castillo's 'distinct place in the Americas' -- Border patrol as global surveillance: post-9/11 Chicana/o detective fiction. , English

Additional Edition: ISBN 0-8147-5262-4

Additional Edition: ISBN 0-8147-5261-6

Language: English

DOI: 10.18574/9780814753293

UID:

Format: X, 258 S. : , Ill.

ISBN: 978-0-8147-5261-6 , 978-0-8147-5262-3

Note: Includes bibliographical references and index , Latinidad abroad: Sarmiento's, Zavala's, and Perez Rosales' narrative maps -- Mexicanidad at home: Mariano Vallejo's Chicano historiography -- Racialized bodies and the limits of the abstract: María Mena and Daniel Venegas -- More life in the skeleton: Caballero and the teleology of race -- Ana Castillo's 'distinct place in the Americas' -- Border patrol as global surveillance: post-9/11 Chicana/o detective fiction

Language: English

Subjects: American Studies

Keywords: Chicanos ; Literatur

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024491427&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

URL: Inhaltsverzeichnis

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Format: x, 258 p.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Note: Latinidad abroad : Sarmiento's, Zavala's, and Perez Rosales' narrative maps -- Mexicanidad at home : Mariano Vallejo's Chicano historiography -- Racialized bodies and the limits of the abstract : Maria Mena and Daniel Venegas -- More life in the skeleton : Caballero and the teleology of race -- Ana Castillo's 'distinct place in the Americas' -- Border patrol as global surveillance: post-9/11 Chicana/o detective fiction.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: x, 258 p.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Note: Latinidad abroad : Sarmiento's, Zavala's, and Perez Rosales' narrative maps -- Mexicanidad at home : Mariano Vallejo's Chicano historiography -- Racialized bodies and the limits of the abstract : María Mena and Daniel Venegas -- More life in the skeleton : Caballero and the teleology of race -- Ana Castillo's 'distinct place in the Americas' -- Border patrol as global surveillance: post-9/11 Chicana/o detective fiction.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: ix, 191 Seiten : , Illustrationen.

ISBN: 978-1-4798-1390-2 , 978-1-4798-0772-7

Content: Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. Lopez argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, Lopez explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Pinata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, Lopez models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

Language: English

Subjects: American Studies

Keywords: Chicanos ; Literatur ; Kultur

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Format: 1 online resource (146 pages)

ISBN: 1-4798-7767-0

Series Statement: NYU scholarship online

Content: Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art.0'Racial Immanence' attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. 'Racial Immanence' proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. 'Racial Immanence' takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writers and artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.

Note: Previously issued in print: 2019. , Introduction: "Santa Anna's wooden leg and other things about the chicanx body; or, what are we really talking about when we talk about chicanx literature?? -- Race: Dagoberto Gilb's phenomenology -- Face: Cecile Pineda's spectacular blank slate -- Place: authenticity, metaphor, and AIDS in Gil Cuadros and Sheila Ortiz Taylor -- Waste: the trash fiction of Alejandro Morales, Beatriz Pita, and Rosaura Sánchez -- Coda: accordions of abjection: genealogies of chicanx punk. , Issued also in print.

Additional Edition: ISBN 1-4798-0772-9

Language: English

Keywords: Criticism, interpretation, etc. ; Criticism, interpretation, etc.

DOI: 10.18574/9781479877676

UID:

Format: 1 online resource

ISBN: 9780814753293

Series Statement: American Literatures Initiative ; 4

Content: Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries.López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Nuevas Fronteras / New Frontiers -- , Part 1. Imagining the Americas -- , 1. Latinidad Abroad: The Narrative Maps of Sarmiento, Zavala, and Pérez Rosales -- , 2. Mexicanidad at Home: Mariano Vallejo’s Chicano Historiography -- , Part 2. Inhabiting America -- , 3. Racialized Bodies and the Limits of the Abstract: María Mena and Daniel Venegas -- , 4. More Life in the Skeleton: Caballero and the Teleology of Race -- , Part 3. American Diasporas -- , 5. Ana Castillo’s “distinct place in the Americas” -- , 6. Border Patrol as Global Surveillance: Post-9/11 Chicana/o Detective Fiction -- , Conclusion: “ . . . Walking in the Dark Forest of the Twenty-First Century” -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.

Language: English

DOI: 10.18574/9780814753293

URL: https://www.degruyter.com/isbn/9780814753293

URL: https://www.degruyter.com/isbn/9780814753293

UID:

Format: 1 online resource : , 19 black and white illustrations

ISBN: 9781479877676

Content: Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.

Note: Frontmatter -- , Contents -- , Introduction. Santa Anna’s Wooden Leg and Other Things about the Chicanx Body; or, What Are We Really Talking about When We Talk about Chicanx Literature? -- , 1. RACE: Dagoberto Gilb’s Phenomenology -- , 2. FACE: Cecile Pineda’s Spectacular Blank Slate -- , 3. PLACE: Authenticity, Metaphor, and AIDS in Gil Cuadros and Sheila Ortiz Taylor -- , 4. WASTE: The Trash Fiction of Alejandro Morales, Beatrice Pita, and Rosaura Sánchez -- , Coda. Accordions of Abjection: Genealogies of Chicanx Punk -- , Acknowledgments -- , Notes -- , Works Cited -- , Index -- , About the Author , In English.

Language: English

DOI: 10.18574/9781479877676

URL: https://www.degruyter.com/isbn/9781479877676

URL: https://www.degruyter.com/isbn/9781479877676

UID:

Format: 1 online resource : , illustrations (black and white)

ISBN: 9780814753293 (ebook) :

Content: This volume argues that the trans-nationalism central to Chicano identity originated in the global, postcolonial moment at the turn of the 19th century rather than as an effect of contemporary economic conditions.

Additional Edition: Print version : ISBN 9780814752616

Language: English

URL: New York scholarship online