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  • 1
    Online Resource
    Online Resource
    Kino Lorber Edu, | [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609354002882
    Format: 1 online resource (streaming video file) (82 minutes): , digital, .flv file, sound , 012121
    Content: Constructed from a wealth of archival footage, King: a filmed record ... Montgomery to Memphis is a monumental documentary that follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood's biggest stars. King was originally presented as a one-night-only special event on March 20, 1970, at an epic length of more than three hours (plus intermission). Since that time, the film has occasionally been circulated in a version shortened by more than an hour. Newly restored by the Library of Congress, in association with Richard Kaplan, and utilizing film elements provided by The Museum of Modern Art, the original version of King can again be seen in its entirety, mastered in HD from the 35mm preservation negative. Admitted to the National Film Registry in 1999, King is a cinematic national treasure that allows viewers to be first-hand witnesses to Dr. King's crusade, and thereby gain a fuller appreciation of both the personal challenges he endured and the vast cultural legacy he left behind.
    Note: Title from title frames. , Originally produced by Kino Lorber Edu in 1970. , Mode of access: World Wide Web.
    Language: English
    Keywords: Documentary films. ; Documentary films.
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  • 2
    AV-Medium
    AV-Medium
    New York, NY : Kino on Video
    UID:
    kobvindex_ZLB13560415
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_ZLB13437366
    Format: 1 Videokass. (ca. 135 Min.) : s/w
    Note: Dt.
    Language: German
    Keywords: King, Martin Luther ; Videokassette ; Videokassette
    Author information: Lumet, Sidney
    Author information: King, Martin Luther
    Author information: Mankiewicz, Joseph L.
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  • 4
    UID:
    kobvindex_ZLB34362539
    Format: 2 Blu-ray Disc (239/178 min + Bonus) , 1920x1080p ; 1,85:1
    Edition: new 2K restoration
    Series Statement: Kino Classics
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." In the faded light of Harry Hope's 1912 skid row bar, a rag tag group of fallen men, each like a ghost haunting the wreckage of his own life, await the annual arrival of Hickey (Lee Marvin). This year, however, the charismatic Hickey brings not the usual rounds of drinks and pats on the back, but the unwelcome news that he's off the sauce for good and has come to persuade Hope's drunks to do the same. One by one, the regulars' booze-basted pipe dreams come under Hickey's leering microscope until finally the most shocking self-deception turns out to be Hickey's own. Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (from the container)
    Content: Extras: Theatrical trailer. "Eugene O'Neill and The Iceman Cometh" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for The Iceman Cometh. Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Orig.: USA, 1973 , Untertitel für Hörgeschädigte: englisch (optional)
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Film
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
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  • 5
    UID:
    kobvindex_ZLB15639005
    Format: 1 BD (ca. 170 Min.): s/w , English DTS-HD MA 1.0 , 1920x1080p (1.85:1)
    Note: Orig.: USA, 1962 , Ländercode: A , US Import
    Language: English
    Author information: Lumet, Sidney
    Author information: O'Neill, Eugene
    Author information: Hepburn, Katharine
    Author information: Previn, André
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    kobvindex_ZLB13531134
    Format: 2 DVD-Video (ca. 239 min) , 1 Beilage , 1.85:1 ; 16x9 Letterboxed
    Series Statement: The American film theatre collection : [DVD Video]
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." In the faded light of Harry Hope's 1912 skid row bar, a rag tag group of fallen men, each like a ghost haunting the wreckage of his own life, await the annual arrival of Hickey (Lee Marvin). This year, however, the charismatic Hickey brings not the usual rounds of drinks and pats on the back, but the unwelcome news that he's off the sauce for good and has come to persuade Hope's drunks to do the same. One by one, the regulars' booze-basted pipe dreams come under Hickey's leering microscope until finally the most shocking self-deception turns out to be Hickey's own. Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (from the container)
    Content: Extras: Theatrical trailer. "Eugene O'Neill and The Iceman Cometh" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for The Iceman Cometh. Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Orig.: USA, 1973
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview ; Film
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    kobvindex_ZLB13773482
    Format: 1 DVD Video (ca. 171/51 Min.) , Bildformat: 16:9 anamorph Widescreen
    Series Statement: The American film theatre collection : [DVD-Video]
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." ... Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (Covertext)
    Content: Extras: Special features: Specially filmed interviews: 1. with Edie Landau (about the project of The American Film Theatre, the plays they choose to film, and how the enterprise eventually failed (23 min.); 2. with Richard Peña, the director of the New York Film Festival and Director of the Film Society of Lincoln Centre (overview of the whole American Film Theatre project, 21 min.). AFT trailer gallery. AFT cinebill for 'The Iceman Cometh' (cinebills were similar to theatre programmes and were given to cinema audience). Poster. Letter from Ely Landau. The AFT - a short history. Article - In the booklet: 'Eugene O'Neill and The Iceman Cometh' by Michael Feingold.
    Note: Ländercode: 0 , verkürzte Version; Laufzeit des Originals:ca. 233 Min.
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
    Author information: Bridges, Jeff
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    kobvindex_ZLB15515241
    Format: 109 Min./ 96 Min. , Bildformat: 16:9 anamorphic widescreen
    Content: In North London, an all-male beehive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of The Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificient Ian Holm (Lord of the Rings, The Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, he gets far more and less than he bargained for. To Teddy's rueful discomfort, Ruth's Mona Lisa smile forms the gateway to a labyrinth of Freudian dread, venal family values, and naked neediness that could only come from the mind of Harold Pinter. Director Sir Peter hall re-renders his original Royal Shakespeare Company London stage triumph as a bleached, claustrophobic delirium that exploits the jagged tempos and seductive tensions of Pinter's best play as no theater staging could. The New York Times declared the American Film Theatre's production of The Homecoming, "a movie of astonishing dynamism." Indeed, director Atom Agoyan (The Sweet Hereafter) went so far as to say, "I often find myself seeking solace from this film. Its poetry and twisted sense of compassion and humor have assuaged many moments of despair and confusion. Other people have religion, I have my copy of The Homecoming." (from the container)
    Content: Extras: An interview with cinematographer David Watkin (about the challenges of lighting and photographing The Homecoming,25 min.). Interview with Sir Peter Hall (about the differences between theatre and cinema and how The Homecoming as a piece fits in between and how a director and actor should work with Pinter's dialogues and pauses, 27 min.)Theatrical trailer. The AFT Cinebill for The Homecoming Stills Gallery. Interview with Otto Plaschkes (The Executive Producer of the AFT series talks about the approach to putting these famous plays onto the screen, 22 min.). Interview with Richard Peña (overview of the whole American Film Theatre project,21 min.).
    Note: Ländercode: 0 , Special features: specially filmed interviews with Sir Peter Hall, David Watkin, Otto Plaschkes and Richard Pena ; AFT trailer gallery; AFT cinebill for the Homcoming ; stills gallery ; thetrical posters ; article: Peter Hall "Changing rooms" from the Guardian
    In: Pinter's progress : [DVD-Video], Dundee, 2010, (2010)
    Language: English
    Keywords: Literatur / Verfilmung ; Kameraarbeit ; Interview ; DVD-Video ; Inszenierung ; American Film Theatre ; Literatur / Verfilmung ; Kommentar ; DVD-Video ; American Film Theatre ; Interview ; DVD-Video ; Kommentar ; DVD-Video ; Interview ; Interview ; Kommentar
    Author information: Monk, Thelonious
    Author information: Pinter, Harold
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    kobvindex_ZLB13560749
    Format: 1 DVD Video (ca. 104 Min.) , 1 Beil. , Bildformat: 1.85:1 ; 16x9 Letterboxed
    Series Statement: The American film theatre collection : [DVD Video]
    Content: Reunited for the only time after their triumph in Mel Brooks' The Producers, Gene Wilder and Zero Mostel catapult their shared genius for elegant slapstick, manic wit, and sly satire to a level of fearless absurdity that virtually no other comedy team would dare approach. Director Tom O'Horgan, originator of the Broadway smash hit Hair, transforms playwright Eugene Ionesco's "Theater of the Absurd" curio Rhinoceros into a fluid, character-rich screen comedy that The Hollywood Reporter dubbed, "an excellent film." In the face of a modern urban life devoid of anything but an uninterrupted parade of dehumanizing compromise and disappointment, Stanley (Wilder) tenuously guards his fragile individuality in between gulps of booze. The only solace he enjoys is commiseration with his self-consciously sophisticated neighbor John (Mostel), and his unspoken adoration of a warmly sympathetic co-worker Daisy (70s cult object Karen Black). But as a surreal comic apocalypse begins to transform, one by one, everyone into a rhinoceros, the non-conformism that seemed like Stanley's downfall may be his only salvation. Re-creating the role he originated on stage, Mostel delivers the most jaw-droppingly bravura performance of his career, playing off both Wilder's and his own incredulous terror as the fussy, prissy John metamorphoses (entirely without make-up or camera tricks) into a bellowing rhinoceros. Mostel, Wilder, and Black's generous characterizations and pitch-perfect comic timing streamline Rhinoceros's convulsive outrageousness into an ardent valentine to both knockabout screen comedy and Ionesco's experimental and timely satire. (from the container)
    Content: Extras: An interview with director Tom O'Horgan. Theatrical trailer. "Eugene Ionesco and Rhinoceros" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for Rhinoceros Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Orig.: USA/Großbritannien/Kanada, 1974 , Engl.
    Language: English
    Keywords: Ionesco, Eugène 〈1909-1994〉. Les rhinocéros ; Inszenierung ; American Film Theatre ; Interview ; DVD-Video ; American Film Theatre ; DVD-Video ; Interview ; DVD-Video ; Interview
    Author information: Ionesco, Eugène
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    kobvindex_ZLB13765100
    Format: 1 DVD Video (ca. 110/96 Min.) : s/w , Tonformat: DD/2.0 (engl.) , Bildformat: 16:9 anamorphic widescreen
    Series Statement: The American film theatre collection : [DVD-Video]
    Content: In North London, an all-male beehive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of The Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificient Ian Holm (Lord of the Rings, The Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, he gets far more and less than he bargained for. To Teddy's rueful discomfort, Ruth's Mona Lisa smile forms the gateway to a labyrinth of Freudian dread, venal family values, and naked neediness that could only come from the mind of Harold Pinter. Director Sir Peter hall re-renders his original Royal Shakespeare Company London stage triumph as a bleached, claustrophobic delirium that exploits the jagged tempos and seductive tensions of Pinter's best play as no theater staging could. The New York Times declared the American Film Theatre's production of The Homecoming, "a movie of astonishing dynamism." Indeed, director Atom Agoyan (The Sweet Hereafter) went so far as to say, "I often find myself seeking solace from this film. Its poetry and twisted sense of compassion and humor have assuaged many moments of despair and confusion. Other people have religion, I have my copy of The Homecoming." (from the container)
    Content: Extras: An interview with cinematographer David Watkin (about the challenges of lighting and photographing The Homecoming,25 min.). Interview with Sir Peter Hall (about the differences between theatre and cinema and how The Homecoming as a piece fits in between and how a director and actor should work with Pinter's dialogues and pauses, 27 min.)Theatrical trailer. The AFT Cinebill for The Homecoming Stills Gallery. Interview with Otto Plaschkes (The Executive Producer of the AFT series talks about the approach to putting these famous plays onto the screen, 22 min.). Interview with Richard Peña (overview of the whole American Film Theatre project,21 min.).
    Note: Ländercode: 0 , Special features: specially filmed interviews with Sir Peter Hall, David Watkin, Otto Plaschkes and Richard Pena ; AFT trailer gallery; AFT cinebill for the Homcoming ; stills gallery ; thetrical posters ; article: Peter Hall "Changing rooms" from the Guardian
    Language: English
    Keywords: Literatur / Verfilmung ; Kameraarbeit ; Interview ; DVD-Video ; Inszenierung ; American Film Theatre ; Literatur / Verfilmung ; Kommentar ; DVD-Video ; American Film Theatre ; Interview ; DVD-Video ; Kommentar ; DVD-Video ; Interview ; Interview ; Kommentar
    Author information: Monk, Thelonious
    Author information: Pinter, Harold
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