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  • 1
    UID:
    almafu_BV040027641
    Format: X, 176 S. : , Ill. ; , 24 cm.
    ISBN: 978-1-4094-4870-9
    Note: Literaturangaben
    Language: English
    Subjects: Philosophy , English Studies
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    Keywords: 1809-1882 Darwin, Charles ; Rezeption ; Ästhetik ; Kunst ; Kultur ; 1809-1882 Darwin, Charles ; Ästhetik ; Kulturtheorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Flach, Sabine 1965-
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  • 2
    UID:
    almahu_BV047287367
    Format: 1 Online-Ressource (x, 278 Seiten).
    ISBN: 978-1-350-18235-6
    Content: Constructing Race on the Borders of Europe investigates the visual imagery (in painting, photography, prints, film, and design) of race construction primarily in Scandinavia and the empires of Austro-Hungary, Germany, and Russia at a time when the disciplines of ethnography and anthropology were expanding and publications on race were debating competing theories of biological, geographic, linguistic, and cultural determinants. These regions, while on the periphery of continental Europe, largely marginalized in the scholarship of nineteenth-century art history, and ignored by Edward Said (Orientalism 1978), have been central locations for theorizing white identity and for containing diverse ethnic populations that have generated substantive ethnographic study and regional conflicts since the eighteenth century. This anthology explores art that engaged with ethnography and anthropology to shape visual representations of subordinate ethnic populations and material cultures, both indigenous (Roma, Sámi, Inuit, and Celts) and migrant or colonial (Muslims and Blacks), chiefly between 1850 and 1930, but extending into the early twenty-first century. The essays in this book contribute to postcolonial research by documenting colonial-style treatment of minority groups and by seeking to qualify binary systems through explorations of anomalies, complexities, and contradictions that emerge when seen from the perspective of the fine and applied arts. This book presents a range of different artistic voices that responded to ethnographic and anthropological information by producing images or objects that adopted, altered, or critiqued that information. The authors seek to uncover instances of connections and variability, to establish the fabricated nature of ethnic identity, and to challenge the certainties of racial categorization.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-18232-5
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3501-8233-2
    Language: English
    Subjects: Ethnology
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    Keywords: Visuelle Medien ; Rassismus ; Ethnologie ; Geschichte ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Morton, Marsha.
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  • 3
    Book
    Book
    Hanover, NH [u.a.] : Univ. Press of New England
    UID:
    gbv_1621371441
    Format: IX, 332 S. , Ill.
    Edition: 1. ed.
    ISBN: 9781584657750
    Series Statement: Interfaces, studies in visual culture
    Content: Darwin in caricature: a study in the popularization and dissemination of evolutionary theory / Janet Browne -- Ugly disagreements: Darwin and Ruskin discuss sex and beauty / Phillip Prodger -- From monera to man: Ernst Haeckel, Darwinismus, and nineteenth-century German art / Marsha Morton -- Protoplasmania: Huxley, Haeckel, and the vibratory organism in late nineteenth-century science and art / Robert Michael Brain -- Framing Darwin: a portrait of eugenics / Fae Brauer -- "One of a long row only": sexual selection and the male gaze in Thomas Hardy's Tess of the D'Urbervilles / James Krasne -- Darwin's sexual selection and the jealous male in art in fin-de-siècle art / Barbara Larson -- Wild beasts and tame primates: "Le Doaunier" Rousseau's dream of Darwin's evolution / Fae Brauer -- Imag(in)ing post-revolutionary evolution: the Taylorized proletarian, "conditioning" and Soviet Darwinism in the 1920s / Pat Simpson -- Emotional fusion with the animal kingdom: notes toward a natural history of surrealism / Gavin Parkinson -- Darwin on the threshold of the visible: contemporary art and evolution / Sara Barnes and Andrew Patrizio
    Note: Includes bibliographical references and index , Darwin in caricature: a study in the popularization and dissemination of evolutionary theory / Janet BrowneUgly disagreements: Darwin and Ruskin discuss sex and beauty / Phillip Prodger -- From monera to man: Ernst Haeckel, Darwinismus, and nineteenth-century German art / Marsha Morton -- Protoplasmania: Huxley, Haeckel, and the vibratory organism in late nineteenth-century science and art / Robert Michael Brain -- Framing Darwin: a portrait of eugenics / Fae Brauer -- "One of a long row only": sexual selection and the male gaze in Thomas Hardy's Tess of the D'Urbervilles / James Krasner -- Darwin's sexual selection and the jealous male in fin-de-siècle art / Barbara Larson -- Wild beasts and tame primates: "Le Douanier" Rousseau's dream of Darwin's evolution / Fae Brauer -- Imag(in)ing post-revolutionary evolution: the Taylorized proletarian, "conditioning", and Soviet Darwinism in the 1920s / Pat Simpson -- Emotional fusion with the animal kingdom: notes toward a natural history of surrealism / Gavin Parkinson -- Darwin on the threshold of the visible: contemporary art and evolution / Sara Barnes and Andrew Patrizio. , Darwin in caricature: a study in the popularization and dissemination of evolutionary theory , Ugly disagreements: Darwin and Ruskin discuss sex and beauty , From monera to man: Ernst Haeckel, Darwinismus, and nineteenth-century German art , Protoplasmania: Huxley, Haeckel, and the vibratory organism in late nineteenth-century science and art , Framing Darwin: a portrait of eugenics , "One of a long row only": sexual selection and the male gaze in Thomas Hardy's Tess of the D'Urbervilles , Darwin's sexual selection and the jealous male in art in fin-de-siècle art , Wild beasts and tame primates: "Le Doaunier" Rousseau's dream of Darwin's evolution , Imag(in)ing post-revolutionary evolution: the Taylorized proletarian, "conditioning" and Soviet Darwinism in the 1920s , Emotional fusion with the animal kingdom: notes toward a natural history of surrealism , Darwin on the threshold of the visible: contemporary art and evolution
    Language: English
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    Keywords: Darwin, Charles 1809-1882 ; Naturwissenschaften ; Rezeption ; Kunst ; Geschichte 1870-2005 ; Karikatur ; Darwin, Charles 1809-1882 ; Motiv ; Darwin, Charles 1809-1882 ; Naturwissenschaften ; Rezeption ; Kunst ; Geschichte 1870-2005 ; Karikatur ; Motiv ; Aufsatzsammlung
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  • 4
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV047142655
    Format: ix, 277 Seiten : , Illustrationen.
    ISBN: 978-1-3501-8232-5
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-3501-8233-2
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-3501-8234-9
    Language: English
    Subjects: Ethnology
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    Keywords: Visuelle Medien ; Rassismus ; Ethnologie ; Geschichte ; Aufsatzsammlung
    Author information: Morton, Marsha.
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  • 5
    Online Resource
    Online Resource
    London ; : Bloomsbury Visual Arts, | [London, England] :Bloomsbury Publishing,
    UID:
    edocfu_9961565884702883
    Format: 1 online resource (304 pages).
    Edition: First edition.
    ISBN: 1-350-18234-6 , 1-350-18235-4 , 1-350-18233-8
    Content: "Constructing Race on the Borders of Europe investigates the visual imagery (in painting, photography, prints, film, and design) of race construction primarily in Scandinavia and the empires of Austro-Hungary, Germany, and Russia at a time when the disciplines of ethnography and anthropology were expanding and publications on race were debating competing theories of biological, geographic, linguistic, and cultural determinants. These regions, while on the periphery of continental Europe, largely marginalized in the scholarship of nineteenth-century art history, and ignored by Edward Said (Orientalism 1978), have been central locations for theorizing white identity and for containing diverse ethnic populations that have generated substantive ethnographic study and regional conflicts since the eighteenth century. This anthology explores art that engaged with ethnography and anthropology to shape visual representations of subordinate ethnic populations and material cultures, both indigenous (Roma, Sámi, Inuit, and Celts) and migrant or colonial (Muslims and Blacks), chiefly between 1850 and 1930, but extending into the early twenty-first century. The essays in this book contribute to postcolonial research by documenting colonial-style treatment of minority groups and by seeking to qualify binary systems through explorations of anomalies, complexities, and contradictions that emerge when seen from the perspective of the fine and applied arts. This book presents a range of different artistic voices that responded to ethnographic and anthropological information by producing images or objects that adopted, altered, or critiqued that information. The authors seek to uncover instances of connections and variability, to establish the fabricated nature of ethnic identity, and to challenge the certainties of racial categorization"--
    Note: From folk to a folk race : Carl Arbo and national romantic anthropology in Norway / Patricia G. Berman -- Brigands and virtuous musicians : representations of Roma ("Gypsies") as oriental other in the eastern part of the Habsburg Monarchy during the eighteenth and nineteenth centuries / Robert Born and Dirk Suckow -- Children of the narod : early Soviet children's books' racialization of childhood / Marie Gasper-Hulvat. , Also published in print.
    Additional Edition: ISBN 1-350-18232-X
    Language: English
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  • 6
    UID:
    gbv_544595246
    Format: Tab.; Lit.
    ISSN: 0091-4150
    Note: Band: 29; Heft: 1; Seiten: 67-82
    In: The international journal of aging & human development, Thousand Oaks, Calif. [u.a.] : Sage, 1973, 29(1989), 1, Seite 67-82, 0091-4150
    In: volume:29
    In: year:1989
    In: number:1
    In: pages:67-82
    Language: English
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  • 7
    Book
    Book
    University Park, Penn : Pennsylvania State University Press
    UID:
    gbv_478887531
    Format: XII, 256 S , zahlr. Ill
    ISBN: 0271024674
    Series Statement: Refiguring modernism
    Note: Includes bibliographical references and index , Science and romantic naturalism in the early work of Redon : 1855-1870Nationalism, naturalism, fantastique réel -- Evolution and degeneration -- The microbe -- Cosmos -- The unconscious mind and the dream -- Scientific fantasy in context -- The natural, the spiritual, and the ideal : the 1890s. , Science and romantic naturalism in the early work of Redon: 1855/1870 -- Nationalism, naturalism, fantastique réel -- Evolution and degeneration -- Microbe -- Cosmos -- Unconscious mind and the dream -- Scientific fantasy in context -- Natural, the spiritual, and the ideal: the 1890s
    Language: English
    Subjects: Art History
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    Keywords: Redon, Odilon 1840-1916 ; Das Groteske ; Unbewusstes ; Redon, Odilon 1840-1916 ; Kunst ; Melancholie ; Das Fantastische ; Wissenschaft ; Bildband
    Author information: Redon, Odilon 1840-1916
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  • 8
    UID:
    kobvindex_INT73696
    Format: xi, 168 pages ; , 21 cm
    ISBN: 9780197684962 , 9780197684955
    Content: In Remote and Hybrid Work: What Everyone Needs to Know®, long-time remote work scholar and consultant Barbara Z. Larson provides an accessible and critical resource for understanding the remote and virtual workplace, and how to lead in this new work environment. Remote and hybrid work have become defining features of the twenty-first century workplace, and affect almost all of us, including those who work daily in the office. As many people discover the benefits and challenges of working from home, co-workers are contending with emptier offices and virtual teams, managers are learning how to lead from a distance, and businesses and governments are working through the policy implications of a new model of work. In Remote and Hybrid Work: What Everyone Needs to Know®, Barbara Z. Larson addresses key questions regarding the contemporary workplace: what is the difference between virtual work and remote work? How common is remote work, and what changed due to the COVID-19 pandemic? Is there a particular type of person who is better suited for remote work? What are the effects of using technology to monitor remote workers? What are the societal benefits and costs of remote work? What has happened to companies that have tried to go fully remote, with no offices at all? Larson looks carefully into the challenges and opportunities that people and companies face today as work changes. Chapters address the issues that vital stakeholders experience in remote-work environments, including the remote worker, remote teams, managers of remote workers, and companies with remote workforces. Larson also incorporates real-world examples to illustrate key points and demonstrate best practices. Readers will learn from more than thirty years of extensive research by scholars in the areas of applied psychology, organizational behavior, computer-mediated communication, and organizational economics. Remote and Hybrid Work: What Everyone Needs to Know® is a critical resource for understanding this new model of work.
    Note: 1. Introduction to Remote and Hybrid Work2. The Individual's Experience of Virtuality and Virtual Communication3. The Worker's Experience of Remote and Hybrid Work4. Managers: Supervising Remote Workers and Managing Remotely 5. Teams: Working Virtually and Working Remotely6. Companies: Optimizing Virtual and Remote Work Practices7. Government and Society: The Impact of Widespread Remote Work8. Future Trends in Remote and Hybrid Work
    Language: English
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  • 9
    UID:
    edocfu_9961060039802883
    Format: 1 online resource (267 p.)
    ISBN: 9781685853211
    Content: The authors analyze the interplay of reforms in the political, economic, and social spheres in Tunisia, as well as the interaction of social pressures and government policies.
    Note: Frontmatter -- , Contents -- , Tables and Figures -- , Acknowledgments -- , Map of Tunisia -- , Introduction -- , PART I POLITICAL REFORM -- , 1 The Conduct of Political Reform: The Path Toward Democracy -- , 2 Clientelism and Reform in ben Ali's Tunisia -- , 3 Tunisian Industrialists and the State -- , 4 Tunisian Banking: Politics of Adjustment and the Adjustment of Politics -- , PART 2 ECONOMIC RESTRUCTURING -- , 5 The Social Pressure on Economic Development in Tunisia -- , 6 The Tunisian State Enterprises and Privatization Policy -- , 7 Private Sector Development Through Public Sector Restructuring? The Cases of the Gafsa Phosphate Company and the Chemical Group -- , 8 Rural Development in Central Tunisia: Constraints and Coping Strategies -- , 9 The Desert Locust: Agricultural and Environmental Impact -- , PART 3 SOCIAL RESISTANCE -- , 10 Islamic Reform in Contemporary Tunisia: Unity and Diversity -- , 11 The Islamicist Movement and November 7 -- , 12 The New Strategy of the Movement of the Islamic Way: Manipulation or Expression of Political Culture? -- , PART 4 REFORM AND FOREIGN RELATIONS -- , 13 Tunisian Foreign Policy: Continuity and Change Under Bourguiba and ben Ali -- , Bibliography -- , About the Contributors -- , Index -- , About the Book , In English.
    Additional Edition: ISBN 9781555872304
    Language: English
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  • 10
    UID:
    gbv_483385689
    Format: zahlr. Ill
    ISSN: 0391-9064
    Note: Zsfassung
    In: Artibus et historiae, Cracow [u.a.] : IRSA, 1980, 25(2004), 50, Seite 127-138, 241, 0391-9064
    In: volume:25
    In: year:2004
    In: number:50
    In: pages:127-138, 241
    Language: English
    Keywords: Redon, Odilon 1840-1916 ; Deutsch-Französischer Krieg ; Symbolismus
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