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  • 1
    Online Resource
    Online Resource
    The literariness of media art / (2019)
    New York, NY :Routledge,
    Details
    UID:
    almahu_9949068651902882
    Format: 1 online resource (x, 320 pages) : , illustrations (black & white); digital file(s).
    ISBN: 1-351-60871-1 , 1-351-60870-3 , 1-315-10798-8 , 1-138-09152-9
    Content: The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and other media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama.
    Note: Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art. , Also available in print form.
    Additional Edition: Print version (hardback): ISBN 9781138091511
    Additional Edition: ISBN 1138091510
    Additional Edition: Print version (paperback): ISBN 9781138091528
    Additional Edition: ISBN 1138091529
    Language: English
    DOI: 10.4324/9781315107981
    URL: kostenfrei
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    Stabi Berlin
    HU Berlin
    FU Berlin
    Charité
    MPI Bildungsforschung
  • 2
    Online Resource
    Online Resource
    Appropriations of Literary Modernism in Media Art : Cultural Memory and the Dynamics of Estrangement (2021)
    Berlin ; : De Gruyter,
    Details
    UID:
    almahu_9949296964902882
    Format: 1 online resource (VIII, 239 p.)
    ISBN: 9783110729900 , 9783110766820
    Series Statement: Media and Cultural Memory / Medien und kulturelle Erinnerung , 33
    Content: By analyzing appropriations of literary modernism in video, experimental film, and installation art, this study investigates works of media art as agents of cultural memory. While research recognizes film and literature as media of memory, it often overlooks media art. Adaptation studies, art history, and hermeneutics help understand 'appropriation' in art in terms of a dialog between an artwork, a text, and their contexts. The Russian Formalist notion of estrangement, together with new concepts from literary, film, and media studies, offers a new perspective on 'appropriation' that illuminates the sensuous dimension of cultural memory . Media artworks make memory palpable: they address the collective body memory of their viewers, prompting them to reflect on the past and embody new ways of remembering. Five contextual close-readings analyze artworks by Janis Crystal Lipzin, William Kentridge, Mark Aerial Waller, Paweł Wojtasik, and Tom Kalin. They appropriate modernist texts by Gertrude Stein, Italo Svevo, Louis-Ferdinand Céline, Guillaume Apollinaire, Virginia Woolf, and Robert Musil. This book will be of value to readers interested in cultural memory, sensory studies, literary modernism, adaptation studies, and art history.
    Note: Diss. Universität Hamburg. , Frontmatter -- , Acknowledgements -- , Contents -- , 1 Introduction -- , 2 Appropriation, Estrangement, Memories: Theoretical Configurations -- , 3 Actualizing Modernism: Case Studies -- , 4 Conclusion -- , Works Cited -- , List of Figures -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: DG Plus DeG Package 2022 Part 1, De Gruyter, 9783110766820
    In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899
    Additional Edition: ISBN 9783110729986
    Additional Edition: ISBN 9783110720884
    Language: English
    Keywords: Hochschulschrift ; Hochschulschrift
    DOI: 10.1515/9783110729900
    URL: https://doi.org/10.1515/9783110729900
    URL: https://www.degruyter.com/isbn/9783110729900
    URL: Cover
    URL: https://doi.org/10.1515/9783110729900
    URL: https://www.degruyter.com/isbn/9783110729900
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: https://doi.org/10.1515/9783110729900
    URL: https://www.degruyter.com/isbn/9783110729900
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  • 3
    Book
    Book
    The literariness of media art (2019)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    UID:
    b3kat_BV045334839
    Format: x, 320 Seiten , Illustrationen
    ISBN: 9781138091511 , 9781138091528
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-10798-1
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Slavic Studies
    RVK:
    LH 65829
    RVK:
    EC 1859
    RVK:
    KK 1030
    Keywords: Aufsatzsammlung ; Bibliografie ; Festschrift ; Konferenzschrift
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    Author information: Benthien, Claudia 1965-
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  • 4
    Online Resource
    Online Resource
    The Literariness of Media Art (2019)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1778508812
    Format: 1 Online-Ressource (330 p.)
    ISBN: 9781138091528
    Content: “Language can be this incredibly forceful material—there’s something about it where if you can strip away its history, get to the materiality of it, it can rip into you like claws” (Hill in Vischer 1995, 11). This arresting image by media artist Gary Hill evokes the nearly physical force of language to hold recipients in its grip. That power seems to lie in the material of language itself, which, with a certain rawness, may captivate or touch, pounce on, or even harm its addressee. Hill’s choice of words is revealing: ‘rip into’ suggests not only a metaphorical emotional pull but also the literal physicality of linguistic attack. It is no coincidence that the statement comes from a media artist, since media artworks often use language to produce a strong sensorial stimulus. Media artworks not only manipulate language as a material in itself, but they also manipulate the viewer’s perceptual channels. The guises and effects of language as artistic material are the topic of this book, The Literariness of Media Art
    Note: English
    Language: English
    URL: kostenfrei
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    The Literariness of Media Art. (2018)
    Milton :Taylor & Francis Group,
    Details
    UID:
    almahu_9949517473402882
    Format: 1 online resource (331 pages)
    ISBN: 9781351608718
    Additional Edition: Print version: Benthien, Claudia The Literariness of Media Art Milton : Taylor & Francis Group,c2018 ISBN 9781138091511
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    URL: lizenzpflichtig
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  • 6
    Online Resource
    Online Resource
    The literariness of media art / (2018)
    London :Routledge,
    Details
    UID:
    kobvindex_HPB1064669671
    Format: 1 online resource
    Edition: 1st
    ISBN: 9781351608701 , 1351608703 , 9781351608718 , 1351608711 , 9781351608695 , 135160869X , 9781315107981 , 1315107988 , 1138091510 , 9781138091511 , 1138091529 , 9781138091528
    Content: "The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha 4 Rosler, and Lawrence Weiner. These artists, much like the young Russian and German scholars of the 20th century, use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and many more media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama"--
    Note: 〈BLOCKQUOTE〉〈P〉List of Figures〈/P〉〈P〉Preface and Acknowledgements〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉1 Introduction〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉A Literary Approach to Media Art | Russian Formalism and Neoformalism | Reflecting Terminology: Media Art and Its Categories | Four Artistic Approaches: About the Structure of This Book〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉2 Literariness and Media Art: Theoretical Framing〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉〈STRONG〉2.1 The Aesthetics of Language: Literary Theory〈/STRONG〉〈/P〉〈P〉The Obstreperousness of Poetic Language | Art as Device: Estrangement and Complicating Form | Poetics of Deviation | The Palpability and Performativity of Poetic Language | Ambiguity and the Split Sign〈/P〉〈P〉〈STRONG〉2.2 Literariness Beyond Literature: Transdisciplinary Perspectives〈/STRONG〉 〈/P〉〈P〉Literariness and Ostranenie in Audiovisual Arts | Russian Formalism and Film | Technology as Device | The Poetics of Neoformalism | Literariness Between Media | Overabundance, Excess Emptiness, and Retreat of Synthesis | Medial Opacity and Perception〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉3 Voice and Script in Media Art〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉〈STRONG〉3.1 Voice and the Materiality of Sound〈/STRONG〉〈/P〉〈P〉THEORY: The Voice as Medium and the Mediatized Voice | Sound Poetry and Transrational Language 〈/P〉〈P〉ANALYSES: Iteration and the Alphabet as Aesthetic Devices | The Performative Power of the Acousmatic Voice | Technical Alienation of the Voice | Voice and Image, Voice and Script〈/P〉〈P〉〈STRONG〉3.2 Script -- Between Visuality and Legibility〈/STRONG〉〈/P〉〈P〉THEORY: Russian Formalism and the Written Word | Script between Transparent Representation and Palpable Body | Script as Image / Script in Images | Written Words in Film〈/P〉〈P〉ANALYSES: Recognition versus Seeing | Framing as Aesthetic Device | Playing With Words | Writing On and With Bodies〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉4 Literary Genres in Media Art〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉〈STRONG〉4.1 Elements of Poetry〈/STRONG〉〈/P〉〈P〉THEORY: Poetry as a Literary Genre | Excess Structuring: Language Use in Poetry | Vertical Compositions: Poetic Structures in the Audiovisual Arts | Lyric Subjectivity 〈/P〉〈P〉ANALYSES: Visual Poetry and Media Art | Poetical Practices and Lyrical Speech in Media Art | Poetic Images: Experimental Video Poems 〈/P〉〈P〉〈STRONG〉4.2 Elements of Drama〈/STRONG〉〈/P〉〈P〉THEORY: Drama Theory and Media Art | Core Elements of Drama | Ostranenie and the Alienation Effect | Features of Postdramatic Theater 〈/P〉〈P〉ANALYSES: Dialogic and Performative Installations | Theatrical Overabundance: Playing with the Theatrical Frame | Citing Elements of Classical Tragedy〈/P〉〈P〉〈STRONG〉4.3 Elements of Prose〈/STRONG〉〈/P〉〈P〉THEORY: Narrative Prose and Time-Based Media | Narrative Order, Narrative Integration: fabula and sužet | Narrative Voice -- the Mediating Instance | Narrative Mode: Perception and Perspective 〈/P〉〈P〉ANALYSES: Variations on First Person Narration in Media Art | Autobiography as Act and Device | Audiovisual Explorations of Epistolary Fiction 〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉5 Works of Literature in Media Art〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉THEORY: Adaptation as Appropriation | Intertextual Dialogism | Adaptation, Translation, Transcription | Adaptations as Deviant Derivatives 〈/P〉〈P〉ANALYSES: Voice and Sound: Acousmatic Adaptations | Baring the Signifier: Written Allusions | Aesthetics of Superimposition I: Reflecting Memory | Aesthetics of Superimposition II: Queer Defamiliarizations | Theatrical Appropriation: Personifying Literary Figures | Poetics of Quotations: The Literary in Performative Installations〈/P〉〈/BLOCKQUOTE〉〈P〉〈/P〉〈P〉〈STRONG〉6 Conclusion〈/STRONG〉〈/P〉〈P〉〈STRONG〉〈/STRONG〉〈/P〉〈P〉〈STRONG〉 〈/STRONG〉〈/P〉〈BLOCKQUOTE〉〈P〉Bibliography〈/P〉〈P〉Featured Works〈/P〉〈P〉Formal Remarks〈/P〉〈/BLOCKQUOTE〉 , Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art.
    Additional Edition: Print version : ISBN 9781138091511
    Language: English
    Keywords: Criticism, interpretation, etc.
    DOI: 10.4324/9781315107981
    URL: Taylor & Francis
    URL: Taylor & Francis
    URL: VLeBooks
    URL: http://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781351608701
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  • 7
    Book
    Book
    Appropriations of Literary Modernism in Media Art : Cultural Memory and the Dynamics of Estrangement (2022)
    Berlin : De Gruyter
    Details
    UID:
    kobvindex_ZLB34816820
    Format: VIII, 239 Seiten , Illustrationen , 23 cm x 15.5 cm, 491 g
    Edition: 1
    ISBN: 9783110720884 , 3110720884
    Series Statement: Media and cultural memory Volume 33
    Note: Erscheint auch als Online-Ausgabe 9783110729900 (ISBN) , Erscheint auch als Online-Ausgabe 9783110729986 (ISBN)
    Language: English
    Keywords: Literatur ; Rezeption ; Verfremdung ; Experimentalfilm ; Video-Installation ; Videokunst ; Geschichte 1978-2012
    URL: https://www.degruyter.com/isbn/9783110720884
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  • 8
    Online Resource
    Online Resource
    The literariness of media art / (2019)
    New York, NY :Routledge,
    Details
    UID:
    edocfu_9958923378802883
    Format: 1 online resource (x, 320 pages) : , illustrations (black & white); digital file(s).
    ISBN: 1-351-60871-1 , 1-351-60870-3 , 1-315-10798-8 , 1-138-09152-9
    Content: The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and other media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama.
    Note: Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art. , Also available in print form.
    Additional Edition: Print version (hardback): ISBN 9781138091511
    Additional Edition: ISBN 1138091510
    Additional Edition: Print version (paperback): ISBN 9781138091528
    Additional Edition: ISBN 1138091529
    Language: English
    DOI: 10.4324/9781315107981
    Library Location Call Number Volume/Issue/Year Availability
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    Open Access Request
    FU Berlin
  • 9
    Online Resource
    Online Resource
    The literariness of media art / (2019)
    New York, NY :Routledge,
    Details
    UID:
    edoccha_9958923378802883
    Format: 1 online resource (x, 320 pages) : , illustrations (black & white); digital file(s).
    ISBN: 1-351-60871-1 , 1-351-60870-3 , 1-315-10798-8 , 1-138-09152-9
    Content: The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and other media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama.
    Note: Literariness and media art: theoretical framing -- Voice and script in media art -- Literary genres in media art -- Works of literature in media art. , Also available in print form.
    Additional Edition: Print version (hardback): ISBN 9781138091511
    Additional Edition: ISBN 1138091510
    Additional Edition: Print version (paperback): ISBN 9781138091528
    Additional Edition: ISBN 1138091529
    Language: English
    DOI: 10.4324/9781315107981
    Library Location Call Number Volume/Issue/Year Availability
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    Charité
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