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  • 1
    UID:
    gbv_1802229051
    Format: 1 Online-Ressource (472 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781501357077 , 9781501357039
    Series Statement: New approaches to sound, music, and media
    Content: "We're experiencing a time when digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies. It bridges the gap between science and the humanities by pairing humanists' close readings of contemporary media with scientists' discussions of the science and math that inform them. This text includes contributions by established and emerging scholars performing across-the-aisle research on new technologies, exploring topics such as facial and gait recognition; EEG and audiovisual materials; surveillance; and sound and images in relation to questions of sexual identity, race, ethnicity, disability, and class and includes examples from a range of films and TV shows including Blade Runner , Black Mirror , Mr. Robot , Morgan , Ex Machina, and Westworld . Through a variety of critical, theoretical, proprioceptive, and speculative lenses, the collection facilitates interdisciplinary thinking and collaboration and provides readers with ways of responding to these new technologies."--
    Note: Acknowledgments -- Contributors -- Introduction Jonathan Leal and Carol Vernallis Part I: AI and Robotics -- 1. Could the AI of Our Dreams Ever Become Reality? Jay McClelland -- 2. Director Alex Garland Converses with Cybermedia's Scientists and Media Scholars Jonathan Leal and Carol Vernallis -- 3. (S)Ex Machina and the Cartesian Theater of the Absurd Simon D. Levy and Charles W. Lowney -- 4. Epiphany, Infinity and Transcendent AI Zachary Mason Part II: Big Data, Sentience, and the Universe -- 5. A MASSIVE Swirl of Pixels: Algorithms in Radiohead's 'Go to Sleep' Steen Ledet Christiansen -- 6. The Rise of the Machine: Body-Knowing, Neural Nets, and Emergent Freedom Charles W. Lowney -- 7. The Quantum Computer as Sci-Fi's Favorite Character Leonardo P. G. De Assis -- 8. Composer Ben Salisbury Discusses Scoring Science for Alex Garland Holly Rogers, John McGrath, Carol Vernallis, and Dale Chapman -- 9. Ex Machina and the Question of Consciousness Murray Shanahan -- Part III: The Neuroscience of Affect and Event Perception -- 10. 'A Solid Popularity Arc': Affective Economies in Black Mirror's 'Nosedive' Dale Chapman -- 11. Cognitive Boundaries, 'Nosedive' and Under the Skin: Interview with Jeffrey Zacks Carol Vernallis, Jonathan Leal, and Dale Chapman -- 12. Toward an AI Future of Comics Study and Creation: A Cognitive-Affective Approach Frederick Aldama and Laura Wagner -- Part IV: The Digital West -- 13. The Philosophy of Westworld Paul Skokowski -- 14. New Visions of the Old West: A.I., Self, and Other in Westworld Christopher Minz -- 15. Scoring Music for Westworld Then and Now: A Cognitive Perspective Annabel J. Cohen Part V: Interface, Desire, Collectivity -- 16. Director Terence Nance Discusses Random Acts of Flyness Carol Vernallis, Jonathan Leal, Holly Rogers, Liz Reich and the contributors of Cybermedia -- 17. The Gift of Black Sonics: Interface and Ontology in Sorry to Bother You and Random Acts of Flyness Liz Reich -- 18. Technology, Chaos, and the Nimble Subversion of Random Acts of Flyness Eric Lyon -- 19. Expecting the Twist: How Media Navigate the Intersections Among Different Sources of Prior Knowledge Noah Fram , 20. Face Color Bevil Conway Part VI: Productive Neuropathologies 21. Digital Vitalism Marta Figlerowicz 22. Neuroplasticity: From Experience to Healing Sara Ferrando Colomer 23. Where is My Mind? Mr. Robot and the Digital Neuropolis Patricia Pisters 24. Dopamine Circuits: Wanting, Liking, Habits, and Goals. An Interview about Mr. Robot with Neuroscientist Talia Lerner Jonathan Leal, Carol Vernallis, and Patricia Pisters 25. The Taste of Cybermedia: An Interview with Hojoon Lee, The Lee Lab at Northwestern University Julia Peres Guimaraes, Selmin Kara, and Carol Vernallis -- Index. , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1501357034
    Additional Edition: ISBN 1501357042
    Additional Edition: ISBN 9781501357046
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501357039
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Durham, North Carolina :Duke University Press,
    UID:
    edocfu_9961003998602883
    Format: 1 online resource: , illustrations
    Edition: First edition.
    ISBN: 1-4780-2458-5
    Series Statement: Refiguring American Music Series
    Content: "Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives: James T. Araki, a Nisei multi-instrumentalist and scholar credited with helping introduce bebop to Japan during the Allied Occupation; Raúl R. Salinas, a Mexican American poet, jazz critic, and activist working against the American criminal justice system who helped document East Austin's rich music histories; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before eventually working as a public servant in Newark's City Hall in response to the uprisings of the late sixties. The book begins with a cultural history of the emergence of bebop in Harlem and then dedicates a chapter to each of these figures, contextualizing their stories and building connections between their stories. Grounded in musical practice, relational study, and personal narrative, Dreams in Double Time offers a powerful and poetic cultural history of communal creativities in the postwar years"--
    Note: After-hours -- Layered time -- Quartered notes -- Among others.
    Additional Edition: ISBN 1-4780-1998-0
    Additional Edition: ISBN 1-4780-2075-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    edocfu_BV047588087
    Format: 1 Online-Ressource (xvi, 450 Seiten).
    ISBN: 978-1-5013-5705-3 , 978-1-5013-5706-0
    Series Statement: New approaches to sound, music, and media
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-5704-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5013-5703-9
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Künstliche Intelligenz ; Roboter ; Technischer Fortschritt ; Film ; Fernsehserie ; Musik ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    edoccha_BV047588087
    Format: 1 Online-Ressource (xvi, 450 Seiten).
    ISBN: 978-1-5013-5705-3 , 978-1-5013-5706-0
    Series Statement: New approaches to sound, music, and media
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-5704-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5013-5703-9
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Künstliche Intelligenz ; Roboter ; Technischer Fortschritt ; Film ; Fernsehserie ; Musik ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_BV049324301
    Format: 1 Online-Ressource (xiii, 238 Seiten).
    ISBN: 978-1-4780-2458-3
    Series Statement: Refiguring American music
    Content: "Dreams in Double Time examines how bebop, a musical genre developed by Black experimentalists in the 1940s, was especially generative for nonwhite listeners in the years following World War II. To construct this cultural history of jazz, Jonathan Leal links three (audio)biographical narratives: James T. Araki, a Nisei multi-instrumentalist and scholar credited with helping introduce bebop to Japan during the Allied Occupation; Raúl R. Salinas, a Mexican American poet, jazz critic, and activist working against the American criminal justice system who helped document East Austin's rich music histories; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before eventually working as a public servant in Newark's City Hall in response to the uprisings of the late sixties. The book begins with a cultural history of the emergence of bebop in Harlem and then dedicates a chapter to each of these figures, contextualizing their stories and building connections between their stories. Grounded in musical practice, relational study, and personal narrative, Dreams in Double Time offers a powerful and poetic cultural history of communal creativities in the postwar years"--
    Note: After-hours -- Layered time -- Quartered notes -- Among others
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1998-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-2075-2
    Language: English
    Keywords: Zweiter Weltkrieg ; Besetzung ; Araki, James T. ; 1934-2008 Raúlrsalinas ; Bebop ; Kulturkontakt ; Hochschulschrift ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Criticism, interpretation, etc ; History
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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