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  • 1
    UID:
    gbv_1852620846
    Format: 1 Online-Ressource (VIII, 238 Seiten) , 13 Illustrationen, 28 Illustrationen, 2 Diagramme, 1 Diagramme
    ISBN: 9783111242699 , 9783111243009
    Series Statement: Materiale Textkulturen Band 40
    Content: A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
    Additional Edition: ISBN 9783111242309
    Additional Edition: Erscheint auch als Druck-Ausgabe Between manuscript and print Berlin : De Gruyter, 2023 ISBN 9783111242309
    Additional Edition: ISBN 3111242307
    Language: English
    Subjects: General works
    RVK:
    Keywords: Japan ; Europa ; Buchdruck ; Methode ; Kulturkontakt ; Geschichte 1550-1700 ; Handschrift ; Buchdruck ; Buchherstellung ; Geschichte 1500-1700 ; Konferenzschrift
    URL: Cover
    Author information: Brockstieger, Sylvia 1982-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    edoccha_9961217892902883
    Format: 1 online resource (IX, 238 p.)
    ISBN: 3-11-124269-2
    Series Statement: Materiale Textkulturen , 40
    Content: A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
    Note: Frontmatter -- , Preface -- , Bibliography -- , Contents -- , Between Manuscript and Print — Introduction -- , The Risk to Print History in the Late 15th Century. Johann Koelhoff’s Chronicle Project in 1499 -- , Medial Translations and Material Manifestations. The Fasciculus Medicinae in Physician-Patient Interaction -- , A Good Book is an Old Book? Hebrew Manuscripts and Prints in 16th-Century Christian Book Collections -- , Title Pages in Icelandic Post-Medieval Manuscripts and Books -- , Behaving like Print. On the Graphic and Performative Adaptation of Printed Letters in Early Modern Handwriting -- , ‘Bilderfahrzeug’ of the Rosicrucians. Daniel Mögling’s Speculum Sophicum Rhodostauroticum (1618) in Print and Manuscript -- , Takahiro Sasaki Manuscript Features of Early Japanese Movable Type Books. On the Intersection of Eastern and Western Typesetting Techniques -- , The Media Trajectory of Kano Naganobu’s Merrymaking under Cherry and Aronia Blossoms -- , Notes on Contributors -- , Index of Names and Locations , Issued also in print. , In English.
    Additional Edition: ISBN 9783111242309
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9949548781902882
    Format: 1 online resource (IX, 238 p.)
    ISBN: 3-11-124269-2
    Series Statement: Materiale Textkulturen , 40
    Content: A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
    Note: Frontmatter -- , Preface -- , Bibliography -- , Contents -- , Between Manuscript and Print — Introduction -- , The Risk to Print History in the Late 15th Century. Johann Koelhoff’s Chronicle Project in 1499 -- , Medial Translations and Material Manifestations. The Fasciculus Medicinae in Physician-Patient Interaction -- , A Good Book is an Old Book? Hebrew Manuscripts and Prints in 16th-Century Christian Book Collections -- , Title Pages in Icelandic Post-Medieval Manuscripts and Books -- , Behaving like Print. On the Graphic and Performative Adaptation of Printed Letters in Early Modern Handwriting -- , ‘Bilderfahrzeug’ of the Rosicrucians. Daniel Mögling’s Speculum Sophicum Rhodostauroticum (1618) in Print and Manuscript -- , Takahiro Sasaki Manuscript Features of Early Japanese Movable Type Books. On the Intersection of Eastern and Western Typesetting Techniques -- , The Media Trajectory of Kano Naganobu’s Merrymaking under Cherry and Aronia Blossoms -- , Notes on Contributors -- , Index of Names and Locations , Issued also in print. , In English.
    Additional Edition: ISBN 9783111242309
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    edocfu_9961217892902883
    Format: 1 online resource (IX, 238 p.)
    ISBN: 3-11-124269-2
    Series Statement: Materiale Textkulturen , 40
    Content: A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
    Note: Frontmatter -- , Preface -- , Bibliography -- , Contents -- , Between Manuscript and Print — Introduction -- , The Risk to Print History in the Late 15th Century. Johann Koelhoff’s Chronicle Project in 1499 -- , Medial Translations and Material Manifestations. The Fasciculus Medicinae in Physician-Patient Interaction -- , A Good Book is an Old Book? Hebrew Manuscripts and Prints in 16th-Century Christian Book Collections -- , Title Pages in Icelandic Post-Medieval Manuscripts and Books -- , Behaving like Print. On the Graphic and Performative Adaptation of Printed Letters in Early Modern Handwriting -- , ‘Bilderfahrzeug’ of the Rosicrucians. Daniel Mögling’s Speculum Sophicum Rhodostauroticum (1618) in Print and Manuscript -- , Takahiro Sasaki Manuscript Features of Early Japanese Movable Type Books. On the Intersection of Eastern and Western Typesetting Techniques -- , The Media Trajectory of Kano Naganobu’s Merrymaking under Cherry and Aronia Blossoms -- , Notes on Contributors -- , Index of Names and Locations , Issued also in print. , In English.
    Additional Edition: ISBN 9783111242309
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Map
    Map
    Leiden : Japanmuseum SieboldHuis
    UID:
    gbv_1013570766
    Format: 103 Seiten , Illustrationen, Karten
    ISBN: 9082711117 , 9789082711110
    Content: The impressive scroll painting of the Japanese coast and the personal maps belonging to Philipp Franz van Siebold (on display for the first time) are unquestionably the highlights of this exhibition. Siebold's hand written notes on these maps are evidence of his eager and diligent study of Japan. He was keen to document his travels in Japan, to explore unknown regions on paper and learn more about Japan. Unfortunately Siebold's fascination for maps also got him into trouble. In 1829 he was found guilty of spying (for being in possession of maps) and banished from Japan. Siebold arrived in Japan at the beginning of the 19th century, at a time that Japan was closed from the western world. From 1633/1853 permission was required for all persons wishing to enter and leave the country, exceptions were however made for the Chinese and Dutch traders. Japanese maps were state secrets, they were of vital importance to Japan, her borders and position in the region. Yet it was in Japan's interest that the country and her borders be further explored. The impact foreign influence had in this respect can be seen in a number of maps in the exhibition. The international exchange of knowledge and geographic information together with the methods and techniques of the time, led to a significant development in cartography. Traces of these developments are to be found on the maps and in the travel logs in the exhibition. Exhibition: Japanmuseum SieboldHuis, Leiden, The Netherlands (16.09.-26.11.2017)
    Note: Ausstellungsdaten ermittelt , Text englisch und niederländisch
    Language: English
    Keywords: Japan ; Kartografie ; Kartografische Darstellung ; Geschichte 1700-1900 ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1823889115
    Format: 11 Illustrationen
    ISBN: 9783319904054
    In: Mapping Asia: Cartographic Encounters Between East and West (Veranstaltung : Leiden : 2017), Mapping Asia: cartographic encounters between East and West, Cham, Switzerland : Springer, 2019, (2019), Seite 147-167, 9783319904054
    In: year:2019
    In: pages:147-167
    Language: English
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