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  • 1
    Book
    Book
    Manchester [u.a.] :Manchester Univ. Press,
    UID:
    almafu_BV014315384
    Format: XII, 212 S.
    Edition: 1. publ.
    ISBN: 0-7190-5556-3 , 0-7190-5555-5
    Series Statement: Contemporary world writers
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1958- Phillips, Caryl
    Author information: Ledent, Bénédicte 1957-
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  • 2
    Book
    Book
    Amsterdam [u.a.] :Rodopi,
    UID:
    almafu_BV039939805
    Format: XXI, 441 S.
    ISBN: 978-90-420-3455-6 , 978-94-012-0740-9
    Series Statement: Cross/cultures 146
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1958- Phillips, Caryl ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    Author information: Ledent, Bénédicte 1957-
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  • 3
    UID:
    almahu_9949323975702882
    Format: 1 online resource (376 p.)
    ISBN: 2-36781-386-8 , 2-36781-185-7
    Series Statement: Horizons anglophones
    Content: This volume examines the evolution of the concept of diaspora since the advent of Diaspora Studies in the 90s, specifically vis-à-vis other concepts: transnationalism, cosmopolitanism, creolization. The essays depict the discontinuities of diasporic experience, but also its ongoing negotiations. Building on transatlantic, gender studies and queer theory, they address the theoretical turn when sexual difference is taken into account and gender troubled. Allying theory and case studies, covering diasporas as diverse as the African, Caribbean, Palestinian, South and South-East Asian diasporas, the dispersion of Romas, the spaces of the Indian Ocean, South Africa and New Zealand, this volume promotes another diasporic model: multidirectional, plural and global. It finds in literature and film tools to think the ‘super-diversity’ and the contradictions of our global world. Ce volume est un état des lieux de l’évolution du concept de diaspora depuis l’avènement des études diasporiques dans les années quatre-vingt-dix, et plus particulièrement, de son questionnement face à d’autres concepts : transnationalisme, cosmopolitisme et créolisation. Il décrit les discontinuités de l’expérience diasporique, mais également les négociations en cours. Fort de l’apport des études transatlantiques, de genre et de la théorie queer, il rend compte de l’infléchissement théorique lorsque le sexe est pris en compte ou que le genre se trouble. Alliant théorie et analyse de cas, recouvrant des diasporas aussi diverses que la diaspora africaine, caribéenne, palestinienne, de l’Asie du sud et du sud-est, le déplacement des Roms, les espaces de l’Océan indien, l’Afrique du Sud et la Nouvelle-Zélande, il promeut un autre modèle diasporique : multidirectionnel, pluriel et global. Il trouve dans la littérature et dans le cinéma des outils pour penser « l’extrême diversité » et les contradictions de notre mondialisation.
    Note: English
    Additional Edition: ISBN 2-36781-037-0
    Language: English
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  • 4
    UID:
    almafu_BV045913126
    Format: 1 Online-Ressource (xi, 220 Seiten) : , Illustrationen.
    ISBN: 978-3-319-98180-2
    Series Statement: New Caribbean Studies
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-98179-6
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-98181-9
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Literatur ; Wahnsinn ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Ledent, Bénédicte 1957-
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  • 5
    UID:
    almahu_9949324033502882
    Format: 1 online resource (574 p.)
    ISBN: 2-36781-396-5 , 2-36781-118-0
    Series Statement: Horizons anglophones
    Content: One cannot fail to be impressed by the number of works of fiction relating to slavery and the slave trade, writing back to the original slave narratives of the 18th and 19th centuries. If the African-American authors of the 1960s and 1970s are now well-known, they find an echo in works written more recently in the 1980s and 1990s by American, African, African-American and Caribbean writers. About twenty writers come under the scrutiny of renowned scholars, offering perspectives into what makes it so necessary today for writers, critics and readers alike to revisit, reassess and reappropriate the canonical texts of slavery and post-slavery literature. The specificity of this collection is to focus on neo-slave novels while bringing together African-American and Caribbean authors. On ne peut qu’être impressionné par le nombre d’œuvres littéraires de fiction qui se rapportent à l’esclavage et au commerce des esclaves, répondant ainsi aux premiers récits d’esclaves publiés aux XVIIIe et XIXe siècles. Si les auteurs africains-américains des années soixante et soixante-dix sont maintenant bien connus, toute une nouvelle vague d’écrivains Américains, Africains, Africains-Américains et Caribbéens, poursuivent et renouvèlent, depuis les années quatre-vingt et quatre vingt-dix, cette tradition. Rassemblés autour de l’œuvre d’une vingtaine d’écrivains, des universitaires de renom ouvrent, dans ce recueil, des perspectives nouvelles pour comprendre la nécessité qui poussent écrivains, critiques et lecteurs à relire, réécrire et revisiter cette littérature de l’esclavage encore aujourd’hui.
    Note: English
    Additional Edition: ISBN 2-84269-648-4
    Language: English
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  • 6
    UID:
    almahu_BV040685577
    Format: 316 S. ; , 225 mm x 150 mm, 450 g.
    ISBN: 978-3-03911-801-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-0351-0422-6
    Language: English
    Subjects: Sociology
    RVK:
    RVK:
    Keywords: 1956- The black Atlantic Gilroy, Paul ; Rezeption ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Ledent, Bénédicte, 1957-
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  • 7
    Online Resource
    Online Resource
    Amsterdam : Rodopi
    UID:
    gbv_1738148629
    Format: 1 Online-Ressource (506 pages)
    ISBN: 9789042029255
    Series Statement: Cross/Cultures - Readings in the Post/Colonial Literatures in English, 101
    Content: Preliminary Material -- Dissidences /Daniel Maximin -- Dimanche Gras /Robert Antoni -- The Mystery of Timelessness /Wilson Harris -- Give me your tired, your poor, your huddled masses /Caryl Phillips -- The émerveille: Initiating the Warrior of the Imaginary /Wendy Knepper -- Figures romanesques de la quête identitaire et narrative de Patrick Chamoiseau /Janeth Casas -- Scénographie postcoloniale et surconscience traductive dans Solibo Magnifique de Patrick Chamoiseau /Liesbeth de Bleeker -- Les Guerriers généreux de Patrick Chamoiseau /Molly Lynch -- Résistance et figure de l’agon dans Biblique des derniers gestes /Emmanuelle Tremblay -- La Longue Veille des caciques: La rémanence du guerrier caraïbe /Odile Gannier -- Is the Caribbean Becoming a Crispy Chicken? /Michiel van Kempen -- Wilson Harris’s Multi-Faceted and Dynamic Perception of the Imaginary /Hena Maes–Jelinek -- A Caribbean and Universal Self: Wilson Harris as “Warrior of the Imaginary” /Patricia Murray -- L’Insurrection glissantienne: L’Imaginaire en action /Catherine Delpech -- “Un monde fantastique ayant lui-même dévié”: Le discours insulaire de Deleuze à l’épreuve de Glissant /Christa Stevens -- A Caribbean Contribution To a Global Ethic: Relation and Singular Pluralities /Abdennebi Ben Beya -- Prévisions et divagations batoutesques face aux dérélictions du Tout-monde: Daniel Maximin et Édouard Glissant comme Guerriers des (dés)astres antillais /Kathleen Gyssels -- Les Voix de l’invention poétique chez Daniel Maximin: (Re)création par les blue notes /Cyrille François -- “Neither ‘written’ nor ‘spoken’”: The Ambiguities of Voice in the Fiction of Caryl Phillips /Kathie Birat -- Caribbean Autobiographies as Weapons in Identity Construction: Jamaica Kincaid’s Annie John /ManuelA Coppola -- Caribbean Warriors in Canada: Dionne Brand as a Representative /Doris Hambuch -- “Towards what?”: Walcott and the Dynamics of Change /Rhona Hammond -- La République dominicaine et les Dominicains dans la fiction haïtienne /Léon–François Hoffmann -- Three Ex/centric Views of Trujillo’s Dominican Republic: Alvarez, Danticat, Vargas Llosa /Pilar Cuder–Domínguez -- The Threshold of the Visible: Notes on the Imaginary in Sol de medianoche and Sirena Selena vestida de pena /Kristian van Haesendonck -- De la page à l’écran: La Rue Cases-Nègres ou l’écolier guerrier /Gaëlle Cooreman -- “You ti’ink hero can dead – til de las’ reel?”: Perry Henzell’s The Harder They Come and Sergio Corbucci’s Django /Maria Cristina Fumagalli -- “Fighting Injustice and Subordination”: Mutabaruka’s Return to the Motherland /MUTABARUKA and Werner Zips -- New Afro-Brazilian Music: The Brazilian Songwriter as ‘Warrior of the Imaginary’ /Christiane Pantke -- Afterword: Waging the War from the Outside: The Writers of the West Indian Diaspora and their Role in the Future of the Caribbean /Bénédicte Ledent -- Notes on Contributors -- Index of Names and Titles.
    Content: This bilingual collection illustrates the concept of the ‘Warrior of the Imaginary’, as defined by Patrick Chamoiseau, in a multi-faceted corpus of texts. Francophone contributions explore the role of the Caribbean writer in works by Chamoiseau, Édouard Glissant, Daniel Maximin, and Joseph Zobel. Essays in English focus not only on familiar writers (Dionne Brand, Edwidge Danticat, Wilson Harris, Jamaica Kincaid, Caryl Phillips, Derek Walcott) but also on less widely studied voices (Robert Antoni, Albert Helman). Other contributions deal with such ‘fighting areas’ as Afro-Brazilian music, film, and Mutabaruka’s militant poetry. The whole testifies to a surprisingly coherent imaginary, one that goes beyond the ‘balkanization’ of the Caribbean archipelago. Dans ce collectif bilingue, le concept de ‘Guerrier de l’imaginaire’ tel que défini par Patrick Chamoiseau est illustré par un corpus de textes variés. Plusieurs des articles en français engagent directement le cycle romanesque de l’auteur martiniquais, d’autres étendent l’interrogation de la fonction de l’auteur caribéen à l’écriture glissantienne, maximinienne et zobélienne. Études en anglais portent sur des écrivains dont le renom n’est plus à faire (Dionne Brand, Edwidge Danticat, Wilson Harris, Jamaica Kincaid, Caryl Phillips, Derek Walcott) mais donnent aussi la parole à des auteurs jusqu’à présent moins étudiés (Robert Antoni, Albert Helman). Enfin, quelques-unes des contributions portent sur d’autres ‘terrains de lutte’, comme la musique afro-brésilienne, le cinéma, ou la poésie militante de Mutabaruka. L’ensemble témoigne d’un imaginaire étonnamment confluant, au-delà de la ‘balkanisation’ de l’archipel caribéen
    Additional Edition: ISBN 9789042025530
    Additional Edition: Erscheint auch als Druck-Ausgabe Gyssels, Kathleen Caribbean Writer as Warrior of the Imaginary Amsterdam : Rodopi, ©2008 ISBN 9789042025530
    Language: English
    URL: DOI
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  • 8
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV046962973
    Format: xi, 134 Seiten , illustrations , 26 cm
    Edition: First issued in paperback 2020
    ISBN: 9780367661007
    Note: First published 2019
    Additional Edition: Äquivalent
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Postkoloniale Literatur ; Literarische Form ; Aufsatzsammlung
    Author information: Ledent, Bénédicte 1957-
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  • 9
    Online Resource
    Online Resource
    Amsterdam : Rodopi B.V
    UID:
    gbv_1738127656
    Format: 1 Online-Ressource (xxi, 441 pages)
    ISBN: 9789401207409
    Series Statement: Readings in the post/colonial literatures in English 146
    Content: Preliminary Material -- Oxford /Peter H. Marsden -- Preamble /Caryl Phillips -- Colour Me English /Caryl Phillips -- Caryl Phillips and the Question of Political Identity: Wrestling with Prejudice /Kirpal Singh -- Conversations with Caryl Phillips: Reflections upon an Intellectual Life /Renée Schatteman -- Plural Selves: The Dispersion of the Autobiographical Subject in the Essays of Caryl Phillips /Louise Yelin -- “Look liberty in the face”: Determinism and Free Will in Caryl Phillips’s Foreigners: Three English Lives /Bénédicte Ledent -- Hybrid Inventiveness: Caryl Phillips’s Black-Atlantic Subjectivity – The European Tribe and The Atlantic Sound /Joan Miller Powell -- Vido, Not Sir Vidia: Caryl Phillips’s Encounters with V.S. Naipaul /John Mcleod -- A New World’s Twilight: Ethics of the Caribbean Writer in Caryl Phillips’s and Derek Walcott’s Essays /Malik Ferdinand -- Caryl Phillips’s “Heartland” and Joseph Conrad’s Heart of Darkness: Revisiting Fear – An Intertextual Approach /Imen Najar -- Linking Legacies of Loss: Traumatic Histories and Cross-Cultural Empathy in Caryl Phillips’s Higher Ground and The Nature of Blood /Stef Craps -- Bidirectional Revision: The Connection between Past and Present in Caryl Phillips’s Crossing the River /Fatim Boutros -- “The cloud of ambivalence”: Exploring Diasporan Identity in Caryl Phillips’s The Atlantic Sound and A New World Order /Abigail Ward -- Caryl Phillips’s Seascapes of the Imaginary /Wendy Knepper -- The Dis-ease of Multiple Identities: The Nature of Diasporan Identity in Caryl Phillips’s Strange Fruit /Chika Unigwe -- A New World Tribe in Caryl Phillips’s A Distant Shore /Alessandra Di Maio -- Dorothy’s Heart of Darkness: How Europe Meets Africa in A Distant Shore /Sandra Courtman -- Negotiating Inclusion in Caryl Phillips’s A Distant Shore /Thomas Bonnici -- Strange Encounters: Nationhood and the Stranger in Caryl Phillips’s A Distant Shore /Petra Tournay–Theodotou -- The Civilized Pretence: Caryl Phillips and A Distant Shore /Cindy Gabrielle -- Omnipresent and Everlasting Imperialism: Race and Gender Oppression in Caryl Phillips’s Cambridge and A Distant Shore /Lucie Gillet -- The Dilemma of a Black Entertainer: A Contextualized Reading of Caryl Phillips’s Dancing in the Dark /Tsunehiko Kato -- The Mask and the Unheimlich in Caryl Phillips’s Dancing in the Dark /Itala Vivan -- Concentric and Centripetal Narratives of Race: Caryl Phillips’s Dancing in the Dark and Percival Everett’s Erasure /Dave Gunning -- The Dynamic of Revelation and Concealment: In the Falling Snow and the Narrational Architecture of Blighted Existences /Gordon Collier -- Notes on Contributors -- Index.
    Content: Writing in the Key of Life is the first critical collection devoted to the British-Caribbean author Caryl Phillips, a major voice in contemporary anglophone literatures. Phillips’s impressive body of fiction, drama, and non-fiction has garnered wide praise for its formal inventiveness and its incisive social criticism as well as its unusually sensitive understanding of the human condition. The twenty-six contributions offered here, including two by Phillips himself, address the fundamental issues that have preoccupied the writer in his now three-decades-long career – the enduring legacy of history, the intricate workings of identity, and the pervasive role of race, class, and gender in societies worldwide. Most of Phillips’s writing is covered here, in essays that approach it from various thematic and interpretative angles. These include the interplay of fact and fiction, Phillips’s sometimes ambiguous literary affiliations, his long-standing interest in the black and Jewish diasporas, his exploration of Britain and its ‘Others’, and his recurrent use of motifs such as masking and concealment. Writing in the Key of Life testifies to the vitality of Phillipsian scholarship and confirms the significance of an artist whose concerns, at once universal and topical, find particular resonance with the state of the world at the beginning of the twenty-first century. Contributors: Thomas Bonnici, Fatim Boutros, Gordon Collier, Sandra Courtman, Stef Craps, Alessandra Di Maio, Malik Ferdinand, Cindy Gabrielle, Lucie Gillet, Dave Gunning, Tsunehiko Kato, Wendy Knepper, Bénédicte Ledent, John McLeod, Peter H. Marsden, Joan Miller Powell, Imen Najar, Caryl Phillips, Renée Schatteman, Kirpal Singh, Petra Tournay–Theodotou, Chika Unigwe, Itala Vivan, Abigail Ward, Louise Yelin
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789042034556
    Additional Edition: Erscheint auch als Druck-Ausgabe Caryl Phillips Amsterdam : Rodopi B.V. 2012
    Language: English
    URL: DOI
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  • 10
    UID:
    gbv_1806481537
    Format: 1 Online-Ressource
    ISBN: 9789401201773 , 9789042017368
    Series Statement: Cross/Cultures 79/9.2
    Content: This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents. Topics treated: Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to 'void'; women's overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized multiculturalism and female madness in Australian fiction; myopia and double vision in colonial Australia; Native-American fiction and poetry; Chinese-Canadian and Japanese-Canadian multiculturalism; the postcolonial city; African-American identity and postcolonial Africa; Johannesburg as locus of literary and dramatic creativity; theatre before and after apartheid; the black experience in England. Writers discussed: Lalithambika Antherjanam; Ayi Kwei Armah; J.M. Coetzee; Tsitsi Dangarembga; Helen Darville; Lauris Edmond; Buchi Emecheta; Yvonne du Fresne; Hiromi Goto; Patricia Grace; Rodney Hall; Joy Harjo; Bessie Head; Gordon Henry Jr.; Christopher Hope; Ruth Prawer Jhabvala; Hanif Kureishi; Keri Hulme, Lee Kok Liang; Bill Manhire; Zakes Mda; Mike Nicol; Michael Ondaatje; Alan Paton; Ravinder Randhawa; Wendy Rose; Salman Rushdie; Sipho Sepamla; Atima Srivastava; Meera Syal; Marlene van Niekerk; Yvonne Vera; Fred Wah Contributions by Ken Arvidson; Thomas Brückner; David Callahan; Eleonora Chiavetta; Marc Colavincenzo; Gordon Collier; John Douthwaite; Dorothy Driver; Claudia Duppé; Robert Fraser; Anne Fuchs; John Gamgee; D.C.R.A. Goonetilleke; Konrad Gross; Bernd Herzogenrath; Susanne Hilf; Clara A.B. Joseph; Jaroslav Kušnír; Chantal Kwast-Greff; M.Z. Malaba; Sigrun Meinig; Michael Meyer; Mike Nicol; Obododimma Oha; Vincent O'Sullivan; Judith Dell Panny; Mike Petry; Jochen Petzold; Norbert H. Platz; Malcolm Purkey; Stéphanie Ravillon; Anne Holden Rønning; Richard Samin; Cecile Sandten; Nicole Schröder; Joseph Swann; André Viola; Christine Vogt-William; Bernard Wilson; Janet Wilson; Brian Worsfold. Creative writing by Katherine Gallagher; Peter Goldsworthy; Syd Harrex; Mike Nicol
    Note: Includes bibliographical references and index , Acknowledgements -- Permissions -- Norbert PLATZ et al.: In Memoriam Lauris Edmond (1924-2000): A Tribute -- LITERATURE OF THE SETTLER COLONIES -- Thomas BRÜCKNER: An Anatomy of Violence: A Conversation with Mike Nicol -- Mike NICOL: from The Ibis Tapestry -- John DOUTHWAITE: Coetzee's Disgrace: A Linguistic Analysis of the Opening Chapter -- Dorothy DRIVER: Unruly Subjects in Southern African Writing -- John GAMGEE: The White Tribe: The Afrikaner in the Novels of J.M. Coetzee -- Richard SAMIN: Wholeness or Fragmentation? The New Challenges of South African Literary Studies -- Brian WORSFOLD: Post-Apartheid Transculturalism in Sipho Sepamla's Rainbow Journey and J.M. Coetzee's Disgrace -- André VIOLA: Translating Oneself Into the New South Africa: Fiction of the 1990s -- Clara JOSEPH: The S(p)ecular 'Convert': A Response to Gauri Viswanathan's Outside the Fold -- Bernard WILSON: Sub merging Pasts: Lee Kok Liang's London Does Not Belong To Me -- Anne H. RØNNING: Bicultural Identities in Discourse: The Case of Yvonne du Fresne -- Bernd HERZOGENRATH: The (Un)Fortunate Traveller and the Text: Bill Manhire and The Brain of Katherine Mansfield -- Jaroslav KUŠNÍR: Multiculturalism in Helen Darville's The Hand That Signed The Paper ? -- Chantal KWAST-GREFF: Mad 'Mad' Women: Anger, Madness, and Suffering in Recent White Australian Fiction -- Sigrun MEINIG: Myopic Visions: Rodney Hall's The Second Bridegroom -- Katherine GALLAGHER: Jet Lag. My Mother's Garden. Reckoning -- Peter GOLDSWORTHY: Evil Eye. Bed -- Syd HARREX: What do you see when you watch that hillside above the lake? A Lover's Anguish in King William St. No Title. Aroma Therapy. Screen Images -- ABORIGINAL LITERATURE -- David CALLAHAN: Narrative and Moral Intelligence in Gordon Henry Jr's The Light People -- Nicole SCHRÖDER: Transcultural Negotiations of the Self: The Poetry of Wendy Rose and Joy Harjo -- Judith DELL PANNY: Inside the Spiral: Māori Writing in English -- MULTICULTURALISM AND ETHNICITY -- Marc COLAVINCENZO: "Fables of the Reconstruction of the Fables": Multiculturalism, Postmodernism, and the Possibilities of Myth in Hiromi Goto's Chorus of Mushrooms -- Robert FRASER: Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo -- Susanne HILF: "Hybridize or Disappear": Exploring the Hyphen in Fred Wah's Diamond Grill -- D.C.R.A. GOONETILLEKE: Disillusionment With More Than India: Ruth Prawer Jhabvala's Heat and Dust -- Obododimma OHA: Living on the Hyphen: Ayi Kwei Armah and the Paradox of the African-American Quest -- for a New Future and Identity in Postcolonial Africa -- M.Z. MALABA : Multiculturalism and Ethnicity in Alan Paton's Fiction -- Jochen PETZOLD: Ridiculing Rainbow Rhetoric: Christopher Hope's Me, the Moon and Elvis Presley -- Anne FUCHS: The Birth-Pangs of Empowerment: Crime and the City of Johannesburg -- Malcolm PURKEY: Traps Seductive, Destructive and Productive: Theatre and the New South Africa -- THE BLACK EXPERIENCE IN BRITAIN -- Eleonora CHIAVETTA: In the Eyes of the Outsider: Buchi Emecheta's Been-To Novels -- Michael MEYER: The Other Women's Guide to English Cultures: Tsitsi Dangarembga and Buchi Emecheta -- Michael HENSEN and Mike PETRY: "Searching for a Sense of Self": Postmodernist Theories of Identity and the Novels of Salman Rushdie -- Stéphanie RAVILLON: An Introduction to Salman Rushdie's Hybrid Aesthetic: The Satanic Verses -- Cecile SANDTEN: East is West: Hanif Kureishi's Urban Hybrids and Atima Srivastava's Metropolitan Yuppies -- Christine VOGT-WILLIAM: Rescue Me? No, Thanks! A Wicked Old Woman and Anita and Me -- Notes on Contributors.
    Additional Edition: Erscheint auch als Druck-Ausgabe Towards a Transcultural Future: Literature and Society in a 'Post'-Colonial World 2 Leiden : BRILL, 2005 ISBN 9789042017368
    Language: English
    URL: DOI
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